Design lost its sense of urgency for Nathalie Du Pasquier back in 1987. From then on, painting became her favoured means of expression. She still has excursions into the realm of design, but the painter has definitely got the upper hand on the designer – perhaps because Du Pasquier has always been an artist at her core.
In the 1990s, when her work was particularly prominent in China (by virtue of an enterprising Hong Kong-based dealer), Du Pasquier developed a vigorous visual language in which her characteristic marks and strokes formed backgrounds, objects, spaces and shapes – they in turn became paintings and sculptures. Today, her work is held at galleries throughout Europe while New York’s Anton Kern Gallery announced representation of the Milan-based artist this week. In just the last three years, exhibitions have been dedicated to her in museums across Vienna, Philadelphia, London and Ljubljana.
Her career followed a trajectory decided by providence, rather than system. The naturalness of her journey is reflected in her latest exhibition ‘BRIC’, recently opened at ceramics brand Mutina’s headquarters in Modena, Italy. The brick is an essential structural element in human history and a recurring motif for the Memphis Group founding member. Here, it is a starting point for an installation that is at once dreamy and unpretentious.
Seven large sculptures inhabit the exhibition centre MUT, where the humble brick is the centrepiece of Du Pasquier’s installation. MUT, which is housed in an industrial building designed by the late Angelo Mangiarotti in the 1970s, is a light-filled cube of glass and cement. With the skill and dexterity of a croupier, the artist uses shape and texture, solids and voids, height and scale, to glorify the resolute normality of the brick and celebrate it as a cornerstone of architecture.
‘BRIC’ is a site-specific installation and the works themselves blur the boundaries between architecture and sculpture. Are they small towers or large pedestals? Could they be totems – or maybe even houses? They are panoramic viewing points that show us an artist’s outlook onto the world, and remind us of the need to liberate a thought that is coherent, human, analogical and positive.
Du Pasquier has made the most of Mutina’s productive techniques, which can be seen and felt in the finishes, the construction and the compositions that make up the installation. The collaboration has been such a success that it has even generated a new brick product called ‘Brac’ for Mutina’s catalogue. ‘Brac’ is available in five different finishes and can be used across a variety of structures and walls. The installation is curated by MUT director Sarah Cosulich and is open until the end of June next year.
INFORMATION
‘BRIC’, until 19 June 2020, MUT. mutina.it
ADDRESS
MUT
Mutina Headquarters
Via Ghiarola Nuova 16
41042 Fiorano Modenese
-
This surreal new seafood restaurant in LA is the stuff of mermaid's dreamsAt Cento Raw Bar, delectable fare is complemented by playful, oceanic interiors by Brandon Miradi
-
What’s new in the wearable world of smart glasses, and extended and augmented realityAre you ready for AR? Meta, Google, Snap and more are gearing up to compete with Apple and deliver frames-based communications devices – complete with AI integration
-
Italian-Japanese fusion’s a joy at east London’s Osteria AngelinaA Victorian warehouse in Spitalfields has been given a slick modern makeover to house a unique Italian-Japanese restaurant
-
San Francisco’s controversial monument, the Vaillancourt Fountain, could be facing demolitionThe brutalist fountain is conspicuously absent from renders showing a redeveloped Embarcadero Plaza and people are unhappy about it, including the structure’s 95-year-old designer
-
See the fruits of Niki de Saint Phalle and Jean Tinguely's creative and romantic union at Hauser & Wirth SomersetAn intimate exhibition at Hauser & Wirth Somerset explores three decades of a creative partnership
-
Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 seasonThree different exhibitions at LUMA Arles, in France, delve into history in a celebration of all mediums; Amy Serafin went to explore
-
Inside Yinka Shonibare's first major show in AfricaBritish-Nigerian artist Yinka Shonibare is showing 15 years of work, from quilts to sculptures, at Fondation H in Madagascar
-
Remembering Oliviero Toscani, fashion photographer and author of provocative Benetton campaignsBest known for the controversial adverts he shot for the Italian fashion brand, former art director Oliviero Toscani has died, aged 82
-
Distracting decadence: how Silvio Berlusconi’s legacy shaped Italian TVStefano De Luigi's monograph Televisiva examines how Berlusconi’s empire reshaped Italian TV, and subsequently infiltrated the premiership
-
Louis Fratino leans into queer cultural history in ItalyLouis Fratino’s 'Satura', on view at the Centro Pecci in Italy, engages with queer history, Italian landscapes and the body itself
-
Inside Jack Whitten’s contribution to American contemporary artAs Jack Whitten exhibition ‘Speedchaser’ opens at Hauser & Wirth, London, and before a major retrospective at MoMA opens next year, we explore the American artist's impact
