'100 Yrs' by Doug Aitken at New York's 303 Gallery

Few artists would get the green light to excavate a crater out of a gallery's floor these days, but Doug Aitken is worth making an exception for. The showpiece of his latest exhibition '100 Yrs' at New York City's 303 Gallery is just that - a gaping hole in the middle of its minimalist exhibition space.
Filled with milky water, the work - titled 'Sonic Fountain' - is accompanied by an installation of sounds and water droplets from above. The controlled rhythm of the dripping water mimics the pattern of breathing to hypnotic effect.
Aitken has consistently kept the art world guessing with his simple, yet grandiose gestures. In this latest outing, the Los Angeles-based maverick proved that he doesn't need a museum building or a big city block to pack a punch. '100 Yrs' is made up of eight provocative works that are each distillations of the multimedia artist's arresting visual style.
These include a Plexiglas sculpture of the word 'Art', which repeatedly overflows with bubbling liquid earth, simply called 'Fountain (Earth Fountain)', and a ticking light box that highlights the blurred lines of its title 'Not Enough Time in the Day' with each flash.
Aitken's ability to delicately tread the line between moving and static works, as well as highbrow and popular culture, imbues each piece with an innate tension. Even in self-contained works like these, the effect is mesmerising.
2013 is shaping up to be the artist's biggest year yet. A new commission, 'Mirror' will soon be permanently installed on the façade of the Seattle Art Museum, while SFMOMA in San Francisco will stage a citywide installation of his Empire Trilogy in site-specific locations later this year.
'Party', 2013, is fashioned from an LED-lit lightbox
'100 YRS' by Doug Aitken, 2013, is another LED-lit lightbox work
Installation view, showing 'Sonic Fountain' and 'Sunset (black)'
'Sunset (black)', 2013, is made from hand-carved foam and epoxy, with LED lights and hand-silk-screened acrylic
'Fountain (earth fountain)', 2012, is built from Plexiglas, steel, a pumping system, soil, coloured methyl cellulose, and lava stones
'Sonic Table (Green Onyx Sound Table)', 2011-2013, features a wooden frame and a marble top
'Not Enough Time in the Day', 2013, comprises an LED-lit lightbox
'More (shattered pour)', 2013, is built from high density foam, wood and mirror
ADDRESS
303 Gallery
547 West 21st Street
New York
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
Premium pocketable audio scales up with the new SP4000 from Astell&Kern
The Astell&Kern A&ultima SP4000 is a serious piece of audiophile equipment, a high-res portable player that offers endless ways to shape your listening experience
-
The ultimate amenity in this Canadian apartment building? A trio of scene-stealing restaurants
Part of Citizen on Jasper, a new residential tower, Va!, Olia, and Mimi offer a thrilling day-to-night dining experience
-
These sculptural mirrors embody the relaxed spirit of the Med
Photographed in a Mallorcan residence designed by local studio Munarq, these new sculptural mirrors by New York furniture company Ready To Hang are inspired by the sea
-
Richard Prince recontextualises archival advertisements in Texas
The artist unites his ‘Posters’ – based on ads for everything from cat pictures to nudes – at Hetzler, Marfa
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…
-
The best Ruth Asawa exhibition is actually on the streets of San Francisco
The artist, now the subject of a major retrospective at SFMOMA, designed many public sculptures scattered across the Bay Area – you just have to know where to look
-
Orlando Museum of Art wants to showcase more Latin American and Hispanic artists. Do you fit the bill?
The Florida gallery calls for for Hispanic and Latin American artists to submit their work for an ongoing exhibition
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis-based art fair is known for bringing Black art to the forefront. As it ventures out of state to make its Los Angeles debut, we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick Collection
The actor has appeared in a video promoting New York’s newly renovated art museum
-
'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage
'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture