Scene setting: A sumptuous stately home facade greeted guests as they entered Quinn’s enormous show space in South London. Columns, cornices and balconies were painted in a creamy grey, and populated trellises of flowers. In recent seasons, the London-based designer’s show concepts have reflected the gargantuan glamour that his designs evoke — last season Quinn’s S/S 2020 show showcased a performance by the Royal Philharmonic Orchestra and featured a tableau of debut bridal designs. As the show began, the walls of the mansion backdrop opened to reveal a live pianist and musician Hannah Grace, whose performance included a rendition of Abba’s Dancing Queen.
Mood board: A series of astonishingly bejeweled looks opened the show, riffing on the embellished outfits of Pearly Kings and Queens (a jacket was humorously emblazoned in Swarovksi crystals with the slogan ‘God Save the Quinn!’ There was also a more anarchic edge to proceedings than in past seasons, with Quinn’s signature face covering balaclavas reimagined in spiked gimp masks or beaded chainmail. Escapist eveningwear was high on the agenda (a contrast to the sensible clothing needed to arm against Storm Denis outside), with a resplendent role call of dresses in puff ball and prom queen and pannier shapes or tumbling ruffled gowns, in acid tone satins, with leg of mutton sleeves, bow and rose embellishments, polka dots and floral prints.
Finishing touches: Just hours after Molly Goddard showcased her menswear offering (and Rejina Pyo debuted sophomore menswear looks), Quinn debuted a show stopping selection of men’s looks, including beaded rose breastplates and ostrich feather vests paired with fit and flare trousers. Just like Quinn’s womenswear, it’s not fashion for the faint of heart.
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Willy Chavarria: ‘We’re still so stuck in fashion‘s old guard’As part of the August 2025 ‘Made in America’ issue of Wallpaper*, we invited three creative powerhouses to comment on the state of the States. Here, award-winning American fashion designer Willy Chavarria speaks on creative resilience, uniting with activist groups, and shaking up fashion’s old guard
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Six Indian artists reframe the ladies compartment of a Mumbai local trainAn exhibition by Method (India) at Galerie Melike Bilir in Hamburg explores a gendered space
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Frank Lloyd Wright’s The Fountainhead – a shining example of Usonian design – is now on the marketThis quintessential Wright home – built in a vibrant mid-century neighbourhood – was named after a novel inspired by the architect
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
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Nicholas Daley's multicultural roots celebrated in London -
V&A spotlights the sartorial and social significance of the kimonoFor the latest endeavour of London's Victoria and Albert Museum, Kimono: Kyoto to Catwalk explores the evolution of the iconic Japanese garment
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Erdem A/W 2020 London Fashion Week Women's
