Aptly named Verso
(Image credit: versoskincare)

Aptly named Verso

(Image credit: versoskincare)

Verso

Aptly named Verso, the Latin word for 'reverse', the Swedish skincare brand is out to defy traditional signs of ageing. The inclusion of the patent-pending substance Retinol 8, a newly developed cosmetic ingredient said to exceed the potency of Retinol by eight times, makes the five-step regimen ‘a milestone within modern skincare’. Creator Lars Fredriksson, previously behind Scandinavian brands Swedish Skincare System, Restylane and Jabu’she, enlisted the help of scientists and doctors (some from Karolinska University Hospital in Stockholm) in the development of this forward-thinking brand – and design agency Today Creative to create the packaging.

Starting at 325 SEK; www.versoskincare.com

Writer: Micha van Dinther

‘Sole di Capri’ by Fornasetti Profumi

(Image credit: fornasetti)

‘Sole di Capri’ by Fornasetti Profumi
 
Perfumer Emmanuel Philip, the man behind the iconic scents at French candlemaker Cire Trudon, has created a new interior fragrance for Fornasetti Profumi, an offshoot of the witty Italian design company Fornasetti. It is designed to transport you to  high summer in the Italian playground of Capri; all citrus trees and sea air, lazy days bathing in the island's intense heat. The design has been plucked from the family archives, originally concocted by founder Piero Fornasetti himself who, at the time, had never visited the resort.  The new 'Sole di Capri' candles and room spray come in Fornasetti-designed ceramic vessels.

‘Sole di Capri’ scented candle £99; Large candle, £380; Room spray, £85 for 100 ml; www.fornasetti.com

Writer: Rachael Sanders

Collezione Barbiere by Acqua di Parma

(Image credit: acquadiparma)

Collezione Barbiere by Acqua di Parma

The Milanese grooming range Acqua di Parma has reworked, repackaged and rereleased three new products from its long-established heritage brand. The new collection includes a shave oil, face and eye creams, all in the brand’s classic yellow and tobacco packaging. Like an old-school Italian barber, the products gently prepare the skin for the shaving ritual. The new oil formula is enriched with toning basil extract and pomegranate oil to help model the beard shape and lift the hair to support regrowth. The revitalising eye treatment and skin cream, meanwhile, contains Elagi-C acid, which stimulates collagen production. While the aesthetics of the range celebrate the brand’s storied legacy, the function accommodates the grooming needs of a very modern man.

Revitalising face cream, £37; Revitalising eye treatment, £29; Shave Oil, £30, www.acquadiparma.com

Writer: Rachael Sanders

Charlotte Tilbury make-up collection

(Image credit: charlottetilbury)

Charlotte Tilbury make-up collection

Charlotte Tilbury has been at the forefront of runway make up for over 20 years so she knows a thing or two about what works when it come to a smokey eye or clogged lash. She has put some of that nous into the creation of a new eponymous range of make-up and colour-skincare hybrids called ‘Treat and Transform’. Divided into five categories - prep, prime, perfect & conceal, facial framework and colour - the debut collection consists of a capsule of over 100 products, including a micro-powder made with rose wax and almond oil for an airbrush finish and a Kohl eyeliner that is infused with pro-collagen pearls for more concentrated anti-ageing. Another innovation of the collection is the interactive element where customers can have their own ‘Faceprint’ taken at a cosmetic counter before guiding you though the best application process for your complexion, colouring and features.  We don’t know if the packaging intentionally was designed to call our mothers’ cosmetic collections from the 1970s, but whether it was or not, it makes for happy nostalgia.

'Cheek to Chic' blusher, £30; 'Bronzer Brush', £60; www.charlottetilbury.com

Writer: Rachael Sanders

Charlotte Tilbury make-up collection

(Image credit: charlottetilbury)

Charlotte Tilbury make-up collection

Charlotte Tilbury has been at the forefront of runway make up for over 20 years so she knows a thing or two about what works when it come to a smokey eye or clogged lash. She has put some of that nous into the creation of a new eponymous range of make-up and colour-skincare hybrids called ‘Treat and Transform’. Divided into five categories - prep, prime, perfect & conceal, facial framework and colour - the debut collection consists of a capsule of over 100 products, including a micro-powder made with rose wax and almond oil for an airbrush finish and a Kohl eyeliner that is infused with pro-collagen pearls for more concentrated anti-ageing. Another innovation of the collection is the interactive element where customers can have their own ‘Faceprint’ taken at a cosmetic counter before guiding you though the best application process for your complexion, colouring and features.  We don’t know if the packaging intentionally was designed to call our mothers’ cosmetic collections from the 1970s, but whether it was or not, it makes for happy nostalgia.

'Light Wonder' foundation, £32; 'Take it all off' eye make-up remover, £24; www.charlottetilbury.com

Writer: Rachael Sanders

Charlotte Tilbury make-up collection

(Image credit: charlottetilbury)

Charlotte Tilbury make-up collection

Charlotte Tilbury has been at the forefront of runway make up for over 20 years so she knows a thing or two about what works when it come to a smokey eye or clogged lash. She has put some of that nous into the creation of a new eponymous range of make-up and colour-skincare hybrids called ‘Treat and Transform’. Divided into five categories - prep, prime, perfect & conceal, facial framework and colour - the debut collection consists of a capsule of over 100 products, including a micro-powder made with rose wax and almond oil for an airbrush finish and a Kohl eyeliner that is infused with pro-collagen pearls for more concentrated anti-ageing. Another innovation of the collection is the interactive element where customers can have their own ‘Faceprint’ taken at a cosmetic counter before guiding you though the best application process for your complexion, colouring and features.  We don’t know if the packaging intentionally was designed to call our mothers’ cosmetic collections from the 1970s, but whether it was or not, it makes for happy nostalgia.

