David Willen documents a Citroën garage's transformation

The Schlotterbeck Citröen Garage and workshop in Zurich is undergoing a major redesign, courtesy of giuliani.hönger architects. Photographer David Willen has been documenting the process. Pictured: the building’s tower foundation reinforcement

(Image credit: David Willen)

By Sophie Lovell

published 4 October 2016

in Features

In the 1950s, the age of the automobile, car workshops and showrooms the size of shopping malls became a frequent sight on urban peripheries. The concrete, steel and glass Schlotterbeck Citröen Garage in Zurich, designed in 1951 by Basel architects Suter & Suter, is a perfect example. But needs change and cities evolve. Now, 65 years later, the site is part of the dense city structure and space is at a premium here. The listed building, with its double helix access ramps, has escaped demolition but is being transformed into a hybrid commercial and residential project by giuliani.hönger architects.

During the conversion phase, the changes taking place within the structure of the building are being documented by the Swiss photographer David Willen. Permanence, ruin, renovation, conservation and preservation have also shifted a lot in our understanding over time. Willen’s images preserve for us these transient scenes and spaces that we have learned to value.

*The top loft area and its brightly-coloured electrical installations inspired Willen*

Through his eyes we see a building undergoing change as a work of art, the incisions and demolitions like so many Gordon Matta-Clark cuts; found remnants shot by Willen with near pious care; or a roomful of wooden supports that are reminiscent of David Chipperfield’s 2014 art installation of 144 tree trunks in the Neue Nationalgalerie in Berlin.

This project connects the deeper dimension of time to three-dimensional space and compresses it back to us in two-dimensions in the form of images. Willen understands the aesthetic kick we get out of the intersections of great effort and entropy; the inevitable mortality of things and the nascence of the new. Through this ongoing project we get to see not just the rebirth of a building, but the birth of an artwork as well.

Schlotterbeck under construction, as seen from the nearby park in a densely built part of Zurich

The building’s second floor tower, with its double-helix ramp, now opens on an existing dock wall

On the same floor, giuliani.hönger worked with the listed building’s existing ramp and created its tower volume

The former concrete, steel and glass structure’s double helix is a key architectural feature in both the old and new life of the Schotterbeck Garage

The building offers expansive city views from its roof. Pictured: vistas from the middle section towards the tower

The former factory structure’s third level includes residential units, seen here during the building process

Stud walls on the second floor, before being covered and plastered

Some of the new apartments are duplex maissonettes, so openings were needed to place staircases to connect the floors

Similarly, pictured here is the recess for a duplex unit’s staircase, part of the former first floor workshop and now a residential space

The building’s floorplates were cut open in various places, in order for new staircases to be fitted

Colourful formwork panels were used to shape the tower’s cylindrical concrete form

The basement workshop, pictured here with a revealed existing wall that is part of the foundation

INFORMATION

For more information, visit the Project Schlotterbeck website

Photography: David Willen