Singapore's cultural cachet rises with opening of new National Gallery
Singapore's creative revolution continues apace with the opening of the new National Gallery
![National Gallery Singapore](https://cdn.mos.cms.futurecdn.net/hJqRNTCmCsJ4eBZ4h2K4jK-415-80.jpg)
With the opening of the National Gallery, Singapore finally corrects a glaring anomaly in its otherwise impressive cultural CV: a comprehensive visual arts institution.
Designed by the French architecture firm Studio Milou in partnership with local outfit CPG Consultants Pte Ltd, the new gallery - which houses the largest public collection of modern and contemporary art in southeast Asia - actually comprises two adjoining early 20th-century piles, the former City Hall and the Supreme Court.
Costing around S$530m, the National Gallery is a triumph of pragmatic restoration and repurposing of historic architecture. Thankfully, the grand neo-classical Palladian exteriors have been preserved, with the two buildings now visually linked by a dramatic filigreed metallic veil that partially drapes over both from the roof to street level. From some angles, the veil resembles finely woven rattan and, from others, silky ikat. 'This simple and sweeping gesture,' says lead architect Jean-François Milou, 'means that interventions into each building are minimal so as to respect their architectural authenticity and character.'
Which is not to say that project was a walk in the park. As it turns out, the most significant interventions are not immediately obvious. Poor soil conditions meant that the foundations had to be reinforced with new basements (City Hall was listing at six degrees), floor loadings were reinforced to take the weight of sculptural exhibits, while thermal, electrical, security, acoustics and museum technology all had to be hidden behind walls and beneath floors.
The bones of the original interior spaces - the old courtrooms, light-filled marbled public corridors, timber paneled judges' chambers and the like - have been carefully preserved and integrated into a sequence of generously proportioned gallery spaces. Clocking in at around 64,000 sq m, the National Gallery now matches, in terms of size, the Musée d'Orsay and Tate Modern.
The National Gallery's collection may not not match the celebrity of those European landmarks just yet; but what's important is that here, finally, is the missing piece in Singapore's drive to be a fully rounded global capital. For the first time, masterpieces by the likes of Georgette Chen, Hendra Gunawan, Liu Kang and Lim Yew Kuan are being viewed as an organic, cohesive collection - and with a home to match.
The project comprises two adjoining early 20th-century piles, the former City Hall and the Supreme Court (pictured).
The existing grand neo-classical Palladian exteriors have been preserved, while the inside structure has been updated for the 21st century.
The two buildings are now visually linked by a dramatic filigreed metallic veil that partially drapes over both.
The project is a triumph of pragmatic restoration and repurposing of historic architecture.
The generously proportioned National Gallery now matches, in terms of size, the Musée d'Orsay and Tate Modern.
The bones of the original interior spaces - the old courtrooms, light-filled marbled public corridors, and the like - have been carefully preserved and integrated into a sequence of generously proportioned gallery spaces.
The National Gallery now houses the largest public collection of modern and contemporary art in southeast Asia.
INFORMATION
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National Gallery Singapore opens on 24 November 2015. For more information, visit the website
ADDRESS
National Gallery Singapore
1 St Andrew's Road
Singapore
Daven Wu is the Singapore Editor at Wallpaper*. A former corporate lawyer, he has been covering Singapore and the neighbouring South-East Asian region since 1999, writing extensively about architecture, design, and travel for both the magazine and website. He is also the City Editor for the Phaidon Wallpaper* City Guide to Singapore.
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