Artist and designer Daniel Arsham – co-founder of the trailblazing Brooklyn firm Snarkitecture and responsible for such innovative immersive art-cum-architectural projects as 'The Beach' – has just completed an exhibition that further showcases his considerable creative talents. Art enthusiasts are already embracing 'The Future Was Written', staged at the Miami Design District’s YoungArts Gallery and curated by no less than the recently appointed Miami Pérez Art Museum Miami director, Franklin Sirmans.
Arsham’s efforts fall into the categories of sculpture, architecture and performance, making for an immersive and continually evolving experience; it's ‘fictional archeology’, he says, rationalising the thrust of the show.
Within the gallery, Arsham has placed some 2,000 chalk casts of works as disparate as film reels, Leica cameras and computers which he defines as ‘relics of the past’. Among them are casts of Grecian-style hands and regal heads, along with an electric guitar or two, all which are placed on a bevy of pedestals, with some strewn across the floor with black painted chalkboards cloaking the walls.
As to the transformative and participatory nature of the exhibition, gallery goers are invited to take up those chalky objects to create their own drawings throughout the two story space. Within hours of the preview party, upwards of hundreds of designs marked the gallery walls –a newly found public creativity galvanised under Arsham's fanciful influence.
'The Future Was Written' falls into the categories of sculpture, architecture and performance.
Within the gallery, Arsham has placed some 2,000 chalk casts of works as disparate as film reels, Leica cameras and computers which he defines as ‘relics of the past’.
Among them are also casts of Grecian-style hands and regal heads, along with an electric guitar or two, all which are placed on a bevy of pedestals, with some strewn across the floor with black painted chalkboards cloaking the walls.
It's ‘fictional archeology’, says Arsham, rationalising the thrust of the show.
INFORMATION
‘The Future Was Written’ is on view until 15 December
ADDRESS
YoungArts Gallery
2100 Biscayne Boulevard
Miami, FLA 33137
-
All hail the arrival of true autonomy? On Tesla’s proposed Robotaxi and techno-insecurityTesla’s new marketing push predicts a future of robot cabs, automated buses and autonomous home androids. We already want to get off
-
Discothèque perfumes evoke the scent of Tokyo in the year 2000As Discothèque gets ready to launch its first perfume collection, Mary Cleary catches up with the brand’s founders
-
This unassuming London house is a radical rethinking of the suburban homeStation Lodge by architect Andrei Saltykov in South West London offers a radical subversion to regional residential architecture
-
Daniel Arsham debuts new work in Paris and New YorkDaniel Arsham and Perrotin mark 20 years of collaboration with New York and Paris exhibitions
-
Explore Daniel Arsham’s ‘Relics in the Landscape’ at Yorkshire Sculpture ParkDaniel Arsham’s exhibition of outdoor sculpture draws from three millennia of culture, from the Venus of Arles to Pikachu
-
Daniel Arsham’s eroded turntable pays homage to an iconic Rimowa caseArtist Daniel Arsham teams up with luggage label Rimowa for a sculptural ode to the brand’s Pilot Case, available in limited editions from 7 October
-
At home with Daniel ArshamSpeaking from New York, prolific pan-creative Daniel Arsham discusses dream collaborators, Star Wars, and advice for the next generation, and shares images of his work, travels and home on Long Island
-
Daniel Arsham designs limited-edition cover for Wallpaper’s 25th Anniversary IssueIn an epic limited-edition cover creation for our October 2021, 25th Anniversary Issue, artist Daniel Arsham has eroded the Wallpaper* masthead to mark the passage of time
-
Artist Daniel Arsham on loving cars, and eroding themWe speak to American artist Daniel Arsham about his deep-seated passion for supercars and the drive behind his exhibition of eroded automobiles in Detroit – including a Porsche930 Turbo and Ford Mustang GT
-
Daniel Arsham’s eroded relics are rooted in classical sculptureThe New York-based artist turns back time for an exhibition of crystallised busts, friezes and sculptures at Galerie Perrotin in Paris
-
Snarkitecture opens immersive ‘fun house’ in Washington DC
