The 'November 1-December 21' exhibition, which takes its name from duration of the show, puts the work of artists Liam Gillick and Louise Kaplan side-by-side at Casey Kaplan Gallery in New York.
New York-based contemporary art stalwarts Liam Gillick and Louise Lawler have pooled their creative talents for a new show in Chelsea. Titled 'November 1-December 21' - referencing the length of the exhibition - the installation at Casey Kaplan gallery displays their work side-by-side.
'Each of us sets the scene,' says Gillick. 'The resulting exhibition layers our works onto the gallery rather than simply placing them within it.'
Gillick has created a large-scale installation of hanging text suspended from the gallery's ceiling, while Lawler's photographs surround the space. Lawler, who is known for her critique of the display and documentation of art, has selected two of her photographs - one of the negative space between works by Carl Andre, Richard Serra and Gerhard Richter displayed in a gallery, and another of Edgar Degas' 14-year old ballet dancer, Marie Geneviéve van Goethem - and stretched them along the walls of the space. The new site-specific pieces are distorted into unrecognisable streaks of colour that encircle the gallery.
In contrast, Gillick's hanging installation, 'Övningskörning (Driving Practice Parts 1-30)' - first shown at the Milwaukee Art Museum in 2004 and now presented at Casey Kaplan in a more compressed, easier to read fashion - is a clear, unabashed statement that hangs above visitors' heads. The text describes a scenario written by Gillick in response to a site visit to Kalmar, Sweden, where Volvo first instituted its socialistic approach to auto-manufacturing. Using aluminium letters, Gillick outlines how auto-production could be controlled after the organised systems have broken down.
Despite being completely loyal to each artist's style, both works not only comment on the power of abstraction, but also the framework of art itself. Like its title suggests, this rare visual dialogue is on view for a limited time only, so get in while it lasts.
Gillick has created a large-scale installation of hanging text suspended from the gallery's ceiling, while Lawler's photographs surround the space
'Each of us sets the scene,' explains Gillick. 'The resulting exhibition layers our works onto the gallery rather than simply placing them within it'
Lawler's image of the negative space between works by Carl Andre, Richard Serra and Gerharrd Richter installed in a gallery
Lawler, who is known for her critique of the display and documentation of art, has selected two of her photographs and stretched them along the gallery walls. The new site-specific pieces are distorted into unrecognisable streaks of colour that encircle the gallery
In Gillick's hanging installation, Övningskörning (Driving Practice Parts 1-30), the text describes a scenario written by Gillick in response to a site visit to Kalmar, Sweden, where Volvo first instituted its socialistic approach to auto-manufacturing
Using aluminium letters, clear, unabashed statements hang above visitors' heads. Gillick outlines how auto-production could be controlled after the organised systems have broken down
Lawler's image of Edgar Degas' 14-year old ballet dancer, Marie Geneviéve van Goethem
ADDRESS
Casey Kaplan
525 West 21st Street
New York, NY
-
At the Royal Academy summer show, architecture and art combine as never beforeThe Royal Academy summer show is about to open in London; we toured the iconic annual exhibition and spoke to its curator for architecture, Farshid Moussavi
-
This surreal new seafood restaurant in LA is the stuff of mermaid's dreamsAt Cento Raw Bar, delectable fare is complemented by playful, oceanic interiors by Brandon Miradi
-
What’s new in the wearable world of smart glasses, and extended and augmented realityAre you ready for AR? Meta, Google, Snap and more are gearing up to compete with Apple and deliver frames-based communications devices – complete with AI integration
-
Out of office: the Wallpaper* editors’ picks of the weekIt was a jam-packed week for the Wallpaper* staff, entailing furniture, tech and music launches and lots of good food – from afternoon tea to omakase
-
Out of office: what the Wallpaper* editors have been up to this weekThis week saw the Wallpaper* team jet-setting to Jordan and New York; those of us left in London had to make do with being transported via the power of music at rooftop bars, live sets and hologram performances
-
Photographer Geordie Wood takes a leap of faith with first film, DiversGeordie Wood delved into the world of professional diving in Fort Lauderdale for his first film
-
New book celebrates 100 years of New York City landmarks where LGBTQ+ history took placeMarc Zinaman’s ‘Queer Happened Here: 100 Years of NYC’s Landmark LGBTQ+ Places’ is a vital tribute to queer culture
-
A major Takashi Murakami exhibition sees the world in kaleidoscopic colourThe Cleveland Art Museum presents 'Takashi Murakami 'Stepping on the Tail of a Rainbow', exploring outrage and escapist fantasy
-
Ai Weiwei’s new public installation is coming soon to Four Freedoms State Park‘Camouflage’ by Ai Weiwei will launch the inaugural Art X Freedom project in September 2025, a new programme to investigate social justice and freedom
-
Leonard Baby's paintings reflect on his fundamentalist upbringing, a decade after he left the churchThe American artist considers depression and the suppressed queerness of his childhood in a series of intensely personal paintings, on show at Half Gallery, New York
-
Desert X 2025 review: a new American dream grows in the Coachella ValleyWill Jennings reports from the epic California art festival. Here are the highlights
