Three thrones, four centuries: ‘This Island Sunrise’ at Sadie Coles HQ

‘This Island Sunrise’ celebrates improvised British design at Sadie Coles HQ, London (until 24 September 2023)

This Island Sunrise at Sadie Coles HQ
This Island Sunrise, curated by Simon Andrews, Sadie Coles HQ, London
(Image credit: © The Artist/s, courtesy Simon Andrews and Sadie Coles HQ, London.Photo: Katie Morrison)

When stumbling upon an antiques shop, it is always fun to have a rummage to explore what treasure you may find. Such unexpected encounters with overlooked craftsmanship are recalled in this exhibition of thrones – each at one time discarded or unwanted, and now given fresh perspective by curator Simon Andrews in ‘This Island Sunrise’ at Sadie Coles HQ in London, coinciding with London Design Festival 2023

Time to take a seat (or two) at Sadie Coles HQ

This Island Sunrise at Sadie Coles HQ

Installation view, ‘This Island Sunrise’, curated by Simon Andrews, Sadie Coles HQ, London

(Image credit: Credit: © The Artist/s, courtesy Simon Andrews and Sadie Coles HQ,London.Photo: Josef Konczak)

Three thrones stand tall as the focus of the exhibition, among other objects and artefacts. Though separated by centuries in their creation, each throne shares a similarity in being constructed out of modest or discarded materials to establish something beautiful, demonstrating its artist’s capabilities.

This Island Sunrise at Sadie Coles HQ

English or Welsh Turner’s Throne, c. 1640 turned ash and fruitwood, oak boards unique 56 x 32 x 29 inches (142 x 80 x 73.5 cm)

(Image credit: Credit: Courtesy Simon Andrews and Sadie Coles HQ, London.Photo: Katie Morrison)

Surprisingly, two of the thrones are inspired by the design and complexity of the skeletal system. The first, Turner’s Throne (c.1640), is an insight into the origins of how a throne was, and still is, viewed in history, as a symbol of power and authority. The unnamed creator would have used Britain’s forest to source ash, oak and walnut to hand-build this uniquely crafted throne.

Skeleton-inspired throne, part of This Island Sunrise exhibition at Sadie Coles HQ

Tom Dixon’s Skeleton Throne (1985). Installation view, ‘This Island Sunrise’, curated by Simon Andrews, Sadie Coles HQ, London

(Image credit: Credit: © The Artist/s, courtesy Simon Andrews and Sadie Coles HQ,London.Photo: Josef Konczak)

Centuries later, and through a more modern perspective, Tom Dixon’s Skeleton Throne (1985) tells a socio-political story. Dixon’s design is almost satirical in its use of discarded iron, a material on which Britain once built her empire, to create the pirate-eque skeleton that went down with the ship. As we face the aftermath of industrialisation and its dire impact on climate, the sentiment resonates.

Wooden throne

Eduardo Paolozzi, Sculptor’s Chair, 1985-1987, salvaged and repurposed materials including pine, beech, rope, linen, nylon cord, metal hooks and nails, together with a hammer 

(Image credit: Credit: © Eduardo Paolozzi, courtesy Simon Andrews and Sadie Coles HQ,London.Photo: Katie Morrison)

The final throne of the collection is one from Eduardo Paolozzi, who came across abandoned crates and other materials outside Zeev Aram’s Covent Garden showroom. Sculptor’s Chair (1985-1987) is for, in Paolozzi’s words: ‘the sculptor, after a lifetime of improvising, reaching for his tools’. The shallow box, hammer marks, knots and nails are additional details that nod to the creative mind and process of a sculptor.

Each throne offers a unique interpretation of British history and culture, brought together by design and identity.

'This Island Sunrise' at Sadie Coles HQ is on view until 24 September 2023

sadiecoles.com

Tianna Williams is the Editorial Executive at Wallpaper*. Before joining the team in 2023, Williams taught scuba diving for three years before heading into journalism. Previously she has been involved covering social media and editorial for BBC Wales, Ford UK, SurfGirl Magazine, and Parisian Vibe, while also completing an MA in Magazine Journalism at Cardiff University. Her work covers writing across varying content pillars for Wallpaper*.