Once upon a time admirers of Libby Sellers were made to follow her, like 1990s ravers, to temporary locations across London, where she would hold exhibitions featuring Europe's most progressive designers. She championed Stuart Haygarth, Moritz Waldemeyer and Julia Lohmann at her Exhibition Road location during the 2007 London Design Festival; and last year she hosted Fabien Cappello's recycled-wood Christmas Tree Project in Hyde Park Corner before - poof - disappearing once again.
This month, however, the former Design Museum curator is finally settling down, in a permanent space on London's Berners Street. Her inaugural exhibitions continue her provocative tradition. Until 8 October she will devote a swath of the new space to Formafantasma, a duo of Eindhoven-based Italian designers who explore the complex cultural relationship between southern Italy and colonial Africa.
'It is the perfect show to open with,' says Sellers, 'because it sets the benchmark for what I hope my forthcoming exhibitions will be able to do - reveal beautifully made but very political and social work carrying a deep narrative and many layers.' Formafantasma's Andrea Trimarchi and Simone Farresin will show not only their acclaimed ceramics series but also their mounted mohair textiles, each depicting a different Italian colony in Africa.
Sellers also invites Belgian gallerist Caroline Van Hoek to guest-curate Woods, the work of 21 jewellery artists designed exclusively in wood. The buffed-wood beads beautifully echo the heritage theme of the Formafantasma show, yet they seem appropriately up to date for a 2011 London Design Festival.
Formafantasma's Andrea Trimarchi and Simone Farresin, both Italian born, explore the relationship between southern Italy and colonial Africa in their work
Their critically acclaimed 'Moulding Tradition' ceramics have features of Italian and North African ceramic traditions...
... while their mohair textiles, also currently being show at the gallery, each depict a different Italian colony in Africa
A detail of one of the mohair works – this one representing Tripoli
The Formafantasma exhibit runs until 8 October
ADDRESS
Gallery Libby Sellers
Ground Floor
41-42 Berners Street
London W1
-
Wallpaper* Gift Guides: What beauty editor Mary Cleary has on her wishlistWallpaper* contributing beauty editor Mary Cleary shares the items she is hoping to unwrap this holiday season – from transporting fragrances to a must-have skincare device
-
A Dutch visitor centre echoes the ‘rising and turning’ of the Wadden SeaThe second instalment in Dorte Mandrup’s Wadden Sea trilogy, this visitor centre and scientific hub draws inspiration from the endless cycle of the tide
-
Hyundai is the latest car company to get into robotics: meet the Mobile Eccentric DroidThe MobED is a new product from Hyundai’s Robotics LAB, pitched at last-mile delivery and industrial applications
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s wet, windy and wintry and, this week, the Wallpaper* team craved moments of escape. We found it in memories of the Mediterranean, flavours of Mexico, and immersions in the worlds of music and art
-
Each mundane object tells a story at Pace’s tribute to the everydayIn a group exhibition, ‘Monument to the Unimportant’, artists give the seemingly insignificant – from discarded clothes to weeds in cracks – a longer look
-
Out of office: The Wallpaper* editors’ picks of the weekThis week, the Wallpaper* team had its finger on the pulse of architecture, interiors and fashion – while also scooping the latest on the Radiohead reunion and London’s buzziest pizza
-
Out of office: The Wallpaper* editors’ picks of the weekIt’s been a week of escapism: daydreams of Ghana sparked by lively local projects, glimpses of Tokyo on nostalgic film rolls, and a charming foray into the heart of Christmas as the festive season kicks off in earnest
-
Wes Anderson at the Design Museum celebrates an obsessive attention to detail‘Wes Anderson: The Archives’ pays tribute to the American film director’s career – expect props and puppets aplenty in this comprehensive London retrospective
-
Meet Eva Helene Pade, the emerging artist redefining figurative paintingPade’s dreamlike figures in a crowd are currently on show at Thaddaeus Ropac London; she tells us about her need ‘to capture movements especially’
-
David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)The Turner Prize-nominated artist has filled a London gallery with ten tonnes of discarded rope, priced at £1 million, slyly questioning the arbitrariness of artistic value
-
Out of office: The Wallpaper* editors’ picks of the weekThe rain is falling, the nights are closing in, and it’s still a bit too early to get excited for Christmas, but this week, the Wallpaper* team brought warmth to the gloom with cosy interiors, good books, and a Hebridean dram
