Paul Kasmin reveals fourth gallery space designed by studioMDA

Standing just outside the shadows of Zaha Hadid’s futuristic condo building, 520 West 28th Street, and the High Line is the latest addition to New York’s Chelsea district – a newly built fourth gallery space for the art dealer Paul Kasmin. Designed by Markus Dochantschi of studioMDA, a longtime collaborator of Kasmin’s, the new gallery features a column-free exhibition space punctuated by 28 skylights. It's topped by a rooftop sculpture garden armed with a rotating exhibition programme that is also visible to the High Line’s six million visitors around the year.
As one of the neighbourhood’s few purpose-built gallery spaces, the newest Kasmin Gallery cuts a memorable figure. Cast out of concrete, the building makes a strong first impression with a white concrete façade that has been given the texture of brushed oak, and frames the expansive glass storefront. Inside, the 280 sq m space is capped off by a ceiling composed of 28 trapezoidal coffers, each individually installed with a skylight to ensure a flood of natural daylight into the gallery.
Not only does this waffle structure bring an innate rhythm to the space, it also provides flexibility for the exhibition area to be divided and partitioned as each show sees fit. Almost 7m-high walls also ensure that the gallery’s large-scale works are given the room that they need, which the opening exhibition of Walton Ford paintings make full use of.
The opening show focuses on new painting work by Walton Ford. Photography: Diego Flores
The gallery’s rooftop fulfills a similar goal – to provide the best backdrop for Kasmin’s growing sculpture collection. The garden brings an additional 465 sq m of outdoor exhibition space to the table, with the embedded skylights providing illumination in the evening.
Located what seems to be just an arms’ length from the High Line, the gallery’s sculpture garden is an unexpected feature that continues the natural visual plane when viewed from the public space. It boasts a gently undulating topography, designed by Future Green, and has been filled with trees and foliage that will change with the seasons. Individual platforms have also been installed to optimise the sculptures’ stability and visibility. Three bronze sculptures by Joel Shapiro inaugurate the new garden.
‘The new gallery is the result of many years of discussion,’ says Kasmin. ‘Nearly all galleries in Chelsea are adapted industrial spaces so the real ambition has been to create a purpose-built exhibition space with the sole intention of showing art at its very best and taking shows outside [into the garden] off the gallery walls.’
The new gallery features a column-free exhibition space punctuated by 28 skylights. Photography: Roland Halbe
A series of pieces by Joel Shapiro are installed on the gallery's rooftop sculpture garden. Photography: Christopher Stach, courtesy of Kasmin Gallery, © 2018 Joel Shapiro / Artists Rights Society (ARS), New York
INFORMATION
For more information visit the website of StudioMda
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.
-
A spectacular lakeside house in Canada results from a radical overhaul
Splyce Design’s Shoreline House occupies an idyllic site in British Columbia. Refurbished and updated, the structure has been transformed into a waterside retreat
-
Yuri Suzuki turns sound into architecture at Camden Arts Projects
The sound designer unveils ‘Utooto’, an interactive installation at London’s Camden Arts Projects (until 5 October 2025), in which visitors collaboratively build a sonic piece of architecture
-
Campaigners propose reuse to save Kenzo Tange’s modernist ‘Ship Gymnasium’ in Japan
The Pritzker Prize-winning architect’s former Kagawa Prefectural Gymnasium is at risk of demolition; we caught up with the campaigners who hope to save it
-
The spread of Butter: the Black-owned art fair where artists see all the profits
The Indianapolis-based art fair is known for bringing Black art to the forefront. As it ventures out of state to make its Los Angeles debut, we speak with founders Mali and Alan Bacon to find out more
-
Steve Martin wants you to visit The Frick Collection
The actor has appeared in a video promoting New York’s newly renovated art museum
-
'What does it mean that the language of photography is invented by men?' Justine Kurland explores the feminist potential of collage
'The Rose,' at the Center for Photography at Woodstock (CPW) in Kingston, New York, examines the work of over 50 artists using collage as a feminist practice
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
The dynamic young gallerists reinvigorating America's art scene
'Hugging has replaced air kissing' in this new wave of galleries with craft and community at their core
-
Meet the New York-based artists destabilising the boundaries of society
A new show in London presents seven young New York-based artists who are pushing against the borders between refined aesthetics and primal materiality
-
‘Her pictures looked like pictures everybody knew were the truth’: Diane Arbus at the Armory
Matthieu Humery curates more than 400 of Arbus’ photographs at New York’s Park Avenue Armory – every picture she was known to have printed
-
Mystic, feminine and erotic: the power of Penny Slinger’s bodies as landscape
Artist Penny Slinger continues her exploration of the sacred, surreal feminine in a Santa Monica exhibition, ‘Meeting at the Horizon’