Gucci S/S 2017
Alessandro Michele kicks off with a dazzling show full of brilliant colour and shine

Scene setting: We're not going to lie: seeing the clothes at the Gucci show was somewhat challenging given the hot cloud of smoke that wrapped around the show space like thick pink incense. Which was a shame, because there were clearly many fruits in Alessandro Michele's latest orchard ripe for picking. Also cool – but corrupted – was the set, a pink disco ball-meets-1930’s boudoir with rose coloured satin seating obfuscated by the smoke, but later revealed to have a sensational striped carpet underfoot.
Mood board: Michele called his collection Magic Lanterns, a beautifully fitting title for his non-linear, mad-capped view of la moda that eschews cohesion in favor of brilliantly lit, stand-alone wonders. Once the view cleared, we saw Michele's signature chest of original bootie brimming with exotic intarsia, animal patches, headscarves and monster platforms crusted in gumball pearls.
Best in show: The 1970’s had a strong showing in this collection, with bell-bottomed pantsuits yanked out of retro dullness in ornate jacquards. Also cool was the pile of Victoriana shown in prim brocade long-sleeved dresses crusted in crystals or in tiers of pleated tulle.
INFORMATION
Photography: Jason Lloyd-Evans
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
JJ Martin
-
Watch dance, music and film collide at a unique event at Abbey Road Studios
In this exclusive film, watch Abbey Road’s first Artist in Residence, Jordan Rakei, collaborate with industry-leading creatives to produce a dance performance in the hallowed Studio One
By Anna Solomon
-
Frances Elkins gets her dues at Christie's this June
You can soon take home a piece of the legendary American designer’s legacy…including a $3 million Alberto Giacometti sculpture.
By Anna Fixsen
-
The new Phone 2 Pro from CMF combines generous scale with true affordability
We explore the ins and outs of the CMF Phone 2 Pro, the newest device from the Nothing sub-brand that focuses on bold design and carefully honed value engineering
By Jonathan Bell
-
Alessandro Michele to exit his role as creative director of Gucci
Italian house Gucci has confirmed Alessandro Michele will leave after a seven-year tenure in which his eclectic aesthetic has proved a critical and commercial success
By Jack Moss
-
Milan Fashion Week Men’s S/S 2023: Fendi to Prada
From Prada’s exploration of archetypal menswear garments to JW Anderson’s much-anticipated debut in the city, the best of Milan Fashion Week Men’s S/S 2023, as it happens
By Jack Moss
-
Milan Fashion Week A/W 2022: Prada to Bottega Veneta
In this extended report, Scarlett Conlon reports live from the Milan Fashion Week A/W 2022 shows, with rolling coverage as they take place on the runway
By Scarlett Conlon
-
Gucci Love Parade LA to Bottega Veneta in Detroit: American fashion must-sees
Grab your headscarf, sunglasses and driving shoes as we take a stylish road trip around the USA, where cities including Atlanta, San Francisco, Los Angeles and Detroit are dialling up their fashion focus with events, activations and runway shows
By Laura Hawkins
-
Step inside a Gucci campaign in Florence
Gucci Garden ‘Archetypes' exhibition brings to life 15 of Alessandro Michele's most iconic advertising campaigns for the Florentine brand
By Scarlett Conlon
-
The filmic vision of Paris’ virtual men’s fashion week
Take an in-depth look at the trends of Paris' fashion week for Spring/Summer 2021, where brands turned to the moving image to express their collections virtually
By Pei-Ru Keh
-
A decade of fashion show history in pictures
British photographer Jason Lloyd Evans shares his favourite backstage images, from the runway shows of Dolce & Gabbana, Chanel, Armani, Proenza Schouler, Versace and more
By Jason Lloyd-Evans - Photography
-
Gucci's Seoul show considers radical perspectives on ‘otherness’
The fashion label sponsors ‘No Space, Just a Place, which invites guests to consider radical perspectives on ‘otherness’, led by Tunisian-born curator Myriam Ben Salah
By Andy St Louis