The Serpentine Sackler Gallery launches with a new extension by Zaha Hadid

Three years after getting the nod from The Royal Parks, the Serpentine will finally open its new Serpentine Sackler Gallery this Saturday, a Grade II*-listed building located a stone's throw from the original gallery in Hyde Park.
Pritzker Prize-winning architect Zaha Hadid has transformed the interior of the Magazine building - a 200-year-old former gunpowder store - and added a curvaceous new extension as a contemporary counterpoint. The new space will bring some 900 sq m to the gallery's footprint, and will house the Magazine restaurant along with an exhibition space and function rooms.
Hadid rendered her classic curves in a soft and gentle fashion for the new annex in order to respect the neo-classical original. 'We wanted to use a new materiality,' says the architect, who opted for a PTFE coated, glass-fibre woven fabric membrane for the exterior skin. 'It looks temporary but is actually attached to the [existing] building in a really light way.'
The gallery has a long-held relationship with the UK-based architect, who designed the first of its annual summer Serpentine Gallery Pavilions in 2000. 'We wanted to work with her again for many reasons - primarily because she has no realised [permanent] buildings in Central London and she is one of the most distinguished architects working today,' says Serpentine Gallery director Julia Peyton-Jones. 'She married the old and the new extraordinarily.'
Hans Ulrich Obrist, co-director of exhibitions and programmes, adds: 'The German art historian Erwin Panofsky said that we invent the future out of fragments of the past, and that is exactly what is happening here.'
The existing structure's careful restoration was spearheaded by the Serpentine and Hadid, in partnership with The Royal Parks, while the landscaping around it was created by landscape designer Arabella Lennox-Boyd.
The new and existing galleries will work together to host a programme of art exhibitions - the first of which is a solo show of the work of Argentinian artist Adrián Villar Rojas, who creates monumental pieces in concrete, wood, steel and clay. 'Adrian wanted to develop a project where he really embraces the building's contradictions, the old and the new, the future and the past, the different traditions of the building,' says Jochen Volz, head of programmes at the gallery. Meanwhile, the original Serpentine building will be hosting the first solo exhibition in a UK public institution of Italian artist Marisa Merz.
This new addition to Hyde Park is named after Dr Mortimer and Dame Theresa Sackler, whose foundation supported the project with the largest single gift received by the Gallery in its 43-year history.
Opening to the public on Saturday, the Serpentine Sackler Gallery will secure some 900 sq m of much-needed space for the London gallery, and will be home to The Magazine restaurant, as well as exhibition space and function rooms
The original neo-classical building's careful restoration was spearheaded by the Serpentine and Hadid, in partnership with The Royal Parks
Hadid's classic curves are rendered in a soft and gentle fashion for the extension in order to respect the Grade II* listed original building
'We wanted to use a new materiality,' says the architect, who opted for a PTFE coated, glass-fibre woven fabric membrane on the outside of the structure. 'It looks temporary but is actually attached to the [existing] building in a really light way'
The curvaceous interior of the new extension
The Magazine restaurant
The interior of the renovated 1805 building
Hyde Park's new gallery is named after Dr Mortimer and Dame Theresa Sackler, whose Foundation supported the project with the largest single gift received by the Gallery in its 43-year history.
ADDRESS
Serpentine Sackler Gallery
West Carriage Drive
Kensington Gardens
London W2 2AR
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Ellie Stathaki is the Architecture & Environment Director at Wallpaper*. She trained as an architect at the Aristotle University of Thessaloniki in Greece and studied architectural history at the Bartlett in London. Now an established journalist, she has been a member of the Wallpaper* team since 2006, visiting buildings across the globe and interviewing leading architects such as Tadao Ando and Rem Koolhaas. Ellie has also taken part in judging panels, moderated events, curated shows and contributed in books, such as The Contemporary House (Thames & Hudson, 2018), Glenn Sestig Architecture Diary (2020) and House London (2022).
-
'There is no way light and darkness are not in exchange with each other': step inside Christelle Oyiri’s sonic world in Berlin
In an explosion of light and sound, Christelle Oyiri explores celebrity, mythology and religion inside CANK, a former brutalist shopping centre in Berlin’s Neukölln
-
Ashlyn, the quietly romantic New York label from a Yohji Yamamoto alumna
The focus of our latest Uprising column, Seoul-born Ashlyn Park worked for fashion greats before starting her own label in 2020. Showing her S/S 2026 collection at NYFW yesterday, she talks to Wallpaper* about marrying Japanese influences with the romance of Parisian savoir-faire
-
A family home turns into an immersive exhibition space for London Design Festival
Ceramicist Emma Louise Payne displays design in domestic surrounds for group show ‘The Objects We Live By’
-
Five of the biggest art exhibitions to see in London in 2026
From Marilyn Monroe, to David Hockney and Tracey Emin – get these art exhibitions in your diary now
-
Out of office: the Wallpaper* editors’ picks of the week
With the return of back-to-school, it's back to business for the Wallpaper* team, who’ve been making the rounds at fashion pop-ups and pavilion launches. Elsewhere, we’ve been indulging in new literature and old restaurants, and taking in a farewell exhibition at a landmark gallery...
-
From art to fashion, and back again: Jonathan Schofield’s figurative work is back in style
After graduating from London’s Royal College of Art, Jonathan Schofield began a career as a creative director at Stella McCartney. Now, he has returned to his first love, painting
-
Watch: artist Shezad Dawood lights up The Gaumont, King’s Road’s creatively focused new hub
In our short film, meet the artist, see his new work in the making, and discover more about The Gaumont
-
Out of office: the Wallpaper* editors’ picks of the week
Here in the UK, summer seems to be fading fast. Moody skies and showers called for early-autumn rituals for the Wallpaper* team: retreating into the depths of the Tate Modern, slipping into shadowy cocktail bars, and curling up with a good book
-
‘A Single Man’ is now a ballet – we go behind the design
As ‘A Single Man’ is presented by The Royal Ballet and Factory International in London, here’s how its set designer brought protagonist George’s inner and outer worlds to life on stage
-
Artists imbue the domestic with an unsettling unfamiliarity at Hauser & Wirth
Three artists – Koak, Ding Shilun and Cece Philips – bring an uncanny subversion to the domestic environment in Hauser & Wirth’s London exhibition
-
Out of office: the Wallpaper* editors’ picks of the week
Another week, another flurry of events, opening and excursions showcasing the best of culture and entertainment at home and abroad. Catch our editors at Scandi festivals, iconic jazz clubs, and running the length of Manhattan…