White Cube at Arley Hall: contemporary sculpture meets the English country house garden
White Cube’s first outdoor sculpture exhibition puts the work of 12 modern and contemporary artists, including Tracey Emin, Antony Gormley and Danh Vo, on view in the grounds of Cheshire’s Arley Hall
Arley Hall and Gardens, a stately home in Cheshire, north-west England, is famed for its Jacobean Revival architecture and its picturesque landscape, created over 270 years by successive Viscounts Ashbrook and their families. To these attractions, it can now add an impressive display of contemporary sculpture, courtesy of White Cube.
The London- and Hong Kong-based gallery has selected Arley’s grounds as the venue for its first-ever outdoor sculpture exhibition, which includes 12 modern and contemporary artists from its roster, and runs until 29 August 2022.
‘At the same time as being a symbol of continuity, history and stability, gardens are continually changing and evolving,’ says Susanna Greeves, senior director at White Cube of her inspiration for the display. ‘This is a theme that we had in mind as we took on the task of placing contemporary art in this already very carefully curated setting. We thought about the ideas of nature and order, the tropes of the English country house garden, and how we might play with and subvert those.’
Among the more ambitious installations is Tracey Emin’s Surrounded by You (2017), initially created for the artist’s solo exhibition at Château La Coste and inspired by Mont Sainte-Victoire, not far from the Provençal art destination and a recurring subject of Cezanne’s paintings. Seen from another angle, it bears a resemblance to a reclining female nude, a signature Emin motif. Its alternately monumental and sensual form is not an easy match for the pristine hedges and manicured lawns adjacent, but it makes a memorable statement nonetheless.
Similarly impressive in scale, the late Greek artist Takis’ kinetic sculpture, Aeolian (1983), measuring 4.5m tall, towers over a field of wildflowers. At the top, a pair of hemispheres rotate gently on an axis, suggesting a modern radar picking up signals from afar and disrupting our vision of rural idyll.
Beyond an untitled cedar pavilion by Danh Vo (2020) – a modernist version of Qin Dynasty architecture, which previously stood outside White Cube’s gallery in Bermondsey, London and has been integrated into its new home with planting by Arley’s gardeners – it’s the smaller works that better respond to the present landscape.
Notably, a trio of Antony Gormley’s anthropomorphic Domain sculptures (2003), made from stainless steel bars that terminate at the perimeter of the body, perch on 17th-century garden walls, appearing and fading with changing weather conditions in a poetic ode to transience.
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox
Classical statuary is often placed where it might draw attention to a fully orchestrated view; in a prime spot along Arley’s Furlong Walk, where one might expect a nymph, Greeves has installed a radical work by Canadian artist David Altmejd. L’heure (2016) depicts a figure in contrapposto whose head is formed of hands cast from the sculptor’s own: ‘It’s almost as if the sculpture is making itself or unmaking itself,’ says Greeves.
Equally well-situated is a recent example of Marguerite Humeau’s ‘sculpture-elixirs’ – imagined plants that are intended to resurrect bygone medicinal traditions. Greeves has placed it near Arley’s Kitchen Garden: ‘I liked the idea that it refers to an earlier tradition of the great house growing medicinal plants,’ she says. The full title of the work is as evocative as its placement: Noxcalidus, The intense heat on the skin of a sleeping person, as if all their secret delusions were becoming vapour. Inspired by the Poppy’s milk that induces deep sleep and intense dreams, and connects us to a primordial consciousness or cosmic times (2022).
Meanwhile, Mona Hatoum’s Inside Out (concrete) (2019), a waist-height spherical work covered in a circuitous pattern that resembles the lobes of the brain, occupies a small clearing in The Grove (an informal garden in a woodland setting), as though an alien seed pod about to take root.
