Scene setting: Mary-Kate and Ashley Olsen have always eschewed fanfare when presenting their collections for The Row. This season was particularly restrained, with the label inviting guests to get acquainted with the pieces up close and personal in their industrial West Soho showroom. Beautifully presented with a small selection of garments displayed on mannequins, the quiet drama that underpinned the collection easily rang loud and true.
Mood board: Volume was a key facet of The Row’s latest offerings with gowns, coats and jackets taking on romantic, cocoon-like silhouettes. Exaggerated details like broad collars and cuffs, together with intricate pleating, brought an architectural sensibility to the striking pieces, while sheer overlays added a soft femininity. As always, tailoring and craftsmanship was at the collection’s core with elegant drapery and fine handwork, such as delicately frayed edges, imbuing a rippling tension to the otherwise stoic pieces. Against all the panache and vibrancy of some of its other counterparts, The Row’s intellectual spin on minimalism packed a powerful punch.
Finishing touches: Accessories have always been a strong suit at The Row and for Spring/Summer 2019, pointed kitten-heeled shoes, button-up boots and woven rope sandals served as a grounding force to the classic garments. Awash in oceanic tones of teal, sea green and tan, footwear was also complemented by an array of leather goods which ranged from palm-sized clutches to roomy, top-handled totes in smooth, buttery leather.
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Fabergé‘s timeless jewellery puts colour, carat and craftsmanship centre stageCelebrated for the spectacular Easter eggs designed for the Romanov family, Fabergé creates jewellery collections that marry classic elegance with a contemporary edge
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Rockefeller Center unveils new look in time for its Christmas tree lighting
A guide to the new Rockefeller Center: renovated buildings and new restaurants to discover in time for the Christmas tree lighting on 30 November 2022
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Pierpaolo Piccioli and Jacopo Venturini on their vision for Valentino’s new store concept
Speaking exclusively to Wallpaper*, Valentino creative director Pierpaolo Piccioli and CEO Jacopo Venturini talk about redesigning the house’s stores in a project titled ‘The New Maison’
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Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New York
Octogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
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‘In America: A Lexicon of American Fashion' is coming to The Met
The first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
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Saint Laurent celebrates 40 years of Memphis Group
Memphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
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‘A place for the eye to pause’: Ulla Johnson unveils New York HQ
The Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
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Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute
‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
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Theory A/W 2020 New York Fashion Week Women’s
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Michael Kors A/W 2020 New York Fashion Week Women’s
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Gabriela Hearst A/W 2020 New York Fashion Week Women’s
