Nestled between the ‘Personal Pleasures’ and ‘Modernism’ sections of the vast silver collections at the Victoria and Albert Museum is a new contemporary range of silver works. In a show titled 'Silver Speaks', the group of specially commissioned silverware is giving the precious metal a new lease of life.
‘People think the art of silversmiths is old fashioned,’ explains curator Corinne Julius. Hand selecting the pieces herself, Julius scoured moquettes, sketches and outlines for prospective designs by members of Contemporary British Silversmiths, whittling down a list of 18 practitioners for display at the museum. ‘I was interested in the process, how these people think,’ she continues. The show delves into the intricate and meticulous manufacturing techniques of the chosen designers – from 3D printing to fusing construction and patination. Subsequently, the display reignites the appreciation for silver craft in the new age.
The pieces were intimately displayed in a set by sculptural designer and artist Marcin Rusak. From the line up, Mary Ann Simmons and Juliette Bigley's geometrical sculptures particularly stood out. The RCA-trained Simmons' multi-side vessel is formed from a flat sheet of Britannia silver, while London-based Bigley's conceptual fruit bowls plays between lines and circles.
Innovative techniques were found in Hamish Dobbie’s decorative Growth Vase. Inspired by the geological formations of Fingal’s Cave on the Scottish island of Staffa, the creation started out as a series of wax hexagons (which are also on display). Dobbie then turned these into a vast range of 3D printed silver hexagons, gradually soldered together to build the sculpture.
Some of show's most striking pieces emerge as if made from another material. Alistair McCallum’s Silver Vase with a Mokume Gane Rim engages with a Japanese metalworking technique that fuses the alloys, appearing like grains inside a branch. Meanwhile, Hazel Thorn’s Wrapped Birch Fruit Bowl utilises new procedures in gilding metal to create a fluid porous pattern.
Rajesh Gogna explored more historical techniques. Using hammering and fabrication he moulded sterling silver into an abstract one-dimensional teapot and cup concept titled Retro-ism Ice Tea for One.
‘Silversmith craft is a lonely profession,’ Julius muses about each of the designer's solo journeys – all of which certainly give silver a moment to speak for itself.
Handpicked by curator Corinne Julius, the pieces explore the intricate and meticulous manufacturing of the British designers, reigniting an appreciation for silver craft for a new age. Pictured: Four Piece Vessel Set, by Rebecca de Quin, 2015
Mary Ann Simmons and Juliette Bigley both explore geometrical shapes in soldered sterling and Britannia silvers. Pictured left: Two Bowls, by Juliette Bigley, 2015. Right:12/24, by Mary Ann Simmons, 2015
Wrapped Birch Fruit Bowl by Hazel Thorn, 2016, was inspired by the Scottish landscape and uses new techniques in metal gilding to create the fluid wood-like pattern
Pictured left: Brushstroke, by Rauni Higson, 2016. Right: Silver Vase With A Mokume Gane Rim, by Alistair McCallum, 2015
The pieces were intimately displayed in a set by sculptural designer and artist Marcin Rusak. Pictured: Soft Vessels on Stilts, by Adi Toch, 2015
Rajesh Gogna explored more historical techniques. Using hammering and fabrication he moulded sterling silver into an abstract one-dimensional teapot and cup concept titled Retro-ism Ice Tea for One, 2015
From Five Finds, by Stuart Cairns, 2015
Ice Windows, by Clive Burr, 2016
Pictured left: Urban, by Anna Lorenz, 2015. Right: Juxtapose Cups, by Cara Murphy, 2015
’Pillow’ Cutlery Set, by Angela Cork, 2015
Silver Leather Clutch, by Kyosun Jung, 2016
’Silver Speaks: Idea to Object’ remains on show until 31 January 2017. Pictured: Waves, by Nan Nan Liu, 2016. Right: Growth Vase, by Hamish Dobbie, 2015
INFORMATION
’Silver Speaks: Idea to Object’ is on view until 31 January 2017. For more information, visit the ’Silver Speaks’ website
ADDRESS
Victoria and Albert Museum
Cromwell Road
London, SW7 2RL
-
Martell’s high-tech new cognac bottle design takes cues from Swiss watch-making and high-end electronicsUnconventional inspirations for a heritage cognac, perhaps, but Martell is looking to the future with its sharp-edged, feather-light, crystal-clear new design
-
In 2025, fashion retail had a renaissance. Here’s our favourite store designs of the year2025 was the year that fashion stores ceased to be just about fashion. Through a series of meticulously designed – and innovative – boutiques, brands invited customers to immerse themselves in their aesthetic worlds. Here are some of the best
-
The Wallpaper* team’s travel highlights of the yearA year of travel distilled. Discover the destinations that inspired our editors on and off assignment
-
Out of office: The Wallpaper* editors’ picks of the weekFar from slowing down for the festive season, the Wallpaper* team is in full swing, hopping from events to openings this week. Sometimes work can feel like play – and we also had time for some festive cocktails and cinematic releases
-
The Barbican is undergoing a huge revamp. Here’s what we knowThe Barbican Centre is set to close in June 2028 for a year as part of a huge restoration plan to future-proof the brutalist Grade II-listed site
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
