Under the loupe: our latest watch and jewellery finds
Benjamin Hawkins
15 July
A symbol of determination and metamorphosis, the moth is a fitting motif for Sarabande, the Foundation set up by Lee Alexander McQueen in support of pioneering artists and designers. The original death head moths inspired McQueen in their unfaltering journey towards the light and became a recurring theme in his work. Now, jeweller and former Sarabande studio resident Benjamin Hawkins has reinterpreted the motif to raise funds for the charity, recasting its lines in recycled sterling silver from his London atelier. The pin will be presented in the Sarabande matchbox, and available to buy from the Sarabande Foundation from 22 July. It will subsequently be available at the LAPADA Art & Antiques Fair from 13-18 September.
Writer: Hannah Silver
Shinta Nakajima
12 July
Artist and silversmith Shinta Nakajima looks to organic plant forms when creating his designs, which include ornaments and vessels, like a series of hammered silver and glass drinking flasks inspired by seed pods and a hollow silver objet in the shape of a mango. It’s a fruitful collaboration, then, that Nakajima has teamed up with American Express on an immersive event celebrating the launch of its newest Metal Platinum Card in London. The show also features a series of floral sculptures by florist Mary Lennox, and a dinner designed by chef Nuno Mendes. Here, a series of Nakajima’s works are displayed, including this 2016 silver vase, which has a tactile surface inspired by kiwis. Shinta has been in residence at the Sarabande Foundation’s studios in Haggerston since October 2018, and the event acts as precursor to the Sarabande’s collaboration with LAPADA Art and Antiques Fair, taking place in London’s Berkeley Square in Septmember, where Nakajima’s works will be displayed.
Writer: Laura Hawkins
Roberto Coin
11 July
In the last two decades, Roberto Coin’s plethora of collections have grown to each encompass their own distinctive identities, united only in the small ruby hidden inside every piece. This Black Jade necklace is typical of the brand’s aesthetic, in adding a surprising quirk to an otherwise traditional design. A simple amalgamation of black jade with green agate and white quartz is gently distorted by an eccentric gem placement, tapping into the asymmetric trend for a pleasingly off-kilter finish.
Writer: Hannah Silver
CLED Jewellery
10 July
From shells to recycled silver, upcyled materials are being used by a plethora of jewellery brands, to allow them to work with a more sustainable output. Less than 35% of glass bottles are recycled in the United States, so in a bid to prevent more waste entering landfill, eco-conscious LA-based label CLED is working to incorporate colourful gems of discard glass into its designs. Salvaging glass bottles from local restaurants, CLED use a process of purifying, cutting, heating and annealing to create globules of glass which hang from barrettes, earrings, rings and necklaces.
Writer: Laura Hawkins
David Yurman
27 June
David Yurman’s fascination with the pearl – which began in 2005 with the Orbit collection – has now developed into a celebration of the sphere. New pieces in the Solari collection are deceptively simple, intertwining the familiar coil of gold, hand-twisted from a piece of wire, with a plethora of round gems. Freshwater pearls, cabochon white moonstones and vivid cabochon turquoise add a simplicity to rings, necklaces and bracelets which let the sculptural forms speak for themselves.
Writer: Hannah Silver
Motley X Sian Evans
21 June
London-based jeweller Sian Evans is fascinated by conventional jewellery shapes. Her pieces often incorporate empty space, which brings a new design language to traditional form. In her collaboration with online concept store Motley, Evans has mused on the concept of an idiosyncratic fine jewellery ring design, one which features a central stone surrounded by diamonds. Here, a pair of hoop earrings, are centralised by a lapis lazuli bead. The bead is not surrounded by diamonds, but instead a series of hollow circles which ascend around the ear.
Writer: Laura Hawkins
Melanie Georgacopoulos
19 June
Melanie Georgacopoulos’ fascination with pearls has seen her fearlessly slice, drill and facet them, her experiments in the past leading to unique results. Since 2016, her focus has changed direction, and a new fixation with mother of pearl has led her to challenge preoccupations that traditionally view it as an inferior material. Her Cube collection, comprised of 15 pieces, celebrates this often overlooked by-product. Seamlessly juxtaposing the smooth roundness of a pearl with the angular nature of a cube, the cube becomes the symbolic oyster shell housing the pearl. Deceptively simple in appearance, the results are both playful and eminently wearable.
