Architectural reuse project provides home for art in Devon
‘Art Barn', a storage, archive and gallery facility for artist Peter Randall-Page's work in Devon is a finely crafted case of architectural reuse by his son Thomas Randall-Page
Jim Stephenson - Photography
When sculptor Peter Randall-Page RA decided to convert a rather nondescript, modern cow barn into a storage facility for his work, he turned to his son for help. Architecture-trained Thomas Randall-Page, who worked with Studio Heatherwick and 6a before setting up his own practice in 2014, proceeded to complete the modest, but beautifully crafted piece of architectural reuse, delivering his client's wishes to perfection; this is ‘Art Barn', a jewel box of a design that has been customised to create, store, archive and occasionally show art.
Located deep in the Devon countryside, the project sits in an idyllic location, surrounded by rolling hills and lush greenery on the egde of Dartmoor National Park. Large openings and a floor-to-ceiling sliding door not only allow the striking natural views and fresh air in, but also ensure large scale sculpture can be easily moved in and out as required.
Meanwhile, a series of industrial scale shutters made out of cedar and galvanised steel can fold and slide, revealing more or less of the interior and views as required by the activities inside - one even transforms into a large, private balcony.
‘My brief stipulated that the building’s exterior should appear hermetically sealed, retaining the character of its agricultural origins,' says the artist. ‘I wanted the experience of arrival to be a slow reveal with levels and apertures unfolding as one moves around the space.'
A large, day-lit gallery sits at the heart of the building. Painted white and kept purposely simple, it becomes the perfect backdrop for viewing art. Next to it, a room-within-a-room contains the commission's office space - known as the ‘Winter Studio'. It is wrapped in cork, distinctly different to the bright, clean gallery, and contains a study and drawing space.
Small as it may be, the project was finely detailed and carefully designed to its smallest element. As a result, it took almost nine years from the barn's purchase to completion. Natural materials, such as stone and timber, were chosen for their functionality and durability, as well as the way they blended naturally within the landscape. As a further gesture of respect towards its pristine setting, the structure is solar-powered and completely off-grid.
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
New York's iconic Breuer Building is now Sotheby's global headquarters. Here's a first lookHerzog & de Meuron implemented a ‘light touch’ in bringing this Manhattan landmark back to life
-
Inside the process of creating the one-of-a-kind book edition gifted to the Booker Prize shortlisted authorsFor over 30 years each work on the Booker Prize shortlist are assigned an artisan bookbinder to produce a one-off edition for the author. We meet one of the artists behind this year’s creations
-
This Mumbai apartment feels pixelated, like walking into a retro video gameA MuseLAB-designed space embraces a repetitive grid pattern, yet manages to feel completely open and unrestrained
-
Richard Seifert's London: 'Urban, modern and bombastically brutalist'London is full of Richard Seifert buildings, sprinkled with the 20th-century architect's magic and uncompromising style; here, we explore his prolific and, at times, controversial career
-
Meet Forefront, a cultural platform redefining the relationship between art and architectureForefront co-founder Dicle Guntas, managing director of developer HGG, tells us about the exciting new initiative and its debut exhibition, a show of lumino-kinetic sculptures in London
-
Corten curves and contemporary flair transform this terraced house in LondonCagni Williams Associates’ sensitive refurbishment of a south London Edwardian house features a striking and sustainable Corten steel extension
-
You may know it as ‘Dirty House’ – now, The Rogue Room brings 21st-century wellness to ShoreditchThe Rogue Room – set in the building formerly known as Dirty House by Sir David Adjaye, now reinvented by Studioshaw – bridges wellness and culture in London's Shoreditch
-
The architectural innovation hidden in plain sight at Frieze London 2025The 2025 Frieze entrance pavilions launch this week alongside the art fair, showcasing a brand-new, modular building system set to shake up the architecture of large-scale events
-
RIBA Stirling Prize 2025 winner is ‘a radical reimagining of later living’Appleby Blue Almshouse wins the RIBA Stirling Prize 2025, crowning the social housing complex for over-65s by Witherford Watson Mann Architects, the best building of the year
-
‘Belonging’ – the LFA 2026 theme is revealed, exploring how places can become personalThe idea of belonging and what it means in today’s world will be central at the London Festival of Architecture’s explorations, as the event’s 2026 theme has been announced today
-
Join us on a first look inside Regent’s View, the revamped canalside gasholder project in LondonRegent's View, the RSHP-designed development for St William, situated on a former gasholder site on a canal in east London, has just completed its first phase