Building blocks: striking structures around the globe
Building blocks: striking structures around the globe
Some architects just love making a statement. From monumental monoliths to soaring skyscrapers, here we highlight the bold buildings disrupting skylines and shaking up our perspective of the urban environment
Albion Library by Perkins + Will, Toronto, Canada
3 October
A public library in Toronto’s Rexdale neighbourhood has been upgraded into an increasingly social space with a colourful terra cotta façade. Located between a residential area and a busy four-lane road, the geometrically playful block was a welcome addition to the largely concrete streetscape. Providing visibility and protection at once, the terra cotta layer covers an inner façade of glazing which allows plenty of light into the heart of the plan where internal courtyards and interior pavilions structure the design.
Photography: Doublespace Photography. Writer: Harriet Thorpe
Albion Library by Perkins + Will, Toronto, Canada
3 October
The original brief was to close and renovate the existing library, yet architects Perkins + Will decided to build the new library on the underutilized parking lot, so the old library could stay functioning in its vital community role as one of Toronto’s busiest libraries. Now the upgraded library has opened, the former building will be redesigned into a public plaza, parking lot and market square space, as well new trees, seating and public pathways around the site.
Photography: Doublespace Photography. Writer: Harriet Thorpe
House S by Jakob + MacFarlane, Paris, France
26 September
This house by Jakob + MacFarlane sprouts from a site in the Parisian suburb of Boulogne-Billancourt. ‘It’s in a neighbourhood with several avant- garde houses built in the 1920s and 1930s by the likes of Le Corbusier and Mallet-Stevens,’ says Brendan MacFarlane, who started Jakob + MacFarlane with Dominique Jakob in 1997. The house reflects the shimmering white walls of its iconic precursors but takes a different structural direction. Rising like a fractured ovoid, its edges are defined by a branching tubular steel frame set over an internal steel-panelled skin. Five terraces are scattered throughout, while inside there are not one but two aquariums incorporated into the stair tower.
Photography: Roland Halbe. Writer: Jonathan Bell
Southern Utah Museum of Art by Brooks + Scarpa, Utah, US
22 August
The sweeping roof of the new Southern Utah Museum of Art follows the shapely sandstone formations found at the nearby Bryce Canyon and Zion National Park. Designed by LA-based architecture practice Brooks + Scarpa, the SUMA is a response to the dramatic Utah landscape, and it is also responsive to the environment: the roof passively collects snow melt and storm water runoff that collects into concealed wells where it is than recharged back into an aquifer.
Photography: Tim Hursley. Writer: Harriet Thorpe
Southern Utah Museum of Art by Brooks + Scarpa, Utah, US
22 August
Beneath the undulating roof, sculptural space is designed for social gatherings. The roof also cantilevers out to the west to provide more sheltered outdoor space, and protects the glass façade of the building from solar glare. Surrounded by landscaped parks with native planting, the SUMA has been designed to accommodate outdoor events and performances.
Photography: Tim Hursley. Writer: Harriet Thorpe
Southern Utah Museum of Art by Brooks + Scarpa, Utah, US
22 August
Located on the Beverley Taylor Sorenson Center for the Arts campus of the Southern Utah University, the new cultural landmark connects downtown Cedar City to the university and will provide a new social space for students and the public alike. The museum focuses on artists and culture of southern Utah and the surrounding Colorado Plateau, providing a home for the collection of work by local artist Jim Jones, as well as a place for regional artists and students to exhibit.
Photography: Alan Blakely. Writer: Harriet Thorpe
Day Street Apartments by Tzannes, Sydney, Australia
27 July
The golden facade of this new residential and commercial building located on the southwestern edge of Sydney’s CBD has multiple functions. Constructed from over 1,000 aluminium mesh shutters, the skin acts as a filter that can be responsive to light, temperature and weather conditions.
Photography: Kat Lu. Writer: Harriet Thorpe
Day Street Apartments by Tzannes, Sydney, Australia
27 July
Including 119 apartments over 14 storeys, the 10,000 sq m building has a brick base which responds to the original context of the site, which previously hosted four non-heritage brick warehouses that had fallen into disuse. Commercial and retail space occupies the ground floor level, and beneath that, three levels of storage and car and bike parking.