A large swathe of The Grove is dedicated to the work of Isamu Noguchi, represented by White Cube since 2021. Glistening gently in the summer sun, each of the sculptures in hot-dipped galvanised steel has an alluring silhouette, ranging from the majestic peaks and valleys of Rain Mountain to the Venus of Willendorf-like Goddess (both 1982-3). But the star of the show is the bright red Play Sculpture (c.1965-80). Around the 1970s, the Japanese-American sculptor had the idea of connecting standard sections of industrial sewer pipe into an undulating loop. The results are whimsical and striking, and just as Noguchi intended, visitors to Arley are invited to clamber around, or otherwise sit on the structure for a spot of rest. Dynamic in form and democratic in spirit, this is White Cube at Arley Hall at its best.
INFORMATION
White Cube at Arley Hall runs until 29 August 2022, whitecube.com, arleyhallandgardens.com
TF Chan is a former editor of Wallpaper* (2020-23), where he was responsible for the monthly print magazine, planning, commissioning, editing and writing long-lead content across all pillars. He also played a leading role in multi-channel editorial franchises, such as Wallpaper’s annual Design Awards, Guest Editor takeovers and Next Generation series. He aims to create world-class, visually-driven content while championing diversity, international representation and social impact. TF joined Wallpaper* as an intern in January 2013, and served as its commissioning editor from 2017-20, winning a 30 under 30 New Talent Award from the Professional Publishers’ Association. Born and raised in Hong Kong, he holds an undergraduate degree in history from Princeton University.
-
Inside Valentino’s glamorous new Sloane Street store, inspired by the art of haute couture
The latest in Valentino’s ‘The New Maison’ store concept opens on London’s Sloane Street this week, offering an enveloping marble and carpet-clad space of ‘intimacy and uniqueness’
By Jack Moss Published
-
Aesop’s Salone del Mobile 2024 installations in Milan are multisensory experiences
Aesop has partnered with Salone del Mobile to launch a series of installations across Milan, tapping into sight, touch, taste, and scent
By Hannah Tindle Published
-
Dial into the Boring Phone and more smartphone alternatives
From the deliberately dull new Boring Phone to Honor’s latest hook-up with Porsche, a host of new devices that do the phone thing slightly differently
By Jonathan Bell Published
-
Peter Blake’s sculptures spark joy at Waddington Custot in London
‘Peter Blake: Sculpture and Other Matters’, at London's Waddington Custot, spans six decades of the artist's career
By Hannah Silver Published
-
Oozing, squidgy, erupting forms come alive at Hayward Gallery
‘When Forms Come Alive: Sixty Years of Restless Sculpture’ at Hayward Gallery, London, is a group show full of twists and turns
By Hannah Silver Published
-
New glass sculpture creates a verdant wonderland at Apple’s Cupertino HQ
‘Mirage’ at Apple Park is the work of Zeller & Moye and artist Katie Paterson, a shimmering array of glass columns that snakes through the grounds of the company’s monumental HQ
By Jonathan Bell Published
-
Man Ray’s sculptures go on show in New York
‘Man Ray: Other Objects’ opens at Luxembourg + Co, New York, revealing their author’s ‘artistic revolution’
By Hannah Silver Published
-
Edinburgh Art Festival 2023: from bog dancing to binge drinking
What to see at Edinburgh Art Festival 2023, championing women and queer artists, whether exploring Scottish bogland on film or casting hedonism in ceramic
By Amah-Rose Abrams Published
-
Last chance to see: Devon Turnbull’s ‘HiFi Listening Room Dream No. 1’ at Lisson Gallery, London
Devon Turnbull/OJAS’ handmade sound system matches minimalist aesthetics with a profound audiophonic experience – he tells us more
By Jorinde Croese Published
-
Hospital Rooms and Hauser & Wirth unite for a sensorial London exhibition and auction
Hospital Rooms and Hauser & Wirth are working together to raise money for arts and mental health charities
By Hannah Silver Published
-
The best London art exhibitions to see now
Your guide to the best London art exhibitions, as chosen by the Wallpaper* arts desk
By Hannah Silver Published