'Full Fat Lashes', £22; 'The Retoucher', £25; 'Luxury Palette', £38; www.charlottetilbury.com

Writer: Rachael Sanders

Charlotte Tilbury make-up collection

(Image credit: charlottetilbury)

Charlotte Tilbury make-up collection

Charlotte Tilbury has been at the forefront of runway make up for over 20 years so she knows a thing or two about what works when it come to a smokey eye or clogged lash. She has put some of that nous into the creation of a new eponymous range of make-up and colour-skincare hybrids called ‘Treat and Transform’. Divided into five categories - prep, prime, perfect & conceal, facial framework and colour - the debut collection consists of a capsule of over 100 products, including a micro-powder made with rose wax and almond oil for an airbrush finish and a Kohl eyeliner that is infused with pro-collagen pearls for more concentrated anti-ageing. Another innovation of the collection is the interactive element where customers can have their own ‘Faceprint’ taken at a cosmetic counter before guiding you though the best application process for your complexion, colouring and features.  We don’t know if the packaging intentionally was designed to call our mothers’ cosmetic collections from the 1970s, but whether it was or not, it makes for happy nostalgia.

'Colour Chameleon' eye shadow pencil, £19; 'Lip Cheat', £16; 'K.I.S.S.I.N.G' lipstick, £23; 'Lip Lustre' gloss, £16.50; www.charlottetilbury.com

Writer: Rachael Sanders

Escentric Molecules

(Image credit: escentric)

Escentric Molecules

After the radical take on his one-ingredient, pheromone-enhancing perfume range, Berlin-based perfumer Geza Schoen has released a body wash for each of his '01', '02' and '03' fragrances by Escentric Molecules. It all comes down to the brand’s signature style of one active molecule: the main ingredient in the new collection is Energen, which contains leaf extract from the sapindus mukorossi (or Indian soapberry) and Peruvian caesalpinia spinosa tree. The bold metallic hues of each bottle recalls the colour palette of the original Escentric Molecule perfumes; purple for 01,orange for 02 and green for 03. Exclusive to Harvey Nichols, London, the body wash comes in a translucent substance as well as being sulphate and paraben-free.

Escentric Molecules body wash, £25; www.escentric.com

Writer: Rachael Sanders

Pitti Fragranze

(Image credit: roads)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Cloud 9', by Roads, available from Spring 2014; www.roads.co

Writer: Emma Moore

Pitti Fragranze

(Image credit: bloodconcept)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Desarment', by La Perfumerie Moderne, £135; www.bloodconcept.com

Writer: Emma Moore

Pitti Fragranze

(Image credit: bloodconcept)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Black Series', by Blood Concept, £98; www.bloodconcept.com

Writer: Emma Moore

Pitti Fragranze

(Image credit: andreamaack)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s couture-inspired 'Craft'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Coven', by Andrea Maack, £85 for 50ml; www.andreamaack.com

Writer: Emma Moore

Pitti Fragranze

(Image credit: bloodconcept)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Dark Saphir', by Agonist, £125 for 50ml; www.bloodconcept.com

Writer: Emma Moore

Pitti Fragranze

(Image credit: huitiemeartparfums)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Monsieur', by Huitième Art Parfums, €95 for 50ml; www.huitiemeartparfums.com

Writer: Emma Moore

Pitti Fragranze

(Image credit: nubeperfume)

Pitti Fragranze

Pitti Fragranze, the highlight of the independent perfumer’s calendar, took place earlier this month. It’s the highlight not only because we have an excuse to escape to Florence's lush climate, but also because it is the occasion when perfumers emerge from their labs to reveal their latest creations, sharing thoughts on the industry and where it’s heading. A trip around the stands revealed to us a couple of interesting new entries to the market. 'Roads', an all-encompassing line of ten fragrances from the young Irish entrepreneur Danielle Ryan was the big one. Ryan, a RADA-trained actress who at the age of 26 founded Ireland’s National Theatre School, presented a take on fragrance strongly informed by her theatrical background – the scent likewise told a good story.

Elsewhere, 'La Parfumerie Moderne' is a new line from Philippe Neirinck and Marc-Antoine Corticchiato, inspired by the grandeur of jazz-age hotels – each of the three launch stories revolves around different establishments in London, Switzerland and Paris. Other launches from more established brands to catch our nose included: Blood Concept’s 'Black Series', which further develops the idea of distinct identities as defined by our blood groups; Andrea Maack’s forest-floor inspired 'Coven'; Agonist’s latest 'Dark Saphir', which interprets the gemstone sapphire in fragrance; Huitième Art’s woody 'Monsieur'; and finally the two new elements that expand Nu-be’s olfactory periodic table, 'Sulphur' and 'Mercury'.

'Mercury' and 'Sulphur', by Nu-be, £95 for 100ml; www.nubeperfume.com

Writer: Emma Moore

Fashion Features Editor

Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.