Photography: Kat Lu. Writer: Harriet Thorpe
Day Street Apartments by Tzannes, Sydney, Australia
27 July
Designed by Australian studio Tzannes, in collaboration with the in-house architecture team of the client, Loftex, the building is a dynamic solution to the overlooked and compact site. The concertina style shutters solve issues of privacy for the apartments and the reflective nature of the façade casts a warm glow down into the tight laneways surrounding the plot.
Photography: Kat Lu. Writer: Harriet Thorpe
Nantes Museum of Fine Arts by Stanton Williams, Nantes, France
14 June
The transformation of the Nantes Museum of Fine Arts into one of France’s top cultural draws is nearing completion. This once-stuffy regional French gallery building, dating from 1900, has been turned inside out by London architecture practice Stanton Williams, which has brought its minimal aesthetic to bear with a palette of stone, oak, concrete and bronze. Pictured here, the new archive building.
As originally featured in the July 2017 issue of Wallpaper* (W*220)
Photography: Hufton & Crow. Writer: Robert Bevan
Nantes Museum of Fine Arts by Stanton Williams, Nantes, France
14 June
When it opens this month, visitors will find an entire museum quarter has been created in the six years that the building has been closed. The €48.8m complex is now made up of the original 19th-century building, a baroque church that hosts a commissioned Bill Viola triptych, an archive building and a new extension, with an external sculpture court at its heart. The extension, known as The Cube, is a white marble-clad volume containing four levels of art galleries, with the entire south elevation glazed with translucent laminated marble. Meanwhile, the internal courtyard of the original museum building has been hollowed out to form a ghostly top-lit de Chirico-like space for installations and temporary exhibitions (pictured here).
As originally featured in the July 2017 issue of Wallpaper* (W*220)
Photography: Hufton & Crow. Writer: Robert Bevan
Calvin Klein and Tommy Hilfiger European HQ by MVSA Architects, Amsterdam, The Netherlands
1 June
This dynamic building by MVSA Architects, with PVH Europe and Heren 2, is home to the new Calvin Klein and Tommy Hilfiger headquarters, located on the waterfront of the Danzigerkade, in the evolving industrial district of Houthavens in Amsterdam. The architects wanted to create a striking design powerful enough to compete with the neighbouring landmarks of the EYE film museum and Muziek- gebouw aan t ‘IJ.
Photography: MVSA Architects/Ronald Tilleman. Writer: Harriet Thorpe
Calvin Klein and Tommy Hilfiger European HQ by MVSA Architects, Amsterdam, The Netherlands
1 June
The 12-storey office building is clad in sleek white aluminium that reflects light from the water. Its gradual cantilever gives it a sense of movement with the aesthetic of super yacht, apt to its dockside context. Inside, layouts are open plan and there is a large roof terrace for employees and clients to enjoy views across Amsterdam.
Photography: Ronald Tilleman. Writer: Harriet Thorpe
Central Embassy by AL_A, Bangkok, Thailand
23 May
The first tower in Thailand to be completed by a British architect, Central Embassy is a magnificent 37 storey mixed use building, located on Bangkok’s busy Ploenchit Road, on the site of the former British Embassy gardens. The project was commissioned by Central Group, one of Thailand’s leading retailer and department store operators to house a shopping centre and with 27 storeys reserved for the Park Hyatt hotel.
Photography: Hufton + Crow. Writer: Harriet Thorpe
Central Embassy by AL_A, Bangkok, Thailand
23 May
Clad with a patterned skin of 300,000 aluminium tiles, the Central Embassy is asymmetrical in every aspect imaginable and the design is defined by a series of stepped terraces that divide the functions of hotel and shopping centre. The guest rooms of the hotel overlook Nai Lert Park while the hotel bar and sky terrace look across views of the centre of Bangkok.
Photography: Hufton + Crow. Writer: Harriet Thorpe
De Flat Kleiburg by NL Architects and XVW Architectuur, Amsterdam
12 May
The winner of the 2017 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, De Flat Kleiburg is a renovation project in the residential area of Bijlmermeer, Amsterdam. Why is this block so special, you may be wondering. Well, it was saved from demolition by being converted into a Klusfat, a system where inhabitants would be in charge of renovating their own apartment individually from installing utilities to rolling on that last layer of ecru. Creating a new model for developers and buyers, NL Architects thus initiated a renovation that was partly conceptual. The architects took charge of reactivating the building structurally and restoring communal areas, while leaving the apartments as empty blank canvases. Built in the 1960s Kleiburg stretches to 400m long and rises 10 storeys high and is the only remaining building that represents the original Bijlmermeer residential experiment which was inspired by Le Corbusier.
