Scene setting: Francesco Risso in his second season at Marni delivered a joyful, modern coolness in the middle of a scorching Milan – one of the highlights so far. Guests sat on rows of neat wooden benches with chequer-board leather seats, nestled on-top of clear inflatable pillows. The show was soundtracked with renditions of Eden Ahbez’s gentle Nature Boy by David Bowie and John Coltrane, mixed by Frédéric Sanchez Studio.
Mood board: The cardboard invitation included a small toy, while the show notes talked of a ‘well to do boy’ falling into a never ending vacation. Each of the models carried mismatched luggage, tied with loose bits of string or odd ties. The look of misaligned pinstripes, shrunken, unfinished knits and 1920s Maillots de bain t-shirts was random and refined, eclectic and exacting.
Team work: The LA artist Magdalena Suarez drew a series of shirts and bibs for S/S 2018. Though better known for her ceramic collaborations with her husband Michael Frimkess, Suarez’s sketches of faces and wild animals lent a charming narrative to the playful proportions of Risso’s clothes. From traditional ancient Greco-Roman frescos to Felix the Cat, the Venezuelan-born octogenarian has no set rules for what she chooses to illustrate on her own work. She’s not hung up on one thing, just like the Marni man.
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Aesop’s Queer Library bookmarks brilliant literature, no purchase requiredReturning to London’s Soho, 3-6 July 2025, the Queer Library pop-up offers complimentary books by LGBTQIA+ authors and allies
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Wangechi Mutu's powerful sculptures take over the palatial interiors of Rome's Galleria BorgheseThe Kenyan-born artist is the first living woman to have a solo exhibition at the villa
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Il Sereno’s new Listening Suite is what phonophiles’ dreams are made ofDesigned by Patricia Urquiola and Il Sereno founder and audiophile Luis Contreras, the new Lake Como-facing suite unites Japanese listening culture with Italian design