Writer: Hannah Silver
Browns x Hatton Labs
12 June
We’ve latched onto Browns x Hatton Labs’ sterling silver padlock bracelet, which elevates the humble security tool into a striking and industrial repeated link in a chain. ‘The brand was born from a want of well-designed jewellery but at an affordable price. I was initially making grills, pendants and chains as a request from the people around me but it always crossed my mind that perhaps there was an interest in my jewellery outside of just my peer group,’ says the brand’s founder Jack Cannon. The piece was designed for an exclusive collection for Browns, part of its trainer culture-celebrating Sneaker Beast month, which boasts a host of collaborations and product launches. Cannon looks to streetwear culture and its British origins for inspiration, and finds particularl inspiration in Hatton Garden, the epicentre of London’s Jewellers. ‘I grew up in and around the area as my dad was a watch collector, I would play football in the back alleys of Leather Lane so the area has always held a fond place in my heart,’ he says. We’re feeling similar affection for his Hatton Labs’ designs.
Writer: Laura Hawkins
Le Gramme
11 June
The simple outlines and clean forms which characterise Le Gramme designs are present in its new collection, which also incorporates ceramic for new experiments in lightness. Loved by watchmakers for its scratch resistance properties, ceramic is here celebrated for its tantalising play with light. An unfussy silhouette and the clashing black hues of the ceramic and waxed cord bring depth to the 1.7g cord bracelet.
Writer: Hannah Silver
Alighieri
10 June
In the Divine Comedy, Dante Alighieri is guided through the nine circles of Hell by the poet Virgil. We too have followed this famed narrative, not led by the ancient Roman poet, but guided instead by Rosh Mahtani, founder of London-based jewellery brand Alighieri, who creates epic history-steeped modern relics inspired by Dante’s Inferno, Purgatorio and Paradiso. Five years after the brand’s inception, Mahtani has now launched her debut men’s collection, one featuring pendants and rings which denote the different Cantos of the Divine Comedy. This Canto V Necklace explores the way in which we are subject to external forces, and reminds us to dance with them, as we go,’ Mahtani explains. ‘All of the souls Dante encounters in the Inferno are subject to tormenting elements. In the 5th Canto, the circle of lust, he meets the lovers Paolo and Francesca. They are trapped in an eternal storm, jettisoned from one side to the next, bound together, in a manner that is both tragic and beautiful. Without the ability to change their situation, all they can do is dance in the storm, as it takes them at their mercy.’
Writer: Laura Hawkins
Kath Libbert
7 June
Kath Libbert’s reputation for identifying the best and the brightest contemporary jewellery talent is well deserved. This summer’s ‘Sun, Sea & Sand exhibition’, which will run from 9 June to 1 September at the Kath Libbert Jewellery Gallery in Saltaire, is a case in point. Six jewellers have interpreted the elements in a plethora of ways, resulting in jewels which resemble rock pools of liquid silver, or feature precious recycled metals cast in sand. Here, Francesca Marcenaro frosts pearls with shimmering glass granules, recalling the hypnotic charm of the ocean.
Writer: Hannah Silver
Magda Butrym
5 June
Voluptuous ruffles, flounces of ostrich feathers, larger than life bows…details in Magda Butrym’s A/W 2019 collection are decadent and eighties-focused. Crystals, hand-embroidery and lashings of lace all abound in the Polish designer’s most recent offering, which fuses her idiosyncratic power-shouldered style with elements attributed to Eastern European folklore. We’re always enraptured by Butrym’s accompanying earring options, which for A/W 2019 feature molten gold, strings of pearls and bold red gemstones. We’ve got real affection for these oversized studs, which appear as two halves of a shattered heart, formed from fragments of 24-ct gold plated brass, hammered or set with Preciosa crystals. The heart motif evokes outré 80s catwalk jewellery, and will reflect the shimmer of a disco ball, whatever decade they’re worn in.
