Richard Long moves heaven and earth at Houghton Hall

‘My talent as an artist is to walk across a moor or place a stone on the ground,’ artist Richard Long says. What could be more primitive, more humble than that?
So why has this reclusive artist, who operates on mountains, wild moors and in deserts, been rambling the immaculately kept grounds and rooms of Houghton Hall, the grand Palladian stately home built to house Sir Robert Walpole, the first British Prime Minister?
In some places he has been incredibly – you could say uncharacteristically – bold. On the croquet lawn raw, jagged slates rise out of the pristine turf in a wide criss-cross marked out as sharply and as neatly as the hedgerows. Smack bang centre of the main lawn in front of the house he has dug up an 84ft long line and filled it with rough local sandstone, the reddish raw material once used to build the nearby stable.
‘A Line in Norfolk’, 2016.
Long is not an iconoclast, is not driven to rebelliously tear up history in the name of politics or ego. For the artist, the making of the work is the work, just as it was 50 years ago when he made his first sculpture (A Line Made By Walking,1967), simply out of walking. Long has in fact been visiting and considering Houghton’s grounds for years, has walked and walked and thought; he has carried and measured, and laid out all the stone himself, a long, physically demanding task.
What you find at Houghton is what remains of that labour. He has immersed himself in Houghton, just as he would a mountain, humbling himself before its scale, grandeur and beauty, experiencing within it the smallness of a single human step or gesture and the primitive, time-old human urge to respond to that emotion. Thus, to the shining Stone Hall of marble busts and stucco, Long has carried local Norfolk flint and slate and made a stone circle, which appears as delicate and intricate as the chandelier that hangs above it.
The exhibition is very beautiful in rain or shine, with two galleries devoted to his historic, globe-spanning career. It’s well worth a trip to Houghton.
Houghton Cross, 2016
White Deer Circle, 2016
North South East West, 2017
White Water Falls, 2017
Richard Long photographed in front of his White Water Falls, 2017
INFORMATION
‘Earth Sky’ is on view until 26 October. For more information, visit the Houghton Hall website
ADDRESS
Houghton Hall
King’s Lynn
Norfolk PE31 6UE
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
-
Premium pocketable audio scales up with the new SP4000 from Astell&Kern
The Astell&Kern A&ultima SP4000 is a serious piece of audiophile equipment, a high-res portable player that offers endless ways to shape your listening experience
-
The ultimate amenity in this Canadian apartment building? A trio of scene-stealing restaurants
Part of Citizen on Jasper, a new residential tower, Va!, Olia, and Mimi offer a thrilling day-to-night dining experience
-
These sculptural mirrors embody the relaxed spirit of the Med
Photographed in a Mallorcan residence designed by local studio Munarq, these new sculptural mirrors by New York furniture company Ready To Hang are inspired by the sea
-
Inside the fight to keep an iconic Barbara Hepworth sculpture in the UK
‘Sculpture with Colour’ captures a pivotal moment in Hepworth’s career. When it was sold to an overseas buyer, UK institutions launched a campaign to keep it in the country
-
Thirty-five years after its creation, Lynn Hershman Leeson’s seminal video is as poignant as ever
Lynn Hershman Leeson’s 'Desire Inc', at 243 Luz in Margate, blurs the boundaries between art and reality
-
Rolf Sachs’ largest exhibition to date, ‘Be-rühren’, is a playful study of touch
A collection of over 150 of Rolf Sachs’ works speaks to his preoccupation with transforming everyday objects to create art that is sensory – both emotionally and physically
-
Architect Erin Besler is reframing the American tradition of barn raising
At Art Omi sculpture and architecture park, NY, Besler turns barn raising into an inclusive project that challenges conventional notions of architecture
-
A bespoke 40m mixed-media dragon is the centrepiece of Glastonbury’s new chill-out area
New for 2025 is Dragon's Tail – a space to offer some calm within Glastonbury’s late-night area with artwork by Edgar Phillips at its heart
-
What is recycling good for, asks Mika Rottenberg at Hauser & Wirth Menorca
US-based artist Mika Rottenberg rethinks the possibilities of rubbish in a colourful exhibition, spanning films, drawings and eerily anthropomorphic lamps
-
Lubaina Himid and Magda Stawarska’s new show at Kettle’s Yard will uncover the missing narratives in everyday life stories
The artists and partners in life are collaborating on an immersive takeover of Kettle’s Yard, Cambridge, in an exhibition that delves into a lost literary legacy
-
San Francisco’s controversial monument, the Vaillancourt Fountain, could be facing demolition
The brutalist fountain is conspicuously absent from renders showing a redeveloped Embarcadero Plaza and people are unhappy about it, including the structure’s 95-year-old designer