Photography: Marcel van der Burg
Bae Bien-u Photography Studio by The System Lab, Sooncheon, South Korea
4 May
Chanjoong Kim, of architecture studio The System Lab, has spent his career eking out space from unlikely sites, and this four-storey concrete tower, a new studio, house and gallery for photographer Bae Bien-u, stands in stark contrast to its low-rise neighbours. located in southern Korea, the building is effectively a double-skinned concrete tube. the sober materials palette references Bae’s monochromatic depictions of landscape and forests, creating a stacked brutalist landscape. the staircase is sandwiched between the walls, allowing the circulation space to loop upwards from the basement exhibition space to the private rooms and rooftop garden.
Photography: Kyungsub Shin
Kennedy Town Swimming Pool by Farrells, Hong Kong, China
7 March
Like a jelly poured into its mould, the futuristic Kennedy Town Swimming Pool flows neatly to the edges of its triangular site between the road and the historic tram-line creating an aero-dynamic form worthy of the sky. Conscious of the urban context, architects at Farrells closely researched the location to create a building that would be respectful of its residential neighbours, yet also an iconic addition to the prominent site with views across the harbour.
Photography: Paul Y Management Ltd. Writer: Harriet Thorpe
Kennedy Town Swimming Pool by Farrells, Hong Kong, China
7 March
Surrounded by residential high rises, the site was previously a car park, derelict since the 1990s, and the low-lying swimming pool was an ideal solution for utilising the space effectively. Enclosed within the shell-like form are two 50m pools (indoor and outdoor), one 25m indoor pool, outdoor leisure pool and jacuzzi.
Photography: Marcel Lam. Writer: Harriet Thorpe
Société Privée de Gérance HQ by Giovanni Vaccarini Architetti, Geneva, Switzerland
30 January
Designed by Italian firm Giovanni Vaccarini Architetti, the new Swiss headquarters of Société Privée de Gérance involved the adaptive reuse and extension of the existing building, and began with redefining the architectural envelope. Creating a blurred effect, the envelope lays screen-printed patterns of squares in a gradient from fully transparent to densely opaque over glass fins composed to make the building highly energy-efficient and optimise the quality of the work space inside. One manifestation of an ongoing research project conducted by the office for 20 years, the textural face of the steel and glass building also generates maximum views out, solar shading, and acoustic and thermal insulation.
Photography: Adrien Buchet. Writer: Shonquis Moreno
Société Privée de Gérance HQ by Giovanni Vaccarini Architetti, Geneva, Switzerland
30 January
The compositions of the patterns were based on a grid of multiples and submultiples of 60 cm ranged, floor after floor, to suit each interior’s type of layout – open plan, individual office, public area. The team then introduced variations to this rhythm by making it respond to external factors like privileged points of view, and visual or sun exposure. ‘The envelope thus became the locus where internal and external elements influenced each other,’ Vaccarini says. ‘The purpose of the screen-printing was to define a ‘nebula’ where light may settle and give substance to the ethereal surface of the glass blades.’
Sky Central HQ by PLP Architecture, London, UK
24 January
Sky Central was designed by PLP Architecture, AL_A and HASSELL. The broadcasting company’s HQ in Osterley, West London is equipped for the future with smart features woven into its very fabric from high-tech electric vehicle charging stations and renewable energy sources to sustainable structural solutions. Large windows and skylights encourage natural light into the interiors reducing the need for electric lighting and the timber roof – one of the largest in Europe – made of 6km of glulam beams saved on CO2 emissions.
Photography: Mark Cocksedge. Writer: Harriet Thorpe
Sky Central HQ by AL_A and PLP Architecture, London, UK
24 January
Technical achievement was not however second to the design. The sleek façade with connecting oblong shapes fuses the three storeys into one cohesive form, which reflects light and the surrounding natural environment. The ethos of openness continues inside where the office is designed like a campus with integrated spaces to work and relax, offering the 3,500 employees based at the site time to dine, exercise and recharge at the 45,000 sq m HQ.
Photography: Mark Cocksedge. Writer: Harriet Thorpe