Writer: Laura Hawkins
Hancocks London
3 June
Vintage and contemporary jewellery purveyor Hancocks London presents an eclectic trove of treasures, with the era-defining designers represented in their collections including Castellani, Lalique, Belperron and Boivin. Their Jewel of the Month edits are a visual treat, and this month is no exception. June’s pick, a gold and diamond bracelet from goldsmith David Thomas dating from 1960, highlights just why he is one of the masters of the London modernist movement. A patchwork of textured, polished and openwork gold, its playful geometric structure means it is as strikingly modern now as it was then.
Writer: Hannah Silver
De Beers
31 May
The Horizon ring from De Beers is tantalisingly tactile, designed to move fluidly with its wearer. Its effect is both visual and auditory, the central band of micropavé diamonds subtly clinking as it travels its endless arcs. It is an enticing preview of the full Horizon collection, set to follow in the autumn.
Writer: Hannah Silver
Polly Wales
24 May
Fine jewellery has connotations of rigour and structure. Gems set in rows, pavé set with precision, and gemstones faceted into geometric cuts. UK-born LA-based Polly Wales subverts this jewellery making stereotype. Her organic and kaleidoscopic creations are made using a ‘cast-not-set’ technique, which sees gemstones cast directly onto molten gold. They include these Mondrian Diamond Hook earrings, which resemble bubbling golden discus glinting with light.
Writer: Laura Hawkins
Chaumet
22 May
There’s swathes of symbolism around rings. Unions of love, familial lineage, eternal connections, bands have the power to represent feelings with real force. Chaumet’s Liens Evidence collection celebrates the symbolic bonds we hold with our loved ones, and features rings, bracelets and earrings created from bands of metal which appear tied together. There should also be personality behind sentimental jewels, and lucky for us Chaumet’s piece comes in a range of colourful enamel and pavé details.
Writer: Laura Hawkins
Mia Larsson & Other Stories
21 May
Wald Berlin, Tohum, Renna: brands have made a stylish splash with beachside-inspired jewellery, be it tulip shells cast in gold or cowrie’s strung around the ankle. Mia Larsson incorporates scallop and oyster shells into her minimalist designs, and now the Swedish jewellery designer has teamed up with & Other Stories on a series of hand-crafted unique hair pins, earrings, rings and a necklace, created using recycled silver and oyster shells sourced from a seafood restaurant in Stockholm. These sustainable styles have a surfs up-meets-sculptural sensibility, and bring new beauty to decomposable sea bounty.
Writer: Laura Hawkins
Phillips
17 May
In an innovative move for an auction house, Phillips is working with Bacs & Russo to launch a new concept which will showcase collectors’ timepieces in elegant custom-built surroundings. Phillips Perpetual, now in London and soon to be extended to New York and Hong Kong, will also offer curated programming and private selling exhibitions in a move which looks set to revitalise the auction industry.
Writer: Hannah Silver
Dunhill
15 May
Millennials may have gone made for vapes and Juul’s but when it comes to smoking apparatus we prefer something a little more fire power. In 1924, Dunhill launched the first lighter that could be operated by hand, and in the mid-1950s, it produced one of the first butane gas lighters. Lucky for us, the British luxury goods brand has relaunched a limited series of three of its 1949 Aquarium lighters, meticulously crafted from four panels of Perspex and featuring reverse intaglios of birds in flight and fish dodging greenery underwater. A small run of 15 Turbo lighters has been created in each style, finished with 18-ct gold plating. Adding fuel to the fire, Dunhill has also launched a capsule collection of clothing inspired by the lighters’ natural motifs, including summer shirts and drawstring backpacks.
Writer: Laura Hawkins
Mari Ishikawa
9 May
Mari Ishikawa’s jewels reflect a preoccupation with borders and the limits of time and space. Silver and silk are united in a tangle of textures that mirror the wild growth of nature when allowed to go unchecked by man. In this ‘Rebirth’ brooch, a single Tahiti pearl blooms in a snarl of silver.
