Marni S/S 2018
Scene setting: Francesco Risso in his second season at Marni delivered a joyful, modern coolness in the middle of a scorching Milan – one of the highlights so far. Guests sat on rows of neat wooden benches with chequer-board leather seats, nestled on-top of clear inflatable pillows. The show was soundtracked with renditions of Eden Ahbez’s gentle Nature Boy by David Bowie and John Coltrane, mixed by Frédéric Sanchez Studio.
Mood board: The cardboard invitation included a small toy, while the show notes talked of a ‘well to do boy’ falling into a never ending vacation. Each of the models carried mismatched luggage, tied with loose bits of string or odd ties. The look of misaligned pinstripes, shrunken, unfinished knits and 1920s Maillots de bain t-shirts was random and refined, eclectic and exacting.
Team work: The LA artist Magdalena Suarez drew a series of shirts and bibs for S/S 2018. Though better known for her ceramic collaborations with her husband Michael Frimkess, Suarez’s sketches of faces and wild animals lent a charming narrative to the playful proportions of Risso’s clothes. From traditional ancient Greco-Roman frescos to Felix the Cat, the Venezuelan-born octogenarian has no set rules for what she chooses to illustrate on her own work. She’s not hung up on one thing, just like the Marni man.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
London based writer Dal Chodha is editor-in-chief of Archivist Addendum — a publishing project that explores the gap between fashion editorial and academe. He writes for various international titles and journals on fashion, art and culture and is a contributing editor at Wallpaper*. Chodha has been working in academic institutions for more than a decade and is Stage 1 Leader of the BA Fashion Communication and Promotion course at Central Saint Martins. In 2020 he published his first book SHOW NOTES, an original hybrid of journalism, poetry and provocation.
-
Exclusive first look: LightMass^ is a new independent lighting venture by London-based design studio Raw Edges
LightMass^ is the result of experiments in additive technology and bio-based filaments, combined with a drive to create lighting structures with imposing volumes but minimal weight and waste
By Emma Moore Published
-
Compact creativity: the best pocketable tech tools show that small is still beautiful
These dimunitive devices offer up functionality and portability in every field, from capturing every kind of sound, vision and imagery as well as ways to edit, write and play it all back
By Jonathan Bell Published
-
Portrait of a modernist maverick: last chance to see the Jean Cocteau retrospective in Venice
‘Cocteau: The Juggler’s Revenge’, celebrating the French artist's defiance of artistic labels, is in its final week at Peggy Guggenheim Collection, Venice
By Caragh McKay Published