You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Daily (Mon-Sun)
Daily Digest
Sign up for global news and reviews, a Wallpaper* take on architecture, design, art & culture, fashion & beauty, travel, tech, watches & jewellery and more.
Monthly, coming soon
The Rundown
A design-minded take on the world of style from Wallpaper* fashion features editor Jack Moss, from global runway shows to insider news and emerging trends.
Monthly, coming soon
The Design File
A closer look at the people and places shaping design, from inspiring interiors to exceptional products, in an expert edit by Wallpaper* global design director Hugo Macdonald.
It was a high tech punk heaven as Philipp Plein delivered his latest blockbuster show in Milan that set man against machine – or, to be more precise, robot against woman. Plein’s woman is a fierce, fearless one who is a warrior on the streets as well as the nightclubs – she’s thrown out her high heels for spiked flat boots and studded up platforms and she’s got enough leather and silver to fill up a band of high-end Harley’s Angels.
Brought to life by Thierry Dreyfus' production company Eyesight, an enormous conveyor belt was set up inside a huge warehouse on the outskirts of Milan where models were ‘assembled’ like packaged goods by gigantic swinging machines, as if at a car manufacturer. If that weren’t enough Plein also stationed a robot band called CompressorHead, a musical group of non-humans whose metal heads bounced back and forth as they punched on drums and hammered on their guitars. Next? A screaming live concert by none other than Courtney Love. It was unreal, as usual, and setting the bar ever higher for master showman Plein.