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‘Frank Gehry’ is on show at LACMA until 20 March 2016
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On the heels of last year’s widely acclaimed Fondation Louis Vuitton opening, Frank Gehry has been enjoying a bit of a victory lap, with a new biography and exhibition that each take a long view at the life and work of the 86-year-old architect.
In Building Art: The Life and Work of Frank Gehry, Paul Goldberger sympathetically presents Gehry’s story, beginning with his childhood in one of Toronto’s working class neighbourhoods (as Frank Goldberg), moving through his early architectural experiments in Los Angeles (as a moustachioed leftist), and culminating with his project for Bernard Arnault in Paris (as an architectural statesman and Pritzker laureate). While he has tended to be pigeon-holed, over the years, as a formalist starchitect, the Gehry that emerges in Goldberger’s narrative is someone not only committed to the art of architectural form, but also a practitioner with a deeply held conviction about architecture’s responsibility to social concerns.
The author and subject have known each other for over four decades, and the book reflects this personal dimension. For his research, Goldberger interviewed Gehry over the course of months, and the insights and quotes that he includes reveal a reflective and unguarded image of the man. Archival images from Gehry’s life – on a tricycle in Toronto, on the beach with a young Thom Mayne, and aboard his boat 'Foggy' – animate the text.
For those looking for an even more visual presentation of Gehry’s career, LACMA are currently hosting ‘Frank Gehry’, a major retrospective that first opened at the Centre Pompidou last year. There, visitors will be able to see over 200 drawings and 60 models, all set in the city so integral to Gehry’s life and work.
Though often considered a formalist starchitect, the Gehry that emerges in the book's narrative is a man with a deeply held conviction about architecture’s responsibility to social concerns, as well as a practitioner committed to the art of architectural form. Courtesy Gehry Partners
Though often considered a formalist starchitect, the Gehry that emerges in the book's narrative is a man with a deeply held conviction about architecture’s responsibility to social concerns, as well as a practitioner committed to the art of architectural form. Courtesy Gehry Partners
Goldberger interviewed Gehry over the course of months, subsequently revealing a reflective and very personal image of the man. Courtesy Gehry Partners
Goldberger interviewed Gehry over the course of months, subsequently revealing a reflective and very personal image of the man. Courtesy Gehry Partners
View of the west elevation of the Frederick R Weisman Art and Teaching Museum. Photography: Don F Wong. Courtesy Gehry Partners
View of the west elevation of the Frederick R Weisman Art and Teaching Museum. Photography: Don F Wong. Courtesy Gehry Partners
Final design model for the Fondation Louis Vuitton, 2014–2015 (Paris, France). Courtesy Gehry Partners
Final design model for the Fondation Louis Vuitton, 2014–2015 (Paris, France). Courtesy Gehry Partners
Nationale-Nederlanden Building, view from Jiráskovo Street, 1992–1996 (Prague, Czech Republic). Courtesy Gehry Partners
Nationale-Nederlanden Building, view from Jiráskovo Street, 1992–1996 (Prague, Czech Republic). Courtesy Gehry Partners
