You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Daily (Mon-Sun)
Daily Digest
Sign up for global news and reviews, a Wallpaper* take on architecture, design, art & culture, fashion & beauty, travel, tech, watches & jewellery and more.
Monthly, coming soon
The Rundown
A design-minded take on the world of style from Wallpaper* fashion features editor Jack Moss, from global runway shows to insider news and emerging trends.
Monthly, coming soon
The Design File
A closer look at the people and places shaping design, from inspiring interiors to exceptional products, in an expert edit by Wallpaper* global design director Hugo Macdonald.
When Singaporean curator Emi Eu approached compatriot Dawn Ng to create an installation to inaugurate Hermès’s refurbished flagship store, the visual artist barely hesitated. For one thing, it’s not everyday that the sixth-generation marque comes knocking. And for another, the site – Aloft at Hermès – is both a brand new, fourth-floor column-less exhibition space that is one of just five Fondation d'entreprise Hermès art spaces in the world, and the perfect blank canvas for Ng’s expansive, free-ranging installations.
‘When Emi approached me with the Hermès commission, she spoke of new perspectives and horizons,' Ng recalls. ‘I thought about newness in the context of the world we live in today, which tends to shout or blare, to rise above the visual or social noise around us and create a big bang. I wanted to take the work in the opposite direction to a place that was soft, naive and innocent.’
The result is all that and more. Anchored by large pastel-hued plaster and wood blocks whose ends are lined with slender slabs of mirrors, the all-white room engenders an immediate sensation of quiet stillness. The random placement of the blocks creates physical gullies that coax visitors to flow in and out of spaces, their presence reflected in fleeting, disembodied mirrored glimpses. The concept is disarming in its simplicity and unexpectedly moving in the experience.
Ng says the abstract colour planes – an idea that owes much to the French post-war artist Yves Klein – represent different portals, and their symbolic and psychological ability to usher people from one place, time, or self, to the next, so that they disappear and re-emerge again.
‘I felt this softness and purity was much more powerful and startling when transformed into a surreal environment for someone to be immersed in,’ she says. ‘I wanted to create an abstract sense of moving through the soft pastel colour planes of an early horizon – that child-like, ephemeral place between sleep and consciousness, that gentle awakening to a new beginning.’
The space is a new fourth-floor, column-less exhibition hall that is one of just five Fondation d'entreprise Hermès art spaces in the world, and the perfect blank canvas for Ng’s expansive, free-ranging installations
Anchored by large pastel-hued plaster and wood blocks whose ends are lined with slender slabs of mirrors, the all-white room engenders an immediate sensation of quiet stillness
The random placement of the blocks creates physical gullies that coax visitors to flow in and out of spaces, their presence reflected in disembodied mirrored glimpses
Ng (pictured) explains, ‘I wanted to create an abstract sense of moving through the soft pastel colour planes of an early horizon – that child-like, ephemeral place between sleep and consciousness, that gentle awakening to a new beginning’
INFORMATION
'How to Disappear into a Rainbow' is on view until 14 August. For more information, visit the Fondation d'entreprise Hermès website
Photography courtesy the artist and Hermès
ADDRESS
Aloft, Hermès
541 Orchard Road
#01-02A Liat Towers
Singapore