Writer: Hannah Silver
Prada
7 May
We’re going bananas over Prada’s first collection of fine jewellery. In recent seasons, the Italian label has made direct reference to the renowned signatures in its design canon. Last September, it reissued its sports-focused nylon Linea Rossa collection, first launched in 1997, and for A/W 2018 it reimagined its famed flame emblazoned heel from 2012 as a striking fire-licking wedge. For its fine jewellery debut, the brand has created design symbols and motifs from its history as cartoonish 18-ct gold pendants. These include a pair of bananas hanging from diamond earring studs, a bunny suspended on a short asymmetric chain and two diamond-eyed robots dangling from delicate hoops. Just like the brand’s banana motif, it’s sure to prove a fruitful endeavour.
Writer: Laura Hawkins
Cornelia Webb
3 May
There’s an organicism integral to Cornelia Webb’s designs. The Scandinavian jeweller imbues her creations with a raw naturalism, with metals moulded with fingerprints and rings set with healing gemstones. Webb’s respect for nature is reflected in her environmentally aware output too. She works with Swedish stonemasonries to acquire leftover materials like granite and green marble. Coral has inspired Webb’s S/S 2019 designs, like this 24-ct gold plated brass ring set with coral and rainbow moonstone. As part of the brand’s sustainable roadmap, Webb is donating 1% of the collection’s sales to Bio-Rock, a non-profit organisation that supports the restoration of the heavily damaged coral reefs in Northwest Bali, which have been disastrously damaged by global warming and fishing. Now that’s rock solid thinking.
Writer: Laura Hawkins
Simone Rocha
1 May
Simone Rocha’s obsession with Louise Bourgeois began in the early 2000s, when, as a student, the Dublin-born designer saw works by the artist at the Irish Museum of Modern Art. Threads of Bourgeois’ aesthetic and output are notable in Rocha’s ready-to-wear. Take her recent A/W 2019 collection, which featured blue and pink tones (at an early career stage Bourgeois was known to wear these colours to portray her joyful or melancholic moods), and spiderwebby prints which nodded to her experimental 2006 fabric book ‘Dawn’. Bourgeois’ work placed focus on female sexuality and gender, and her hanging works have informed Rocha’s collaboration with Hauser & Wirth, on a series of figurative earrings, which hang from the ear in suspended form, in the same way Bourgeois’ works hung from gallery spaces. These earrings, created in 24-ct gold plated sterling silver, and in a limited edition of 250 pairs worldwide, are inspired by ‘Spiral Woman’ (2003), a fabric hanging piece which fuses the female body with an ambiguous organic visage in spiral form. Art not just for your eyes, but for your ears too.
Writer: Laura Hawkins
Fernando Jorge
28 April
We’re going nuts for the designs of Fernando Jorge. The Brazilian jeweller has a flair for natural materials, and uses locally sourced gemstones and minerals in his organic creations. There’s a sense of wooden wonder behind these Signal earrings, whic are formed from concentric circles of petrified wood and Tagua seed. The earring studs and pendants of the design are connected by a sliver of diamonds, like a strip of glittering dew connecting two Tagua palm trees in northwestern Brazil.
Writer: Laura Hawkins
Motley x Sim & Stout
15 April
Fine jeweller Simone Paasche and artist and furniture designer Katie Stout are the duo behind Sim & Stout. They were inspired by the abstract nature of driftwood washed up on the beach for the Motley X Sim & Stout earrings, the latest addition to online concept store Motley. Cecily Motley, co-founder of Motley, says: ‘They worked first in wax to make the organic shapes, which they then cast in silver. Their work is totally abstract: Flotsam, Jetsam and Lagan are the general terms for things washed up on the shore - from treasure to drift wood - and is a broad house for something that has no set shape, size or form.’
Writer: Hannah Silver
V&A Museum
12 April
An enamel Art Deco Cartier vanity case playfully concealing a gold key, dating back to 1925, joins a host of other new pieces at the V&A’s recently reopened Jewellery Gallery. It is one of 49 vanity cases donated to the William and Judith Bollinger Gallery, a gift from Kashmira Bulsara in memory of her brother, Freddie Mercury. Cast in a plethora of vividly coloured stones, enamel and lacquer, the vanity cases were made by jewellers in New York and Paris including Cartier, Laloche, Van Cleef & Arpels and Charlton.
