Scene setting: Fast becoming one of London Fashion Week’s most hotly tipped runway shows, a surreal red light illuminated the vast basement space of Joseph’s A/W 2017 showspace. A symbol of the audience’s anticipation, a series of neon tube lights were affixed to pillars and flashed orange then white as the show began.
Mood board: This was a collection of knockout pieces that ranged from mannish suits in leather or floral upholstery fabrics, to feminine high necked dresses in transparent lace or patterned silk. Oversized knits, coats in patent leather and utility focused button-detail jumpsuits were all pieces sure to bring buyers knocking.
Finishing touches: A series of elegant double-breasted coats featured tightening belts which were affixed to the back of sleeves instead of the waist, offered an unusual straight-jacket like reverse detail. Two dresses, one white and high necked and the other a red shirtdress were layered together, the shirtdress unbuttoned to the collar and worn asymmetrically like a cape.
Joseph A/W 2017.
Joseph A/W 2017.
Joseph A/W 2017.
Joseph A/W 2017.
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In BDSM biker romance ‘Pillion’, clothes become a medium for ‘fantasy and fetishism’Costume designer Grace Snell breaks down the leather-heavy wardrobe for the Alexander Skarsgård-starring Pillion, which traces a dom/sub relationship between a shy parking attendant and a biker
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Tour Aflalo’s first retail space, a gallery-like studio in New YorkLight-filled and elegant, Aflalo has opened its first retail space in a classic Soho loft, reimagined by Nordic Knots Studio
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This Toronto pizzeria hides a sultry bar with serious biteNorth of Brooklyn unveils a fresh, two-level outpost where crisp, light-filled minimalism gives way to a warmer, neon-lit upstairs area
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‘Architect of glamour’ Antony Price makes a high-voltage return to the runway with 16ArlingtonFeaturing a runway debut from Lily Allen, the show saw legendary designer Antony Price – best known for outfitting Roxy Music in the 1980s – unite with 16Arlington’s Marco Capaldo on the sensual after-dark collection
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‘Dirty Looks’ at the Barbican explores how fashion designers have found beauty in dirt and decayFrom garments buried in River Thames mud to those torn, creased and stained, ‘Dirty Looks’ is a testament to how ‘creativity and new artistic practices can come out of decay’, its curators tell Dal Chodha
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Tyler Mitchell’s London show explores the figure of the Black Dandy, ‘imagining what else masculinity could look like’Originally part of a visual essay to accompany the Met’s ‘Superfine’ 2025 Costume Institute exhibition, ‘Portrait of the Modern Dandy’ goes on display at Gagosian Burlington Arcade in London this week
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Inside Louis Vuitton’s Murakami London pop-up, a colourful cartoon wonderland with one-of-a-kind caféWallpaper* takes a tour of the Louis Vuitton x Murakami pop-up in London’s Soho, which celebrates the launch of a new ‘re-edition’ accessories collection spanning the greatest hits from the Japanese artist’s long-running collaboration with the house
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Get to know Issey Miyake’s innovative A-POC ABLE line as it arrives in the UKAs A-POC ABLE Issey Miyake launches in London this week, designer Yoshiyuki Miyamae gives Wallpaper* the lowdown on the experimental Issey Miyake offshoot
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Margaret Howell London Fashion Week Women's S/S 2019 -
London Fashion Week S/S 2023: Ahluwalia to Martine RoseThough slimmed-down, London Fashion Week nonetheless provided the moments of creative expression the city is known for – from Ahluwalia’s ode to Africa to Martine Rose’s much-anticipated runway return
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Discover these fashion brands at London Craft WeekDuring London Craft Week, fashion brands including Smythson, Bally and Serapian are hosting events across the capital
