While Picasso’s searing 1937 masterpiece Guernica reflected the havoc of the Spanish Civil War to great acclaim, the London based artist Idris Khan too draws on contemporary violence. But rather then depict figures, Khan turns to language as well as numbers to reveal the current refugee crisis in Syria, Iraq, Afghanistan and Africa.
Now, Khan’s subtle – but searing – oeuvre is spot lit in an exhibition at Chelsea's Sean Kelly gallery: ‘Idris Khan: Overture’.
‘We’re in a deeply troubled time when millions of refugees escaping conflict is the norm,’ says Khan, whose father is from Pakistan and grew up in a Muslim household.
For his site-specific wall painting Displacement, Khan transcribed the now harrowing numbers of those seeking refuge in Europe and others in crisis, along with some of their personal stories, in a circular format. He layers over his finely stamped text in Arabic and a similar text in English. While Khan relies on language, the lines of the sentences meld into a single image both haunting and riveting.
In an additional radical departure from the paintings, photographs and drawings on view, Khan has – for the first time – also turned to glass as medium. His large scale work Overture consists of seven panels of glass onto which he has stamped the same message in both Arabic and English. The sheets of glass – each more than four feet in height – are suspended from an aluminium frame.
‘I sought to give a sense of how disturbing news can disappear from our minds, yet always be there,’ Khan says.
The large scale work Overture, 2015, sees Khan utilise glass for the first time.
The notion of how this message is obscured by repetition is at the heart of Khan's plea to remember individual tragedy.
Conflicting Lines, 2015, a similar rumination on the horrors of war, was also on show at Victoria Miro Mayfair in London earlier this year
Khan's haunting Numbers, 2015, plays on the dehumanising nature of realigning human beings as mere statistics.
Why Do They Go, 2015, casts a literal shadow of ISIS on to the throng behind the central hooded figure.
INFORMATION
’Idris Khan: Overture’ is on view until 24 October
ADDRESS
Sean Kelly
475 Tenth Avenue
New York, NY 10018
-
‘A beginning is a dialogue’: Simone Bellotti reveals a first glimpse of his vision for Jil Sander with an EP and music videoTitled ‘Wanderlust’, the music video and EP is a collaboration with Bochum Welt, signalling an esoteric start to Simone Bellotti’s tenure at the house before his runway debut later this year
-
Interni Venosta’s vases are made from laundry detergent bottlesBritt Moran and Emiliano Salci of Dimorestudio have conceived a series of expressive vases whose starting point is a humble plastic bottle
-
How an icon of Japanese Metabolist architecture took on a life of its own – even after its destructionWhen Kishō Kurokawa designed the modular Nakagin Capsule Tower more than 50 years ago, he imagined it boarding ships and travelling the world. Now it has, thanks to a new show at MoMA
