Philipp Plein’s woman is a fierce, fearless one who is a warrior on the streets as well as the nightclubs – she’s thrown out her high heels for spiked flat boots and studded up platforms and she’s got enough leather and silver to fill up a band of high-end Harley’s Angels. Brought to life by Thierry Dreyfus' production company Eyesight, an enormous conveyor belt was set up inside a huge warehouse on the outskirts of Milan where models were ‘assembled’ like packaged goods by gigantic swinging machines, as if at a car manufacturer. If that weren’t enough Plein also stationed a robot band called CompressorHead, a musical group of non-humans whose metal heads bounced back and forth as they punched on drums and hammered on their guitars. Next? A screaming live concert by none other than Courtney Love. It was unreal, as usual, and setting the bar ever higher for master showman Plein.
Jack Moss is the Fashion Features Editor at Wallpaper*. Having previously held roles at 10, 10 Men and AnOther magazines, he joined the team in 2022. His work has a particular focus on the moments where fashion and style intersect with other creative disciplines – among them art and design – as well as championing a new generation of international talent and profiling the industry’s leading figures and brands.
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