Writer: Hannah Silver
Avakian
13 April
Avakian’s La Mystérieuse Collection Drop earrings exhibit a fluid flexibility; designed to be worn in a plethora of ways, stems can be spun to reveal a different colour gem stone and pear-shaped ear tops detached. This versatility lies at the heart of the brand, says Haig Avakian: ’The backs of the jewels are just as important as the front; sometimes crafted with hidden elements and secret clasps achieved through the experimenting and refining of nuanced design ideas.’ White and brown diamonds and gently swaying white agate drops cut strong geometric silhouettes, but at heart the jewellery is fun and effortlessly wearable: ’Our philosophy is to make jewellery part of day to day life, to be able to dress the pieces up and down depending on the occasion and not just have it locked up in a safe,’ he says.
Writer: Hannah Silver
Jacqueline Cullen
2 April
Jacqueline Cullen’s ‘Atomic’ multi cascade earrings were a highlight of the recent exhibition ’British Craftsmanship: Jewellery, Gold and Silver by Scholars of the Queen Elizabeth Scholarship Trust’. Charity ‘Qest’ works to support the training of aspiring and talented craftspeople. Part of the exhibition’s display at Bentley & Skinner, these hypnotising earrings celebrate both the smoothness of Whitby jet and its broken edges. Brilliantly reflecting light, tiny diamonds glint in the hand-carved fissures and crevices. ‘Jet is a good choice for this at it breaks with a conchoidal fracture, and by carving the jet I am forcing it to break naturally,’ says Cullen. ‘In another material this would all have to be created and would look contrived. I am able to set the tiny diamonds into the jet without them losing their light.’ An early conceptual interest in jet grew into a desire to see it reworked for a modern age: ‘For so many years jet was associated with death and grief but I thought it a beautiful material that needed to be reinterpreted. As I learnt how to work with jet it became apparent that the processes suited my way of working too – it is very direct, sculptural and instinctive.’
Writer: Hannah Silver
Kathleen Reilly
27 March
There’s a literary leaning behind artist Kathleen Reilly’s upcoming exhibition As Above, So Below at Gallery S O. The show features a series of poetic writings, which unite the literary and metalworking facets of her work. The results are rich and often witty. Meanings are neatly untangled from words and become tangible; for example Reilly’s text about her grandfather becomes a glass of whisky in cast acrylic. The flimsiness of human life is imagined as a brittle cream cracker, while the age-old riddle of what came first, the chicken or the egg, becomes a physical book with two spines and no obvious beginning or end. Pictured, Life Vest Under Your Seat. As Above, So Below is on view at Gallery S O in East London, from 5 April to 26 May.
Writer: Hannah Silver
Kloto
11 March
Istanbul jeweller Senem Gençoglu’s Kloto pieces follow a purposeful symmetry, spiralling through precisely-angled planes across wrists, collarbones and fingers. Gençoglu, who previously worked with Marcel Wanders, combines her industrial design credentials with the concept of ‘sacred geometry’ - repetitive patterns found in nature - in the MOD121 ring in silver, 24-ct yellow gold and pitch-black enamel. ‘Everything in the cosmos is interconnected following a geometric code, so even though each part seems separate, they are actually all united. The ring plays with the relationship between the part and the whole,’ she says.
Writer: Caitlin McDonald
Bleeker & Prince
4 March
Jeweller Leehe Segal’s Bleecker & Prince Sky Crane ring, hewn from a block of moss-green labradorite, is intended as a modern spin on a retro cocktail ring. We’re ready for cocktail hour: layered with linear striations, the angled planes of labradorite are punctuated with 10 tiny white diamonds that seem to float across the surface, hinting at the depths of stone beneath. ‘We carve out comfort fit between the fingers to make it more wearable, but this is definitely not an everyday ring, or at least not an “all day ring",’explains Segal. ‘I like to keep the iridescence of the stone as much as possible when shaping the rough. The result is surprisingly fun to wear.’
Writer: Caitlin McDonald
Elie Top
26 February
Following his playful costume jewels with Alber Elbaz at Lanvin, French designer Elie Top struck out in 2015 with his own, more mechanical aesthetic, influenced in part by 17th century astronomical clocks. Top’s Mira ring takes the form of an articulated, orrery-like sphere that can be carefully opened up to reveal hidden treasure: inside, concentric circles of yellow and blackened gold surround diamonds and rubies set in the shape of a petalled daisy. On the reverse, another surprise - the ring band curves into a loveheart, concealed against the finger. Consider us charmed.
