Dan Graham exhibition at Lisson Gallery, London
Dan Graham’s works are deliberately disorientating. Constructed from two-way mirrors, steel and glass, the Illinois-born artist’s freestanding, walk-in pavilions create optical illusions and reflections that play on people’s voyeuristic tendencies, giving viewers elusive glimpses of themselves and others as they step through them. The effect is a little like trying to chase your own shadow.
Part of a series begun in the 1980s, the pavilions and models at London’s Lisson Gallery were inspired by the two-way mirror glass used in office buildings. Graham’s architectural creations are a light-hearted play on the surveillance aspect of the material, as well as on corporate culture.
Based in New York, multi-disciplinary Graham – whose work also includes photography, live performances and video installationa and who has exhibited at everything from the Whitney Museum of American Art in New York to London’s Tate Modern - often experiments with optics, implementing fish-eye lenses and small pools of water to reflect the interior of his structures. His new body of work extends this trickery on an impressive scale.
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Lauren Ho is the former travel editor at Wallpaper*. Now a contributing editor, she roams the globe, writing extensively about luxury travel, architecture and design for both the magazine and the website, alongside various other titles. She is also the European Academy Chair for the World's 50 Best Hotels.
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