Escape into Balinese artist Sinta Tantra’s tropical paradise

Balinese British artist Sinta Tantra opened a new exhibition in London just before the lockdown. Here, we take a photographic tour through the show at Kristin Hjellegjerde gallery filled with Tantra’s trademark tropical colour scheme, that she wraps around city streets and plazas from Sharjah to Seoul in her public art, as well as in her studio practice

Sinta Tantra’s ‘Modern Times’ exhibition at Kristin Hjellegjerde gallery in London
Sinta Tantra’s ‘Modern Times’ exhibition at Kristin Hjellegjerde gallery in London, currently closed
(Image credit: Luca Piffaretti - Photography)

Artist Sinta Tantra’s new exhibition ‘Modern Times’ at Kristin Hjellegjerde gallery in London brings together painting, murals, textiles and film into a poetic installation and comment on the globalisation of modernity. New paintings are framed by the mid-century gallery space (Andrew Logan’s former home and studio), pink-coloured vinyl and the sound of bird-song emerging from a tree.

The title of the show, ‘Modern Times’, takes its title from a Charlie Chaplin film from 1936. Set in the Great Depression, the film follows a factory-working protagonist who struggles with a ‘modern’ life defined by machines and consumption. Providing another take on globalization, black and white footage of Chaplin’s 1932 visit to Bali plays in the gallery space. 

Installation view

(Image credit: Luca Piffaretti - Photography)

Here Bali is seen in a pre-modern, pre-westernised era – and a golden age. ‘Last summer, I conducted a series of film interviews with my elderly father who grew up in a remote village in Bali, Indonesia, during the 1940s. Both Chaplin and my father seemed to have experienced a ‘golden age’ of Bali – a world untainted by machines and modernity – where days were spent preparing offerings to the Gods, ritual ceremonies, music and dancing,’ says Tantra.

The juxtaposition represents her interest in finding the intersection between modernity, her Balinese heritage and her own globalized identity as an ‘international artist’. Her work uses the language of modernism – geometric shapes also found in the work of Alexander Calder and Buckminster Fuller, and media from textiles to murals in the style of the Bauhaus. Yet her palette full of pinks, greens and yellows injects the Tropics into this language.

The exhibition, curated by Guillaume Vandame, is an installation of layers – film, plants, colours, architecture, sound and sculpture, all diffused in a pink glow from the vinyl across the industrial windows. It reflects the complexity of Tantra’s globalised modernism: ‘I wanted to cut through the vast architectural volume of the space and somehow inject the spirit of escapism or stepping into another world – part nostalgic, part historical, real and imagined,’ she says.

Gambin I, 2019, brass and glass

Gambin I, 2019, brass and glass

(Image credit: Luca Piffaretti - Photography)

Installation by Sinta Tantra in London

Installation view

(Image credit: Luca Piffaretti - Photography)

Installation view

Installation view

(Image credit: Luca Piffaretti - Photography)

INFORMATION

sintatantra.com

kristinhjellegjerde.com

ADDRESS

Kristin Hjellegjerde gallery
2 Melior Place
London
SE1 3SZ
UK

VIEW GOOGLE MAPS

Harriet Thorpe is a writer, journalist and editor covering architecture, design and culture, with particular interest in sustainability, 20th-century architecture and community. After studying History of Art at the School of Oriental and African Studies (SOAS) and Journalism at City University in London, she developed her interest in architecture working at Wallpaper* magazine and today contributes to Wallpaper*, The World of Interiors and Icon magazine, amongst other titles. She is author of The Sustainable City (2022, Hoxton Mini Press), a book about sustainable architecture in London, and the Modern Cambridge Map (2023, Blue Crow Media), a map of 20th-century architecture in Cambridge, the city where she grew up.

Read more
Girls on Bikes (Sarf Coastin’), by Elaine Constantine, styled by Polly Banks, December 1997, © Elaine Constantine.
London art exhibitions to see in March
collages
‘There's a lot to fear and a lot to love in this world’: Penny Goring unveils new work in London
exhibition
The dark fairytales of Nathalie Djurberg and Hans Berg come to life in Norway
person in green dress
Wallpaper* Design Awards 2025: Tate Modern’s cultural shapeshifting takes the art prize
dark oil paintings
‘You have to face death to feel alive’: Dark fairytales come to life in London exhibition
objects
Tasneem Sarkez's heady mix of kitsch, Arabic and Americana hits London
Latest in Exhibitions & Shows
frida kahlo
A major Frida Kahlo exhibition is coming to the Tate Modern next year
art works
Don’t miss these five artists at Art Basel Hong Kong
ai weiwei
Ai Weiwei's major retrospective in Seattle is a timely and provocative exploration of human rights
grayson perry
A portrait of the artist: Sotheby’s puts Grayson Perry in the spotlight
desert
Desert X 2025 review: a new American dream grows in the Coachella Valley
cowboy
Cowboys and Queens: Jane Hilton's celebration of culture on the fringes
Latest in News
perfume bottle archive Cristalleries de Nancy
This perfume bottle archive was nearly lost. Now, it offers a rare whiff of fragrance history
AMR-C01-R from Curv Racing Simulators
Curv teams up with a British sports car brand to create the ultimate luxury racing simulator
frida kahlo
A major Frida Kahlo exhibition is coming to the Tate Modern next year
vases PAD Paris
At PAD Paris, Omar Chakil’s new alabaster works for Galerie Gastou fuses Egyptian heritage and contemporary design
Aston Martin Vanquish Volante
Aston Martin looks set to make a bigger splash with its new Vanquish Volante
Pierre Yovanovitch
Pierre Yovanovitch’s set and costumes bring a contemporary edge to Korea National Opera in Seoul