London label Hadas wants to take socks from unseen to seen
Meet Hadas, the colourful London-based label taking socks from quotidian accessory to ‘centrepiece of design’ with vivid designs and made-in-Italy craft
![An image of socks](https://cdn.mos.cms.futurecdn.net/KewaeXcPZbFGrHkmkeLKG5-415-80.jpg)
London-based Hadas was built with a simple aspiration – ‘to move socks away from a mere accessory and towards [becoming] a centrepiece of design’, as the label describes.
The credentials are there: Hadas’ first season, now available on its own website as well as at retailers including London’s Goodhood, is designed by Ben Sansbury, a Royal College of Art graduate whose work has been displayed in galleries from Newcastle’s Baltic to Paris’ Palais de Tokyo, and who has previously worked with brands including Aries and Palace. Indeed, the various socks’ bold designs – each featuring the capitalised Hadas logo – reflect the aforementioned labels’ strong graphic identities and roots in streetwear.
Sock drawer: introducing Hadas Collection One
Each pair is designed in London but crafted in family-owned factories in Italy from organic cotton; styles range from boldly coloured geometric motifs reminiscent of football socks (‘to stand out and impress on their own’), to more classic styles, whereby the Hadas logo is hidden on the sole of the foot. The initial collection comprises seven different styles, spanning 12 different colourways – from vivid orange, pink, and royal blue, to more muted shades of beige, grey and green.
The name Hadas is derived from the Greek word ‘Háidēs’, in reference to the ancient god of the underworld (‘the name suits a brand willing to take a design path less trodden’, states the brand). In the logo itself, this mythological inspiration is reflected in two pillars, which reference both Greek columns and the ‘mysticism of the double-slit experiment’. The label pays homage to the latter – a quantum mechanics experiment involving the passing of electrons through two slits – for its ‘two outcomes which depend on the presence or the absence of an observer’, a playful riff on the idea that Hadas is taking socks from unseen, to seen.
Wallpaper* Newsletter + Free Download
For a free digital copy of August Wallpaper*, celebrating Creative America, sign up today to receive our daily digest of inspiration, escapism and design stories
Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
-
‘Hedonistic and avant-garde’: Rabanne’s Julian Dossena on the legacy of the chainmail 1969 bag
Paco Rabanne’s 1969 chainmail handbag encapsulates the late designer’s futuristic, space-age style. Current creative director Julien Dossena tells Wallpaper* about the bag’s particular pleasures
By Jack Moss Published
-
Postcard from Paris: Olympic fever takes over the streets
On the eve of the opening ceremony of Paris 2024, our correspondent shares her views from the streets of the capital about how the event is impacting the urban landscape.
By Minako Norimatsu Published
-
The Mercury Prize nominees for 2024 have been revealed
Charli XCX, The Last Dinner Party and Beth Gibbons are amongst this year's nominees
By Charlotte Gunn Published
-
C.P. Company embraces football fever as it becomes Manchester City’s official fashionwear partner
Whether England win or lose at the Euro 2024 finals this weekend, C.P. Company is ready for a stylish football season ahead as the cult Italian brand teams up with Manchester City
By Tianna Williams Published
-
‘I couldn't help but feel the magic’: At Chatsworth, Erdem pays ode to Duchess Deborah Devonshire’s life and style
‘Erdem: Imaginary Conversations’ at Chatsworth sees the London-based fashion designer explore the legacy of Duchess Deborah Devonshire, who inspired his S/S 2024 collection. Wallpaper* travels to the Derbyshire home to find out more
By Zoe Whitfield Published
-
Diptyque opens the doors to an ‘astonishing’ new London home (and you’ll want to move right in)
Diptyque has unveiled Maison Diptyque on New Bond Street, London, an immersive space that captures the storied world of the luxury perfumer
By Hannah Tindle Published
-
New Byredo store opens in London’s Covent Garden
Byredo has unveiled a new Covent Garden store, its second bricks-and-mortar destination in London
By Hannah Tindle Published
-
How Biba’s make-up and cosmetics line started a beauty revolution
Ahead of a new Biba retrospective opening at London’s Fashion & Textile Museum, Hannah Tindle speaks to Barbara Hulanicki about its pioneering make-up and cosmetics line
By Hannah Tindle Published
-
Alaïa unites fashion and art in its redesigned London flagship
Conceived by creative director Pieter Mulier, Alaïa’s reopened New Bond Street flagship is an intimate space which doubles as an art gallery showcasing works from Sarah Lucas, Sterling Ruby, Marc Newson and more
By Tianna Williams Published
-
AV Vattev is the London-based menswear brand creating slow fashion with a subcultural twist
Part of Sarabande: The Lee Alexander McQueen Foundation, Antonio Vattev of AV Vattev is staunch in his commitment to slow fashion, even as he stacks up stockists and famous fans
By Joe Bobowicz Published
-
Cult men’s grooming brand Horace opens its first London flagship store
Men’s grooming brand Horace has unveiled its first standalone international store outside of its home in France
By Hannah Tindle Published