Scene setting: It was a playful, lighthearted affair at Michael Kors this season. The veteran designer invited guests to the Vivian Beaumont Theatre at Lincoln Centre for his runway presentation, but instead of being inside the theatre, guests were seated in the elegant Christopher Lightfoot Walker Lobby — which mixed white walls, concrete ceilings and polished brass, as designed by Eero Saarinen. With playbill posters printed with a joyful caricature of Kors on the cover, there was a clear carefree tone set from the get go.
Mood board: With a heady dose of wallpaper florals, retro plaids, bright tracksuits and ladylike tailoring, Kors’ latest collection encouraged a youthful individualism. Mix and matched elements, like clashing prints, structure and loungewear, teamed with girlish hair accessories, extra long scarves and tweed rain hats, came together for a quirky look that wouldn’t seem amiss in the Upper West Side environs.
Best in show: Filled with fun, wearable pieces, Kors did what he always does best — deliver a chic, cheerful collection that plays towards a fantasy of how life should be. This included a special collaboration with the artist David Downton on a portrait-focused print that took over a strapless dress and some accessories for a Warholian feel. Rounded out by a mix of candy-coloured faux fur coats and nerdy argyle knits, the eclectic collection was a vibrant burst of confidence and individualism — a personification of New York City, admitted Kors.
Michael Kors A/W 2018.
Michael Kors A/W 2018.
Michael Kors A/W 2018.
Michael Kors A/W 2018.
-
John Cage’s ‘now moments’ inspire Lismore Castle Arts’ group showLismore Castle Arts’ ‘Each now, is the time, the space’ takes its title from John Cage, and sees four artists embrace the moment through sculpture and found objects
-
Architects collaborate on geometric extension to radically re-shape a London houseMediterranean influences, earthy tones and quirky angles abound in this geometric extension and the soaring living spaces of this reconfigured Victorian townhouse
-
‘What a Fantastic Machine’: new film explores the camera, pop culture and human behaviourMaximilien Van Aertryck and Axel Danielson’s new film, ‘And the King Said, What a Fantastic Machine’, dissects the role of the camera in popular culture
-
Sarah Moon brings painterly fashion and dark fantasy to Fotografiska New YorkOctogenarian French photographer and filmmaker Sarah Moon shows 30 years of work at Fotografiska New York – spanning fashion and fantasy, mystery and the macabre, it’s dark, painterly and compelling
-
‘In America: A Lexicon of American Fashion' is coming to The MetThe first of a two-part, year-long extravaganza, ‘In America: A Lexicon of American Fashion’ is organised into 12 sections that seek to define the emotional qualities in American style
-
Saint Laurent celebrates 40 years of Memphis GroupMemphis Group's milestone birthday is celebrated with a series of colourful furniture installations across the French maison's concept boutiques
-
‘A place for the eye to pause’: Ulla Johnson unveils New York HQThe Manhattan-born fashion designer opens a warmly-hued style sanctuary, created in collaboration with architect Rafael de Cárdenas
-
Es Devlin-designed time-travelling exhibition opens at The Met’s Costume Institute‘Our aim is to communicate the phenomenon of time as it is expressed through the female form,’ says Devlin of the exhibition she has designed alongside curator Andrew Bolton
-
Theory A/W 2020 New York Fashion Week Women’s -
Michael Kors A/W 2020 New York Fashion Week Women’s -
Gabriela Hearst A/W 2020 New York Fashion Week Women’s
