Pat McGrath collages make-up onto faces for Marc Jacobs S/S 2025
Last night, Pat McGrath used fabric cutouts in place of lipstick and blush at the Marc Jacobs S/S 2025 show in New York

Pat McGrath was tasked with creating the make-up for Marc Jacobs’ S/S 2025 show, which took place last night at New York’s Public Library. This is not the first time the make-up legend has teamed up with the American designer, of course, with McGrath working alongside hairstylist Guido Palau in 2019 to devise 60 unique beauty looks for Jacobs’ S/S 2020 runway presentation.
With elements of this cacophonously colourful collection referencing 1970s designs by Yves Saint Laurent and Norman Norell, the make-up was fittingly era-appropriate, including false lashes fluttering on models’ eyelids like insect antennae, à la Shelley Duvall.
Pat McGrath’s runway make-up for Marc Jacobs S/S 2025

Marc Jacobs S/S 2025














S/S 2025 honoured the work of another fellow designer admired by Jacobs, Rei Kawukubo, recalling two Comme des Garçons collections in particular: S/S 1997’s Tumour/Body Meets Dress, Dress Meets Body – otherwise known as Lumps & Bumps, renowned for its groundbreakingly irregular, sculptural silhouettes – and A/W 2012’s 2 Dimensions, with oversized garments appearing as wearable collage cutouts; reminiscent of clothes worn by paper dolls.
The latter is what Pat McGrath honed in on with her make-up, adorning model’s faces with red circular fabric shapes in place of blusher and lipstick. Besides a second collage-inspired element – a black beauty mark – the skin was kept entirely bare with a luminous finish, eyes subtly contoured and framed by lightly pencilled and brushed-up brows. (McGrath’s take on this quintessential colour palette recalled her work for Marc Jacobs A/W 2020, where she used only red lipstick and black eyeliner to provide a cast of 90 models and over 50 dancers with entirely different looks).
Marc Jacobs S/S 2025
Yesterday on the runway, the fabric shapes for ‘blush’ and ‘lipstick’ appeared in both matte and glitter textures and two different hues of red, nodding to Pat McGrath Labs’ collaboration with Marc Jacobs for a limited edition version of the brand‘s MatteTrance Lipstick.
The art of transforming models into living works of art is one of Pat McGrath’s signature talents. Last year, her ‘glass skin’ for Maison Margiela Artisanal 2024 went viral, leading to the formulation of Pat McGrath Labs’ Skin Fetish: Glass 001 Artistry Mask – a product Wallpaper* previewed in our 2025 Design Awards issue – which replicates the same hyperreal, ‘porcelain doll’ finish. (Whether bringing lipstick and blush decals to the masses are the next on her agenda remains to be seen).
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Marc Jacobs S/S 2025
Hannah Tindle is Beauty & Grooming Editor at Wallpaper*. She brings ideas to the magazine’s beauty vertical, which closely intersects with fashion, art, design, and technology.
-
The bespoke Jaguar E-Type GTO melds elements from every era of the classic sports car
ECD Automotive Design’s one-off commission caters to a client who wanted to combine the greatest hits of Jaguar’s E-Type along with modern conveniences and more power
-
Casa Sanlorenzo debuts in Venice as a new hub for contemporary art
The luxury yachting leader unveils a stunning new space in a palazzo restored by Piero Lissoni – where art, innovation, and sustainability come together
-
Once vacant, London's grand department stores are getting a new lease on life
Thanks to imaginative redevelopment, these historic landmarks are being rebonr as residences, offices, gyms and restaurants. Here's what's behind the trend
-
Carine Roitfeld on the magic of Dior
The legendary fashion editor has teamed up with photographer Brigitte Niedermair on a special look into the famed French house's archives as part of the UBS House of Craft x Dior in New York
-
What does a Renzo Piano-designed handbag look like? Max Mara’s ‘Whitney’ has the answer
In 2015, Max Mara launched the ‘Whitney’ bag, made in collaboration with Renzo Piano Building Workshop to celebrate the opening of New York’s Whitney Museum. Now, a series of reissues celebrate ten years of the institution
-
Monastery’s botanical skincare is worshipped by many (including Sofia Coppola)
Monastery’s botanical skincare takes a welcome ‘less is more’ approach in a world of ever-expanding routines. Madeleine Rothery speaks with founder Athena Hewitt to discover why the brand has a cult following
-
Inside Valentino’s intimate New York ‘listening room’, designed with Terraforma
Uniting with Italian collective Terraforma, Valentino continues the phenomenon of the ‘listening room’ with L’Atelier Sonore, a plush new space in its Madison Avenue store complete with an eclectic sonic programme for vinyl aficionados
-
Sex, scent and celebrity: what perfume ads of the 2000s reveal about consumer culture today
In All-American Ads of the 2000s, the latest instalment of Taschen’s book series chronicling print advertising across ten decades, a section on perfume is a striking precursor for consumerism in the age of social media
-
Jonathan Lyndon Chase’s Acne Studios takeover is one Frieze Week installation you won’t want to miss
The Philadelphia-based artist takes over the Swedish label's Greene Street flagship in New York alongside a limited-edition collaboration: ‘My work is about my lived experience as a queer, Black person’
-
Fear of God’s Jerry Lorenzo on curating the perfect Met Gala table: ‘They share my honesty’
The LA-based founder of Fear of God takes Wallpaper* behind the scenes of his preparations for the Met Gala 2025, dressing guests who span the worlds of art, film and fashion, including Yara Shahidi, Ryan Coogler, Arthur Jafa and Andre Walker
-
Torkwase Dyson’s set design for ‘Superfine: Tailoring Black Style’ at The Met meditates on ownership, charisma and histories
The artist’s exhibition design sees her recognisable geometric forms provide the backdrop to the Costume Institute’s extensive survey of the Black dandy, which was celebrated at the Met Gala yesterday (5 May)