Philipp Plein’s woman is a fierce, fearless one who is a warrior on the streets as well as the nightclubs – she’s thrown out her high heels for spiked flat boots and studded up platforms and she’s got enough leather and silver to fill up a band of high-end Harley’s Angels. Brought to life by Thierry Dreyfus' production company Eyesight, an enormous conveyor belt was set up inside a huge warehouse on the outskirts of Milan where models were ‘assembled’ like packaged goods by gigantic swinging machines, as if at a car manufacturer. If that weren’t enough Plein also stationed a robot band called CompressorHead, a musical group of non-humans whose metal heads bounced back and forth as they punched on drums and hammered on their guitars. Next? A screaming live concert by none other than Courtney Love. It was unreal, as usual, and setting the bar ever higher for master showman Plein.
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Jack Moss is the Fashion & Beauty Features Director at Wallpaper*, having joined the team in 2022 as Fashion Features Editor. Previously the digital features editor at AnOther and digital editor at 10 Magazine, he has also contributed to numerous international publications and featured in ‘Dazed: 32 Years Confused: The Covers’, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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