Writer: Caitlin McDonald
KatKim
13 February
Los Angeles jeweller Katherine Kim’s statement pins form clean lines that resist the ear’s natural curves, re-working the safety pin earring into a singular fluid piece. Hooking over the helix, her KatKim diamond thread pin extends straight down the ear before puncturing a pierced lobe, channelling a punk rock spirit into modern fine jewels.
Writer: Caitlin McDonald
Marion Delarue
11 February
Marion Delarue lives and works in Paris, and creates unique, bird-inspired contemporary jewellery, which is now on display at Galerie Pont & Plas in Ghent until 3 March. ‘The Ostrich Policy. Envisioned Nature’, features a series of feathered shoulder brooches. The collection is inspired by the philosophical and metaphorical narratives in Jean Cocteau’s poetry, who writes that ‘every human being has a parrot on his shoulder’. The parrot symbolises imitation and a kinship with humans. Delarue’s pieces, are unusually formed from the feathers of turkeys, partridges, pigeons, pheasants, ducks, chickens, geese, guinea fowl and quails, and also incorporate silver, steel wire and rice paper pulp. They appear as poetic emblems, objects positioned on the human body, as if ready to take flight.
Writer: Ruby Reding
Shamballa Jewels
8 February
Siblings Mads and Mikkel Kornerup’s refined charms, handmade in Copenhagen, combine Eastern spirituality with Danish design savvy. This yellow gold SOS ring, circled with twin rows of diamonds, is embossed with a repeating double Dorje on the spinning band: Shamballa Jewels’ signature motif, it’s an ancient Buddhist symbol representing the ‘thunderbolt’ moment of true enlightenment. We’re feeling more zen already.
Writer: Caitlin McDonald
Annoushka
7 February
We love Annoushka Ducas’ precious yet witty takes on modern talismans, so we’ve really caught the bug for her new Beetle collection. Creepy-crawlies for the ear, each insect’s black rhodium-plated mandibles keep a tight grip on rose gold hoops. A custom-cut amethyst forms the body, set with grassy tsavorites and twin black diamonds. Beetle-mania is back.
Writer: Caitlin McDonald
Maria Black
6 February
Copenhagen-based jeweller Maria Black has concealment on her mind. ‘I was inspired by the different masks we put on to cope in our daily lives,’ she says of the multifaceted faces which inspired her latest ‘A Pause’ collection. During 1970, Many Ray worked with Italian jeweller Gian Carlo Montebello, and one of his designs was imagined as a pair of gold plated silver eyeglasses, with multiple drilled holes in the place of clear lenses. He settled on the design as a mask, when he could not create stable arms for his design. We can’t wait to get face to face with this ‘Ray’ bangle, which nods to Ray’s original ‘Optic Topic Mask’, and features a miniature face with indented eyes and a graphic nose, which is framed by the wrist.
Writer: Laura Hawkins
Andi Gut
5 February
London-based Swiss artist Andi Gut juxtaposes the precious metals in his jewellery designs, like titanium and gold, with synthetic materials including nylon. This fibre also works at odds to the curved, natural forms his designs take. This ‘Ring Electrosmog’ resembles both a both a sound-emitting technological instrument and a gliding aquatic creature. Jewellery has strong sentimental value to many people, and this connection is emphasised here in the ring’s frond-like details. They nod to the phenomenon of Electrosmog - the unwanted connection felt between humans and electrical signals. A prescient symbol in today’s digital era, and one of the sensitive designs Gut designs on view at Gallery S O in London until 3 March.
Writer: Ruby Reding
Claude Lalanne
30 January
As half of the French artist duo Les Lalanne, which she formed with her husband François-Xavier Lalanne in the 1960s, Parisian artist Claude Lalanne is known for the fantastical organic sculptures and naturalistic style associated with the Lalanne name. Now, as part of an extensive show at Ben Brown Fine Arts in London, a selection of the artist’s singular bronze, gold, silver and copper jewellery designs is also on display. Using an electroplating technique that transforms organic material into copper, Claude’s woodland and botanical flora are transformed into everlasting, jewelled motifs. These ‘Little Apple’ earrings (2017) capture the essence of this metamorphosis. They are simultaneously weighty and ethereal – as if plucked from the flora of Eden. Les Lalanne is on view until 15 Feb 2019.
