Why Art Smith remains a defining figure in modernist jewellery
A new book, 'Bodyworks: The Jewelry of Art Smith,' published by Smithsonian Books, celebrates a jeweller who made modernist jewellery design his own
For Art Smith [1917 - 1982], jewellery was an extension of sculpture, a philosophy that took shape in the sensual way his modernist pieces were worn on the body. Smith, who moved to New York City from Cuba as a toddler, studied sculpture before opening his own jewellery shop in Greenwich Village in 1946.
There, Smith established a distinctive aesthetic, drawing on an eclectic array of references, from dance to jazz and pan-African regalia, to create fluid and unique pieces. Smith delighted in unusual combinations, pairing semi precious stones with metals and wire which encircled the neck, or curled around the fingers. For Smith, rings were ‘hand decorations’ and necklaces ‘neck pieces,’ and their role was to enhance and celebrate the body.
Art Smith inside his 140 West 4th Street jewelry store, photograph by Lida Moser, ca. 1948
Smith’s considerable impact is the subject of a new book paying tribute to his life and career. Revered in his lifetime - Smith made work for a rollcall of high clients, including Eleanor Roosevelt and Duke Ellington - Smith’s legacy has since established him as a definitive voice in modernist jewellery design.
Model Carol Penn wearing Galaxy necklace, photograph by Coreen Simpson, 1987
‘The story of jeweller Art Smith has long radiated through the intertwined histories of American modernism and African diasporic expression, yet only in recent years have some of the most expansive contours of his life and work come into view,’ says Michelle D. Commander in the preface to Bodyworks: The Jewelry of Art Smith. ‘Smith's jewelry-fluid, organic, and unyieldingly modern-remains among the most distinctive contributions to midcentury design. But beyond the brilliance of form and the beauty of the objects lies a deeper resonance: Smith's work points to the ways Black makers have shaped the artistic landscape of the United States, often without the recognition they deserved.’
Art Smith wearing his Cluster Knuckles ring, unidentified photographer, 1968–79
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Hannah Silver is a writer, editor and author with over 20 years of experience in journalism, spanning national newspapers and independent magazines. Currently Art, Culture, Watches & Jewellery Editor of Wallpaper*, she has overseen offbeat art trends and conducted in-depth profiles for print and digital, as well as writing and commissioning extensively across the worlds of culture and luxury since joining in 2019.
