Alexandre Arrechea's 'No Limits' takes over Park Avenue

Black and white image of Alexandre Arrechea stood on his -in-progress reinterpretation of the Sherry Netherland Building, in a workshop setting — Alexandre Arrechea, with his work-in-progress reinterpretation of the Sherry Netherland Building, which will be installed on Park Avenue on 28 February

(Image credit: TBC)

Cuban artist and Los Carpinteros alumnus Alexandre Arrechea's latest body of work spins Manhattan landmarks on their heads. Playfully reinterprating iconic buildings like the Chrysler Building, the US Courthouse and the Empire State Building, his series of 10 bending and flexing sculptures are currently being positioned across a 20-block stretch of manicured Park Avenue.

Each mammoth sculpture of the 'No Limits' installation - presented by Magnan Metz Gallery, in partnership with the city's Department of Parks and Recreation and the Fund for the Park Avenue Sculpture Committee - is utterly loyal in its verisimilitude, and brims over with irony. Despite being constructed form 18,000 lbs of stainless steel, they loop and coil and curve to reflect social and political shifts of today's world.

'I wanted to create a link between the sculptures and an outside event,' says Arrechea. 'They go beyond the realm of architecture and reflect the constant change that we experience in our surroundings.'

Consequently, his version of Warren and Wetmore's the Helmsley Building takes the form of a snake eating it's own tail. 'It's a play on the [Ouboros] myth. It's like a city that devours itself. That has always been my first vision of New York,' the artist explains.

The concept for 'No Limits' revisits an idea Arrechea initially explored in 2009's 'A Room for All'. Exhibited during the Havana Biennale, the work comprised a small house that expanded and contracted according to the rise and fall of the Dow Jones Industrial Average.

This week's installation (the last sculpture will be installed on 28 February) marks the culmination of an almost two-year process, from the initial ink drawings, watercolour paintings and detailed maquettes, to Autocad renderings and the actual constructions from steel.

Arrechea's vast sculptures are sure to add a jolt of life to the Upper East Side. The public aspect of the project has not escaped him either - visitors will be able to rotate and spin some of the 20 foot high pieces to fully experience the artist's vision.

White background, red circular structure with broken fragmented section, art piece by 'Sherry Netherland', 2013 — 'Sherry Netherland', 2013. *Courtesy of the artist/Magnan Metz Gallery*

Black and white 'No Limits' illustration with hints of colour of Park Avenue, tall builidngs parked cars, road, Arrachea's sculpture, street lights — A sketch of the 'No Limits' installation by Arrechea. Once fully installed, the works will cover a 20-block stretch of Park Avenue

Artistic model metal sculpture of the Empire states building on a metal stand, white background — 'The Empire State Building', 2013. Courtesy of the artist/Magnan Metz Gallery

Black and white image of Arrechea in his white brick wall workshop, knelt at his 20ft stainless steel construction, surrounded by equipment, tools, lighting and work benches — Arrechea's works are constructed from stainless steel, reaching up to 20ft

Black and white image of A maquette of 'City Corp', 2013 mounted on a metal stand — A maquette of 'City Corp', 2013. *Courtesy of the artist/Magnan Metz Gallery*

Image of 'Flatiron', 2013 model, white background — 'Flatiron', 2013. *Courtesy of the artist/Magnan Metz Gallery*

Image of 'Chrysler', 2013 model, blue base and silver structure, on a white background — 'Chrysler', 2013. *Courtesy of the artist/Magnan Metz Gallery*

Image of 'Court House', 2013 model, red base, grey metal structure, on a white background — 'Court House', 2013. *Courtesy of the artist/Magnan Metz Gallery*

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Pei-Ru Keh is a former US Editor at Wallpaper*. Born and raised in Singapore, she has been a New Yorker since 2013. Pei-Ru held various titles at Wallpaper* between 2007 and 2023. She reports on design, tech, art, architecture, fashion, beauty and lifestyle happenings in the United States, both in print and digitally. Pei-Ru took a key role in championing diversity and representation within Wallpaper's content pillars, actively seeking out stories that reflect a wide range of perspectives. She lives in Brooklyn with her husband and two children, and is currently learning how to drive.