Writer: Ruby Reding
Xiaoyu Guan
25 January
The surreal and beautiful photographs of plants by artist Rob Kesseler are a starting point of inspiration for Xiaoyu Guan. In her creative process, Guan places beans under a microscope to illuminate their biological intricacies. Possessing a thalassic quality, the designer’s Bean and Pearl brooches combine embroidery and ceramic with tooth-like pearls, which are then intended to serve the wearer as a good luck charm. The pieces are on display as part of the graduate exhibition The Playground at the Kath Libbert Jewellery Gallery. Alongside Guan are similarly vibrant works by Rebekah Wilson and others, which can be viewed until January 27th.
Writer: Ruby Reding
Vram
25 January
These Nocturne studs by Los Angeles house Vram, helmed by designer Vram Minassian, possess serious space-age appeal. Twin clusters of black rhodium-plated gold beads have an oily finish, set with nebulous cabochon-cut emeralds. ‘This series was influenced heavily by the science fiction that I read and watched growing up,’ says Minassian. ‘Films like Dune and Star Wars tell predictable age-old stories, but the emphasis on inventive production design and powerful visuals captured my imagination. The same synthesis is present in the 20th century sculpture that I collect — primitive and futuristic motifs balance to create something new and compelling.’
Writer: Caitlin McDonald
Mallarino
18 January
As the January blues set in we’re been setting our sights on more tropical, mood-elevating climes. Enter, Net-a-Porter’s Colombian Collective, a project that brings together a selection of brands from the country, in celebration of South American creativity. We’ll be metaphorically taking flight with these exotic bird earrings by Mallarino. The brand work with a host of artisans on their designs, and specialise in the technique of filigree, an ornamental technique which portrays the feathers of these charming creatures like delicately embroidered threads.
Writer: Laura Hawkins
Sophie Bille Brahe
16 January
Dover Street Market’s seasonal changeover is an awaited moment on the fashion calendar, for it ushers in the retailer’s newest avant-garde installations, pop-ups and latest roster of designers. Sophie Bille Brahe’s latest ‘L’Ocean Ensemble’ collection, newly installed at Dover Street Market in London, has bought a twinkling element to proceedings. It features the largest diamonds which the Copenhagen-based jeweller has used to date, and includes this ‘Escargot Ensemble’ ring, with diamonds which snail to a central point around the finger. Like the structure of Brahe’s signature ‘Croissant de Lune’ earring, the stones gradually increase in size, bringing an alluring asymmetry to the design.
Writer: Laura Hawkins
Marla Aaron
8 January
We’re latching on to NYC jeweller Marla Aaron. Her collections of sleekly-engineered hardware for the body take cues from industrial inspiration including bridge architecture and zipline harnesses. The tactile Phyllis lock is a carabiner-like clip in 18-ct yellow gold, with a spinning closure inlaid with kaleidoscopic tiles of chalcedony, opal and malachite. It hooks on to the winding All Inlay chain, itself punctuated with bright, matching links. ‘The idea began to simply do the closure as entirely inlaid and then we kept going a little further and realised we could inlay entire pieces and retain their functionality. It is always about taking an idea and extending it in as many directions as possible, and our Inlay series is the highest expression of this,’ says Aaron.
Writer: Caitlin McDonald
GFG Jewellery
7 January
London-based GFG Jewellery has gone full circle. Boldly-hued, responsibly-sourced stones form the focal point of founder Nilafur Kizilkaya’s Project 20/20 earrings, as two neat golden hoops loop around emeralds from Gemfields’ Zambian mines. A tilting, pear-cut emerald appears propped up by a round white diamond, while the hoop itself is part-lined with tiny gems. The collection marks 20 years since Kizilkaya arrived in the UK capital from Istanbul - so the emeralds, traditionally gifted on a 20th anniversary, are a fitting celebration.
Writer: Caitlin McDonald