Symphony of colour: Abdoulaye Konaté merges music and matter at Blain|Southern
Malian artist Abdoulaye Konaté is known for creating enormous works from textiles, including one the size of a football pitch. Fifteen of his more modestly sized, but equally impressive, brightly coloured textile tableaux will hang in London for the first time next week at Blain|Southern, having made the journey across continents from the artist’s studio base in Bamako.
The exhibition’s title – 'Symphonie en couleur' ('Symphony in colour') – illustrates the artist’s ongoing interest in music. His compositions in thread allude to the traditional capes worn by Senufo musicians from areas of southwestern Mali and the north of the Ivory Coast. Looking at the large-scale fabric pieces, with their subtle gradients of coloured ribbons and strips of hand-embroidered cotton, you can almost hear the mellifluous sounds of the marimba and the drums. Konaté understands hue as a master musician understands his instrument.
Music has a fundamental place across West Africa and in Malian culture and custom; it is both a way to preserve tradition and ancestral roots and an animated part of contemporary life – represented too in Konaté’s art, that combines a laborious, long-established technique and traditional materials with a modern visual language that is in dialogue with the history of painting.
Elsewhere in the exhibition, which focuses exclusively on works created this year, Konaté draws inspiration from his local natural environment. L'oiseau rouge, for example, is named after a bird he used to see as a child; while Composition vert émeraude et rouge uses a polychromatic pattern that refers to the region’s geology – rocks and minerals such as amethyst, epidote, garnet and quartz.
The exhibition’s title – which translates as 'Symphony in colour' – illustrates the artist’s ongoing interest in music. Fifteen of his more modestly sized brightly coloured textile tableaux have made the journey all the way from his studio base in Bamako.
Konaté understands hue as a master musician understands his instrument – his canvas becomes his score by using subtle gradients of coloured ribbons and strips of hand-embroidered cotton.
The exhibition focuses exclusively on works created this year, in which Konaté draws inspiration from his local natural environment and childhood.
INFORMATION
’Symphonie en couleur’ is on view from 2 September – 24 September. For more information, visit the Blain|Southern website
Photography courtesy BlainSouthern. Copyright Todd White
Wallpaper* Newsletter
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
ADDRESS
Blain|Southern
4 Hanover Square
Mayfair
London, W1S 1BP
Charlotte Jansen is a journalist and the author of two books on photography, Girl on Girl (2017) and Photography Now (2021). She is commissioning editor at Elephant magazine and has written on contemporary art and culture for The Guardian, the Financial Times, ELLE, the British Journal of Photography, Frieze and Artsy. Jansen is also presenter of Dior Talks podcast series, The Female Gaze.
-
Remembering Christopher Charles Benninger (1942-2024)
Architect Christopher Charles Benninger has died in Pune, India, at the age of 82; we honour and reflect on his passing
By Aastha D Published
-
Chanel shows its sporting colours with a bold high jewellery collection
Chanel's high jewellery collection is inspired by its founder’s athletic aesthetic
By Hannah Silver Published
-
Sarah Solis’ first furniture collection is an homage to art deco
‘Is it weird to call furniture sexy?’ Los Angeles-based designer Sarah Solis discusses her debut furniture line and new brand and store, Galerie Solis
By Dan Howarth Published