Postmodernism: Style and Subversion 1970–1990

There was a time in the mid-1980s when you’d be hard pressed to read a style magazine feature without the word ‘postmodern’ cropping up. For architects, designers and artists it was an era when being brash, witty, colourful and even kitsch was considered de rigueur. And yet, as the V&A’s new exhibition Postmodernism: Style and Subversion 1970–1990 demonstrates, while the 1980s will forever be remembered as the decade of postmodernism, the movement’s roots can be traced back to 10 years earlier.
The V&A’s major autumn exhibition is the first in-depth survey of art, design and architecture of the 1970s and 1980s, examining one of the most divisive philosophies in recent art and design history. It traces postmodernism’s evolution from a provocative architectural movement in the early 1970s to an aesthetic juggernaut that spread its influence over all areas of popular culture – including art, film, music, graphics and fashion.
Rebelling against the constrictive doctrines of modernism, architects and designers like Charles Moore, Terry Farrell, Alessandro Mendini and Ettore Sottsas argued that form needn’t necessarily follow function, that designers should be free to inject humour and parody into their work, cherry-picking a hotch-potch of historical influences. With postmodernism, ‘style’ went from being almost a dirty word to being the sine qua non.
Curated by Glenn Adamson and Jane Pavitt, the exhibition brings together over 250 objects across a wide range of genres. In addition to architectural models and renderings, we find exuberant designs from Italian collectives Studio Alchymia and Memphis, graphics by Peter Saville and Neville Brody, music videos featuring Laurie Anderson, Grace Jones and New Order, and performance costumes – including David Byrne’s oversized suit from 1984 documentary Stop Making Sense.
An accompanying book, 'Postmodernism: Style and Subversion, 1970-90' (V&A Publishing), is also available in hardback at £40. After the V&A, the exhibition moves to the Museo di arte moderna e contemporanea di Trento e Rovereto (MART), Italy from 25 February 2012.
ADDRESS
The Victoria and Albert Museum
Cromwell Road
London SW7 2RL
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
‘I’ve considered every single detail’: how Victoria Beckham designed the perfect make-up brush collection
Victoria Beckham speaks to Wallpaper* about the meticulous design process behind her debut collection of make-up brushes, which perfectly treads a line between form and function
By Hannah Tindle
-
Can Maserati modernise or is the sun setting on one of Italy’s most beloved automotive brands?
Maserati’s GranTurismo Folgore is an epic electric grand tourer without equal. If only its traditionalist customers wanted it more
By Jonathan Bell
-
Viviane Sassen considers fine art, fashion photography and fragility in Italy
Viviane Sassen’s exhibition, 'This Body Made of Stardus' at Collezione Maramotti, spans two decades off Sassen's career
By Hili Perlson