Anish Kapoor's latest exhibition invites the sublime to the Palace of Versailles

Anish Kapoor continues his exploration of the sublime by inviting outright controversy and hedonism into the Palace of Versailles. Former residents Sun King Louis XIV and Queen Marie-Antoinette were known for their liberal hedonism and through six works dotted across André Le Nôtre's colossal, obsessively manicured gardens and in the nearby Salle du Jeu de Paume, Kapoor reveals that which lurks in the Chateau's centuries-old shadows.
'Versailles' gardens are like a covering where nature is seen as a perfect sublime object - well it's not,' the British-Indian artist told Wallpaper*. 'It's about politics and power. Louis XIV was very controversial and sexual. And I'm interested in this dialogue, in the juxtaposition.'
Kapoor explores power and the sublime by uncovering, excavating, what's hidden. The pieces form a narrative playing with light in works like 'C-Curve' and 'Sky Mirror,' and darkness in 'Sectional Body preparing for Monastic Singularity' and 'Dirty Corner,' to descent like 'Shooting into the Corner' and 'Descension'. The artist explains, 'I hope the narrative makes viewers feel uncomfortable at times. I'm not interested in commentary though - I'm not trying to say what things mean…The dialogue between the work and place has to remain speculative and poetic. It's about how you relate to it.'
Causing nationwide controversy in a country that reveres Gustave Courbet's explicit painting 'The Origin of the World,' is 'Dirty Corner.' Coined 'the queen's vagina', Kapoor is most excited about this piece and claims its sexuality is a 'non-subject' that cuts the rest of the dialogue short. The 10-metre-high sculpture that resembles a giant rusty foxglove, with its highly phallic stem Kapoor says 'looks as though it's been dug up, discovered by chance, and it's as if it's older than Le Nôtre, like a kind of Mother Goddess!'
On a reflective note Kapoor concludes that 'throughout, I'm most interested in the contradiction though, the idea that what you see isn't quite what you think you see.'
Kapoor explores power and the sublime by uncovering - excavating - what's hidden. He says 'I hope the narrative makes viewers feel uncomfortable at times.' Pictured here: 'Shooting into the Corner', 2008-2009.
'Shooting into the Corner', 2008-2009.
The pieces form a narrative playing with light, darkness and descent. Pictured here: 'Sectional Body preparing for Monadic Singularity' from 2015 which evokes darkness.
'Sky Mirror', 2013.
Causing nationwide controversy is 'Dirty Corner', pictured here. Coined 'the queen's vagina', Kapoor believes focusing on sexuality in this work is a 'non-subject' that cuts the rest of the dialogue short.
'C-Curve', 2007.
ADDRESS
Place d'Armes
78000
Versailles
France
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Vestre’s neo-brutalist furniture will bring ‘a little madness’ to Paris Fashion Week
Bound for Paris Men’s Fashion Week this month, Norwegian furniture brand Vestre reveals a sculptural bench and mirror created with designer Vincent Laine and fashion creative Willy Cartier – the latest outcome of its risk-taking ‘a little madness’ initiative
-
For its latest runway show, Zegna creates a serene oasis in Dubai
The Italian fashion house took over the Dubai Opera for a S/S 2026 show that proposed a lived-in elegance, drawing inspiration from Dubai’s sunbaked landscapes and Zegna’s birthplace of Trivero
-
Time-travel to the golden age of the cruise ship at Sea Containers London
The South Bank hotel celebrates its tenth anniversary with four new suites inspired by period cabin design, from Edwardian elegance to 1980s glamour
-
Anish Kapoor on myth, meaning and melancholia
British-Indian sculptor Anish Kapoor gets confessional for a new documentary, Under the Skin
-
Secret 7” returns with vinyl cover art designed by creative heavyweights, and it’s all up for grabs
-
Anish Kapoor reflects on Korea’s maturing art identity, as Kukje Gallery leads the charge
-
Anya Hindmarch guest edits Sotheby’s 'Contemporary Curated' London auction
-
Art of war: John Pawson makes a wartime base a home for The Feuerle Collection
-
'My Red Homeland': Anish Kapoor presents his first Russian solo show
S-Curve, 2006, a curving concave then convex mirror; and My Red Homeland, 2003, a melted red wax wall. But they are handsomely mounted in the centre’s large gallery spaces and, here, less is definitely more. Kapoor’s work demands a lot of empty space and they get it.
-
Trauma and tranquility: Anish Kapoor and minimalist Lee Ufan take over London's Lisson Gallery
-
Light shows and pink feathers: how Art Basel 2015 took over Hong Kong