Record breaking: artist Cody Hoyt shows oversize ceramics at Patrick Parrish
Brooklyn-based artist Cody Hoyt’s second exhibition at Soho gallery Patrick Parrish – 'Fossil Record' – pushes the limitations of ceramics to the edge.
Originally a painter, illustrator, and printmaker, Hoyt shifted to working primarily in ceramics several years ago. As a result, his mesmerising vessels have surfaces that command as much attention as their structures, from riotous colourful melees to precise geometric patterns. Hoyt hand-forms the faceted vessels and uses tinted inlay clay pattering that is sliced, sanded and fired to reveal distinctive designs.
'Fossil Record' builds on Hoyt’s oeuvre in scale – some of the pieces, at about 32 inches tall, are his largest vessels yet – and in form. Due to the comparative oversize scale of his work, Hoyt risks having the vessels become cracked or broken in the kiln. 'Cody’s really pushing the pieces, and that has brought on its own set of issues and problems that he’s had to work through,' says gallery owner Patrick Parrish. 'He’s technically working in “the wrong way".'
The striations in the clay add a rich element to the pieces, taking on different nuances and revealing the process behind each one. His hand-marbled vessels resemble wood or sandstone in a wabi sabi manner, while his more constructivist patterns appear to cut through the exterior to the inside. 'Instead of making everything perfect, he’s trying to embrace the flaws, the damage,' says Parrish. 'He’s making something beautiful out of what could be considered failure and seeing where it goes.'
Hoyt admits that the involved process to create this effect is a challenge (a large percentage of the pieces break completely in the kiln), but the resulting beauty is worth it. And from the bustling crowd and number of red reserve dots cropping up on his pieces at the gallery’s opening night, it seems everyone agrees.
INFORMATION
’Cody Hoyt: Fossil Record’ is on view until 12 March. For more information, visit Patrick Parrish’s website
Photography: Clemens Kois
ADDRESS
Patrick Parrish
50 Lispenard Street
New York, NY 10013
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
-
These new Samsung x Marimekko accessories bring cult patterns to your pocket devices
Finnish design house Marimekko has infused accessories for the latest Samsung devices with its characteristic abstract floral style
By Jonathan Bell Published
-
Brunello Cucinelli takes a Roman holiday to launch new eyewear collection
Wallpaper* joined Brunello Cucinelli’s opulent festivities at Rome’s Villa Aurelia, which heralded a new eyewear collection created in collaboration with EssilorLuxottica
By Jack Moss Published
-
San Sabino offers mellow Italian-American dining in New York
San Sabino debuts in New York’s West Village, helmed by Angie Rito and Scott Tacinelli, with interiors by GRT Architects
By Sofia de la Cruz Published
-
‘LA Gun Club’: artist Jane Hilton on who’s shooting who
‘LA Gun Club’, an exhibition by Jane Hilton at New York’s Palo Gallery, explores American gun culture through a study of targets and shooters
By Hannah Silver Published
-
Detroit Institute of Arts celebrates Black cinema
‘Regeneration: Black Cinema 1898-1971’ at the Detroit Institute of Arts (DIA) brings lost or forgotten films, filmmakers and performers to a contemporary audience
By Anne Soward Published
-
BLUM marks 30 years of Japanese contemporary art in America
BLUM will take ‘Thirty Years: Written with a Splash of Blood’ to its New York space in September 2024, continuing its celebration of Japanese contemporary art in America
By Timothy Anscombe-Bell Published
-
Todd Gray’s sculptural photography collages defy dimension, linearity and narrative
In Todd Gray’s New York exhibition, he revisits his 40-year archive, fragmented into elaborated frames that open doors for new readings
By Osman Can Yerebakan Published
-
Frieze LA 2024 guide: the art, gossip and buzz
Our Frieze LA 2024 guide includes everything you need to know and see in and around the fair
By Renée Reizman Published
-
New York artist Christopher Astley showcases an alternative natural world
At Martos Gallery in New York, Christopher Astley’s paintings evoke an alternative natural world and the chaos of warfare (until 16 March 2024)
By Tianna Williams Published
-
The Whitney plots Harold Cohen’s artistic AI adventures
‘Harold Cohen: AARON’, at the Whitney Museum of American Art celebrates the artist’s software – the earliest AI program for artmaking – as an artwork in its own right
By Hannah Silver Published
-
Ludovic Nkoth’s vibrant paintings reflect on migration
Cameroon-born, New York-based Ludovic Nkoth uses acrylic paint to strike a balance between abstraction and figuration
By Ugonna-Ora Owoh Published