Kyoto’s Flux hair salon gets a minimalist make-under complete with concrete beauty bar
Osaka-based studio Sides Core cuts to the chase with Flux, a Kyoto hair salon that combines nostalgia with modernism.
Housed on the second floor of a former car showroom, designer Sohei Arao transformed the 148.5 sq m concrete enclave into an urban hairdressing refuge. The salon, founded by Kengo Nakamura, presents a theatrical concept to showcase staff’s hairdressing and styling skills in an immersive space, while also playing with perspective and perception.
In keeping with the parlour’s philosophy to create a ‘flowing’ yet inviting setting that exhibits talent, mirrors are suspended 1.5 m above the floor with only a small selection of key pieces filling cutting and styling areas, like Hans J Wegner’s Elbow chair and Jaime Hayón’s navy Piña seat.
Elsewhere, white draping curtains soften stark concrete silhouettes, enveloped by floor-to-ceiling windows that offer striking vistas of the cityscape. In harmony with its surroundings both in ethos and design, Flux’s intriguing use of depth, a characteristic of Kyoto’s architecture, prompts users to take a step through the looking glass – with the hair to match.
INFORMATION
For more information, visit the Sides Core website
ADDRESS
Sky House 2F
470 Zaimokucho, Nanajo-dori
Kyoto, Japan
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
-
VitrA’s recycled washbasin is a world first
VitrA reveals its recycled ceramic washbasin, made using almost 100 per cent waste materials from the bathroom company’s own production process
By Simon Mills Published
-
Serenade your senses at Farasha Farmhouse in Marrakech
Farasha Farmhouse is a serene escape hidden on the outer reaches of Marrakech
By Nicola Chilton Published
-
‘Bio-spaces’ exhibition at Roca London Gallery celebrates biophilic design
‘Bio-Spaces: regenerative, resilient futures’ opens at the Roca London Gallery as ‘a call to action to stop designing nature out’
By Clare Dowdy Published