Manchester Jewish Museum blends old and new to celebrate social history
Manchester Jewish Museum by Citizens Design Bureau effortlessly bridges past and present and is the city's newest cultural and social history draw

Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Thank you for signing up to Wallpaper. You will receive a verification email shortly.
There was a problem. Please refresh the page and try again.
Situated on Manchester City’s Cheetham Hill Road, the former synagogue that is now part of the Manchester Jewish Museum was once the focal point of a thriving community and local textile trading industry. Over time, the neighbourhood changed, and eight years ago, the Grade II-listed structure found itself in an ambiguous context of industrial warehouses and ramshackle merchants' buildings. It is in this setting that Citizens Design Bureau began searching for a way to ‘express the messiness and blurred boundaries of the surrounding context’, says practice director Katy Marks. The studio was appointed in 2016, and now, after almost a decade of planning and two years of closure, the new Manchester Jewish Museum is complete and opens its doors to the public.
A collaborative design process with the local community uncovered food as a point of intersection among multiple faiths. This led to a brief reimagining the museum as a public ‘living-room’ with the ability to host community meals and functions, as well as a range of live events.
For this to be successfully realised, it was important that the new extension did not reference any religious iconography that might subsequently reject or exclude certain communities. Externally, this intent is expressed through a perforated, Corten façade that pulls back to create a new entrance, inviting a diversity of visitors and countering the former synagogue building’s overtly religious appearance.
Internally, a well-lit atrium takes visitors through a programme of café, shop and community learning space; the last equipped to host free baking lessons with locals. Upstairs in the new gallery, a large table housing objects from the museum’s collection doubles as a surface for dining, symbolising the union of faith, culture and tradition: the invisible things that hold communities together.
The interior of the deconsecrated synagogue extends this theme of continuity and sharing through a careful restoration that remains faithful to its history as the oldest surviving synagogue in Manchester, while balancing this with the requirement for a fully functioning performance space. ‘It’s very much about not pleasing everyone but telling stories so that it speaks for itself and invites everyone,’ explains Marks. ‘This is a social history museum not a faith museum, and the synagogue is an artefact within that,’ she continues. New is integrated into old seamlessly; sound infrastructures are concealed within the balustrade which, along with the rest of the interior, has been reinstated to the original 19th-century colour palette.
Much like the synagogue’s outward expression, which reflects the geographical origins of Sephardi Jews in North Africa through its Moorish geometric motifs, the new extension reflects an emerging context of openness and exchange by facilitating intercultural dialogue, bridging religious and cultural differences to build on a shared, common experience.
INFORMATION
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
-
Ronan Bouroullec book merges art, design and everyday life
‘Ronan Bouroullec: Day After Day’, from Phaidon, is a visual inventory of the French designer’s work, artistic output and daily inspiration
By Rosa Bertoli Published
-
Inside the gleaming new Comme des Garçons store in Paris
Comme des Garçons reveals a four-storey new retail space in Paris, housing lines previously only available in Japan, as well as exclusive reissues of Rei Kawakubo’s collectible furniture
By Jack Moss Published
-
Eva Jospin and Ruinart put the fizz in Frieze London 2023
Champagne house Ruinart brings artist Eva Jospin’s vision of its terroir to Frieze London 2023, and celebrates with a limited edition Jeroboam of Ruinart Blanc de Blancs
By Simon Mills Published
-
Sleek contemporary pavilions extend traditional Surrey house
A series of contemporary pavilions transforms the layout of a neo-Georgian house, extending the living spaces into newly landscaped gardens
By Jonathan Bell Published
-
The UK’s first vertical distillery launches in Edinburgh for Port of Leith whisky
A rare example of an urban, vertical distillery has been revealed in Edinburgh for Port of Leith whisky
By Ellie Stathaki Published
-
This Edinburgh house extension is rooted in the past and looks to the future
A carefully conceived Edinburgh house extension transforms a mews garage into a secluded modern home, while also enhancing one of Scotland’s most picturesque streets
By Jonathan Bell Published
-
Architect Tsuyoshi Tane on the ‘archaeology of the future’
A new show by architect Tsuyoshi Tane launches today at the TOTO concept gallery in London, exploring the ‘archaeology of the future’
By Ellie Stathaki Published
-
UCL East Marshgate seeks to redefine the university campus of the future
UCL East Marshgate by Stanton Williams is completed and gears up to welcome its students in east London
By Ellie Stathaki Published
-
Studio Mackereth’s 30 Mount Row is a Mayfair gallery with a twist
Studio Mackereth brings a contemporary spin to Mayfair with 30 Mount Row, wrapping a gallery and apartment complex in textured bricks and geometric angles
By Ellie Stathaki Published
-
The finest brutalist architecture in London and beyond
For some of the world's finest brutalist architecture in London and beyond, scroll below. Can’t get enough of brutalism? Neither can we.
By Jonathan Bell Published
-
The Townhouse at The Bryanston reveals sophisticated interiors with park views
The Townhouse at The Bryanston is unveiled, revealing an interior concept by StudioMorey in a coveted London address
By Ellie Stathaki Published