Scene setting: Hussein Chalayan presented his ‘Entitle’ collection at Sadler’s Wells Theatre in London. The performance art-focused venue was particularly apt, as the designer’s collection was a protest against the theatre of social media, and a culture of self-worth that is based on likes, comments and going viral. Motifs in Chalayan’s collection – marked by oversized tailoring, draped silhouettes and exaggerated proportions – riffed on the rise of digital sensationalism. Swarovski-detailed Post it Notes flickered off column dresses, and models were shrouded by sunglasses and gauzy headscarves.
Mood board: The show climaxed, models appeared on stage, clad in long column gowns and wearing sparkling embellished headdresses, which squared their visage. Were these faces that had lost their identity, overshadowed by the angular frame of their phones, or people born again by the glittering beaded foliage around them?
Best in show: A series of charcoal-grey opening looks were a refreshing lesson in finely cut tailoring. These included a slouchy V-neck shirt jacket and a well formed narrow strapped playsuit; the pieces spoke of Chalayan’s signature silhouettes. An electronic soundtrack pulsed in the background, while the lyrics ‘I missed my VCR for so long’ nodded to the designer’s sentimentality for an earlier age.
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Sculpture meets jewellery meets sport? Kelly Wearstler’s latest venture is doing something completely newThe designer is launching a new curatorial platform, Side Hustle, free from the limitations of commercial commissions and aiming to foster truly original, experimental and interdisciplinary work
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Ballman Khaplova creates a light-filled artist’s studio in upstate New YorkThis modest artist’s studio provides a creative with an atelier and office in the grounds of an old farmhouse, embedding her practice in the surrounding landscape
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Italy’s most famous recipe book gets a revamp for its latest edition‘Il Cucchiaio d'Argento’, or ‘The Silver Spoon’, is Italy's best-known recipe book: artist Olimpia Zagnoli and cultural design studio Bunker collaborated on a new look for its latest edition
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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Nicholas Daley's multicultural roots celebrated in London
