Designed by MVRDV, Casa Kwantes has curves in all the right places
He wanted to build a huge family home from the ground up; she wanted to stay in the 1930s enclave of Schiedam, just west of Rotterdam, where their teenaged children had grown up. The city wanted the design to reflect the red-brick vernacular architecture of the neighbourhood. What’s truly amazing about Casa Kwantes is that everybody won.
Avoiding the pitfalls of ‘design by committee’, Jacob van Rijs – a founding partner of local practice MVRDV and a friend of the family – instead devised a new template for Dutch urban living. The double plot, the site of a former hospital just 200m from the family’s previous home, has an unusual angular footprint that van Rijs used to everyone’s advantage. Working within municipal regulations, he crafted a street facade of horizontal brick in chalky white. As far as anyone on the pavement is aware, the story ends there.
Take an interactive tour of Casa Kwantes
Yet the south-facing rear of the house, with banks of full-height glazing, adopts a fluid shape that caves in on itself, like artisanal blown glass. This focuses sightlines inward, so every room has a visual connection to the rest of the house – and to the squat olive tree planted in the courtyard, a nod to one owner’s Greek heritage. But the strategic concave shape means these windows welcome the sun throughout the day without welcoming attention from the neighbours.
‘The romantic ideal in this part of the Netherlands is a red brick retro 1930s villa,’ says van Rijs. ‘We wanted to get out of that. The size of the plot gave us the freedom to do that.’ The rooms extend back toward the ‘business end’ of the house, where wall-to-wall wood cabinetry conceals kitchen appliances, loos, storage and a small entrance. You’d think the sun’s glare would send residents into the depths of the house on sunny days, but cantilevers sweeping over each level offer shade. They also mean the family can live outdoors on covered terraces almost year-round. And in Rotterdam, that’s anything but vernacular.
INFORMATION
For more information, visit the MVRDV website
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Based in London, Ellen Himelfarb travels widely for her reports on architecture and design. Her words appear in The Times, The Telegraph, The World of Interiors, and The Globe and Mail in her native Canada. She has worked with Wallpaper* since 2006.
-
The RIBA House of the Year 2024 winner is a delightful work-in-progress
The winner of the RIBA House of the Year 2024 is Six Columns in South London - the home of architect and 31/44 studio co-founder William Burges
By Ellie Stathaki Published
-
Bold maximalism engulfs The Lafayette Hotel and Club in San Diego
The Lafayette Hotel and Club, designed by Post Company, brings together a rich tapestry of patterns, themes and colours
By Dan Howarth Published
-
Miami Navigator: where to stay, eat, drink and shop in Florida's design-savvy maximalist metropolis
What to do in Miami, where ivory beaches and umbrella-clad caipirinhas share the stage with discerning galleries and global art and design fairs
By Annie Biziou Published
-
Into the woods: a Hampshire home by Alma-nac is the perfect retreat
By Ellie Stathaki Last updated
-
Noiascape’s refined co-living digs for generation rent in London
By Harriet Thorpe Last updated
-
Hot stuff: a Chilean house draws on its volcanic landscape
By Ellie Stathaki Last updated
-
A Hampstead home by Groves Natcheva brings art deco into the 21st century
By Ellie Stathaki Last updated
-
A San Francisco live/work space plays with opacity and transparency
By Sarah Amelar Last updated
-
Victorian minimalist: inside Gable House’s pared-back Scandi interior
By Ellie Stathaki Last updated
-
Studio Saxe’s twin villas in Costa Rica make for the perfect tropical retreat
By Ellie Stathaki Last updated
-
Disco fever: a dynamic duo reinvents a London townhouse
By Christopher Stocks Published