Loris Cecchini teams up with Chaumet to design a work of art for the wall and wrist

'Resonances' a collaboration between Berlin-based artist Loris Cecchini and French jewellery house
'Resonances' a collaboration between Berlin-based artist Loris Cecchini and French jewellery house Chaumet was debuted in Paris this week
(Image credit: press)

'Both works relate to architecture and space,' Italian artist Loris Cecchini says of his current installation Resonances - two large-scale pieces produced in collaboration with the French jewellery and watch house Chaumet. 'It's an emotional integration of both,' he continues. Now on show at the brand's flagship Place Vendôme boutique, the works: Waterbones, a suspended steel sculpture that sprawls across the air, and Wallwave Vibration, a water-like formation rippling out across the back wall, are rooted in Cecchini's fascination with the mathematical formations of the natural world.

There's a natural link to Chaumet too. The house's Class One model was the first ever diver's watch designed for women: it is waterproof, which makes it a sporty everyday watch; its robust nature nonetheless brimming with French chic. So, when Cecchini submitted his ideas for the commission, they settled on 'the fluidity of time'. 'They liked the idea that my work related to phenomenical science and a water theme,' he says.

Even more compelling is the fact that Chaumet also invited Cecchini to design a new Class One watch as part of the exhibition project. Playing on the Berlin-based artist's tendency towards purity, sculptural inversion and monochromatic tones, the limited edition all-white timepiece reflects the Wallwave Vibration piece with its rippling leather strap and cut out mother-of-pearl dial. 'The strap is an extension of the case,' Cecchini explains, 'it's sculptural to touch; an almost exact translation of my work.'

It's not easy to design a watch when you don't know how, so it's intriguing that Chaumet took a risk with Cecchini, and vice-versa. The design took a year to come to fruition. 'I liked the idea of going from maxi to micro because the challenge is to keep the quality and integrity on both scales,' Cecchini told us at the opening of the exhibition in Paris this week. 'Also, a watch is not an art piece, it's a useful object, so I had to learn how a watch is made - and that brings another dimension to my work.'

'Waterbones' is rooted in Cecchini's fascination with the mathematical formations of the natural world

Now on show at the French brand's Place Vendôme flagship, the suspended steel sculpture 'Waterbones' is rooted in Cecchini's fascination with the mathematical formations of the natural world

(Image credit: press)

The other work, Wallwave Vibration

The other work, 'Wallwave Vibration', shows a water-like formation rippling out across the back wall of the shop

(Image credit: press)

Cecchini design a new Class One watch as part of the exhibition project

Even more compelling is the fact that Chaumet also invited Cecchini to design a new Class One watch as part of the exhibition project

(Image credit: press)

The limited edition all-white timepiece reflects the Wallwave Vibration piece

Cecchini remarked, 'I liked the idea of going from maxi to micro because the challenge is to keep the quality and integrity on both scales'

(Image credit: press)

ADDRESS

Chaumet
12 Place Vendôme
Paris, 75001

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Caragh McKay is a contributing editor at Wallpaper* and was watches & jewellery director at the magazine between 2011 and 2019. Caragh’s current remit is cross-cultural and her recent stories include the curious tale of how Muhammad Ali met his poetic match in Robert Burns and how a Martin Scorsese Martin film revived a forgotten Osage art.