Margaret Howell chose British dance company Rambert's headquarters in Waterloo to present her spring collection, citing the natural link to freedom of form and movement as her impetus - along with the practical fact that demand for her show has burst the presentation out of her Wigmore Street store. Howell's evergreen mode of dressing is undergoing a renaissance. Not that it ever went away per se, but let's just say that fashion's fickle gaze has once again become attuned to the skill involved in creating consistently high quality, figure-flattering basics - from Howell's timeless trenches to round neck jersey. Without deviating from neutral hues of white, putty, cream, black, navy and grey, Howell was in true reductionist form for spring, showing us just how effortlessly good a relaxed linen blazer and pleat-front pants could look. Needing little more attention than a thin leather belt and a soft, short-sleeved knit or crisp shirt underneath, the elegance in her fuss-free, classic clothing archetypes was duly noted.
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From Bauhaus to outhouse: Walter Gropius’ Massachusetts home seeks a design for a new public toiletFor years, visitors to the Gropius House had to contend with an outdoor porta loo. A new architecture competition is betting the design community is flush with solutions
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This Portuguese winery looks like it grew from the landscape itselfArchitect Sérgio Rebelo distils the essence of Portugal’s Douro Valley into a new timber-framed winery for Quinta de Adorigo
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In Sou Fujimoto’s far-flung Not A Hotel villa, solitude feels almost planetaryAn underwater sauna, an infinity pool and a circular courtyard garden are just a few of the highlights at Not A Hotel’s latest outpost, on Japan’s Ishigaki Island
