The 'November 1-December 21' exhibition, which takes its name from duration of the show, puts the work of artists Liam Gillick and Louise Kaplan side-by-side at Casey Kaplan Gallery in New York.
New York-based contemporary art stalwarts Liam Gillick and Louise Lawler have pooled their creative talents for a new show in Chelsea. Titled 'November 1-December 21' - referencing the length of the exhibition - the installation at Casey Kaplan gallery displays their work side-by-side.
'Each of us sets the scene,' says Gillick. 'The resulting exhibition layers our works onto the gallery rather than simply placing them within it.'
Gillick has created a large-scale installation of hanging text suspended from the gallery's ceiling, while Lawler's photographs surround the space. Lawler, who is known for her critique of the display and documentation of art, has selected two of her photographs - one of the negative space between works by Carl Andre, Richard Serra and Gerhard Richter displayed in a gallery, and another of Edgar Degas' 14-year old ballet dancer, Marie Geneviéve van Goethem - and stretched them along the walls of the space. The new site-specific pieces are distorted into unrecognisable streaks of colour that encircle the gallery.
In contrast, Gillick's hanging installation, 'Övningskörning (Driving Practice Parts 1-30)' - first shown at the Milwaukee Art Museum in 2004 and now presented at Casey Kaplan in a more compressed, easier to read fashion - is a clear, unabashed statement that hangs above visitors' heads. The text describes a scenario written by Gillick in response to a site visit to Kalmar, Sweden, where Volvo first instituted its socialistic approach to auto-manufacturing. Using aluminium letters, Gillick outlines how auto-production could be controlled after the organised systems have broken down.
Despite being completely loyal to each artist's style, both works not only comment on the power of abstraction, but also the framework of art itself. Like its title suggests, this rare visual dialogue is on view for a limited time only, so get in while it lasts.
Gillick has created a large-scale installation of hanging text suspended from the gallery's ceiling, while Lawler's photographs surround the space
'Each of us sets the scene,' explains Gillick. 'The resulting exhibition layers our works onto the gallery rather than simply placing them within it'
Lawler's image of the negative space between works by Carl Andre, Richard Serra and Gerharrd Richter installed in a gallery
Lawler, who is known for her critique of the display and documentation of art, has selected two of her photographs and stretched them along the gallery walls. The new site-specific pieces are distorted into unrecognisable streaks of colour that encircle the gallery
In Gillick's hanging installation, Övningskörning (Driving Practice Parts 1-30), the text describes a scenario written by Gillick in response to a site visit to Kalmar, Sweden, where Volvo first instituted its socialistic approach to auto-manufacturing
Using aluminium letters, clear, unabashed statements hang above visitors' heads. Gillick outlines how auto-production could be controlled after the organised systems have broken down
Lawler's image of Edgar Degas' 14-year old ballet dancer, Marie Geneviéve van Goethem
ADDRESS
Casey Kaplan
525 West 21st Street
New York, NY
-
Sound and vision are combined in this Dyson x Porter bag and wireless headphone comboDyson’s first limited edition collaboration with cult Japanese bag brand Porter brings together the OnTrac headphones with a stylish shoulder bag
-
RIBA reveals more three shortlisted structures for 2025’s House of the Year awardThree more houses join the shortlist for the UK’s highest domestic architectural accolade. We explore the Triangle House, Amento and Jankes Barn
-
JLR is a mainstay of modern motoring luxury, but do car brands need creative figureheads?With Gerry McGovern departing from Jaguar Land Rover, what next for the Indian-owned, British-built house of brands?
-
Nadia Lee Cohen distils a distant American memory into an unflinching new photo book‘Holy Ohio’ documents the British photographer and filmmaker’s personal journey as she reconnects with distant family and her earliest American memories
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Ed Ruscha’s foray into chocolate is sweet, smart and very AmericanArt and chocolate combine deliciously in ‘Made in California’, a project from the artist with andSons Chocolatiers
-
Inside the work of photographer Seydou Keïta, who captured portraits across West Africa‘Seydou Keïta: A Tactile Lens’, an exhibition at the Brooklyn Museum, New York, celebrates the 20th-century photographer
-
Out of office: The Wallpaper* editors’ picks of the weekFrom sumo wrestling to Singaporean fare, medieval manuscripts to magnetic exhibitions, the Wallpaper* team have traversed the length and breadth of culture in the capital this week
-
María Berrío creates fantastical worlds from Japanese-paper collages in New YorkNew York-based Colombian artist María Berrío explores a love of folklore and myth in delicate and colourful works on paper
-
Out of office: the Wallpaper* editors’ picks of the weekAs we approach Frieze, our editors have been trawling the capital's galleries. Elsewhere: a 'Wineglass' marathon, a must-see film, and a visit to a science museum
-
June Leaf’s New York survey captures a life in motionJune Leaf made art in many forms for over seven decades, with an unstoppable energy and fierce appetite leading her to rationalise life in her own terms.
