Left, limited-edition cover by French conceptual artist Christian Boltanski, available to subscribers. Right, newsstand cover. Photography: Toiletpaper by Maurizio Cattelan and Pierpaolo Ferrari
Tony Chambers asks: what is a designer?
Almost five decades ago, the cabinetmaker, designer, poet, educator and political dissident Norman Potter set out to write What is a designer, a definitive guide for students and teachers of all design disciplines. Noted for the lack of question mark in its title, his book advanced a radical vision of what design should be – an activity rather than an end result, a verb rather than a noun. Lofty ideas were followed with down-to-earth advice, all presented in an accessible format. What is a designer became a staple of creative training, especially during my time at London’s Central School of Art and Design, studying graphic design and typography. It made an instant impact on me, and has been a constant source of inspiration ever since.
In the past months, I have found myself revisiting Potter’s book as we at Wallpaper* gear up for our inaugural Brainstorm Design conference in Singapore. Alongside two of our sister titles, Time and Fortune, we have put together a conference like no other. One that brings together the world’s top creative minds with the world’s best business brains with a proposition that today, the world’s most innovative operations, from Fortune 500 giants to disruptive start-ups, must embrace design as a key component of corporate strategy.
Currently, for the most part, business executives and designers still speak different languages. At many Fortune 500 firms, the principles of design thinking aren’t well understood. And too often designers view large firms with suspicion and chafe at executives’ constant carping about measurable results and ROI. The global conference scene does little to bridge this cultural divide. There are innumerable opportunities for designers to talk to other designers, and still more for business executives to talk to other business executives – the dreaded echo chamber!
Brainstorm Design seeks to fill this void and open a dialogue between those two tribes, exploring the nexus of business and design in the far-reaching manner the subject deserves. We’re bringing together design stars that already shine brightly in the Wallpaper* world – among them Thomas Heatherwick, Patricia Urquiola, Tom Dixon, Paola Antonelli, Ole Scheeren, Beatrix Ong and Daan Roosegaarde – together with trailblazers of the sharing economy such as Joe Gebbia of Airbnb and Miguel McKelvey of WeWork, and captains of the bluest of blue chips such as IBM, PepsiCo and Johnson & Johnson. They are joined by champions of design for social good (among them Parley for the Oceans’ Cyrill Gutsch and author John Cary), the CEOs of Singapore’s Changi Airport and Denmark’s Design Centre, and leaders of design education from the likes of RISD and Stanford.
To give a taste of the conference’s breadth and ambition, we asked one of our speakers, and one of the most authoritative voices in our industry, Alice Rawsthorn, to consider the expanding role of design in this issue. As she writes on page 137, ‘it is an agent of change that can be used to interpret changes of any type – social, political, cultural, economic, scientific, environmental, technological or personal – to help ensure that they will affect us positively’. In the same way Norman Potter established the relevance of design to the world of the 1960s, Brainstorm Design will stake out design’s claim to being a dominant force in the 21st century. In Singapore we’ll be hearing from and listening to all sides, all tribes. Welcome to the anti-echo chamber.
Tony Chambers, Brand & Content Director
As originally featured in the April 2018 issue of Wallpaper* (W*229)
Gufram gets its groove on with a collection of soul-powered seating. Photography: Toiletpaper by Maurizio Cattelan and Pierpaolo Ferrari
Hieronymus’ pursuit of the perfect pen silhouette. Photography: Paul Zak. Interiors: Maria Sobrino
By day or night, the magic mushrooms of Belgian ceramist Jos Devriendt offer a sculptural trip. Still-life photography: Mario MacPherson. Producer: Michael Reynolds
On the eve of his first solo show in London for eight years, we visit septuagenarian French artist Christian Boltanski in his studio outside Paris to discuss mortality whale sounds and a wager over deathwith a Tasmanian devil. Photography: Maciek Pozoga
We go into orbit to survey six design hotspots. Photography: Jean-Pacôme Dedieu. Interiors: Benjamin Kempton
René Redzepi’s Noma is the most influential restaurant of the century so far, an icon for a food-obsessed age. A year after the original dining room closed, a remarkable replacement has arrived, a seven-piece celebration of high craft and beyond-the-call care in all areas. This is the exclusive inside story of how the world’s best restaurant plotted a new course. Photography: Jan Søndergaard
From hybrid supercars to hi-tech campervans, Germany is in the driving seat of auto innovation. Photography: Leon Chew
Elegant ways to divide and conquer. Photography: Luke Kirwan. Interiors: Olly Mason
Unveiling the best new designs of the IMM Cologne fair. Photography: Peter Langer. Interiors: Elena Mora
It’s all domestic drama and denim at our Belgian modernist hideout. Photography: Esther Theaker. Fashion: Jérôme André
Classic chain designs have us feeling hot under the collar. Photography: Julien T Hamon. Watches & Jewellery Director: Caragh McKay. Fashion: Jason Hughes
Tomás Saraceno’s chocolate nut cake joins our artist’s palate. Photography: John Short. Food: Peta O’Brien