Architect Ramona Albert’s statement jewellery design
Ramona Albert considers light and structure in her eponymous jewellery brand
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
You are now subscribed
Your newsletter sign-up was successful
Want to add more newsletters?
Daily (Mon-Sun)
Daily Digest
Sign up for global news and reviews, a Wallpaper* take on architecture, design, art & culture, fashion & beauty, travel, tech, watches & jewellery and more.
Monthly, coming soon
The Rundown
A design-minded take on the world of style from Wallpaper* fashion features editor Jack Moss, from global runway shows to insider news and emerging trends.
Monthly, coming soon
The Design File
A closer look at the people and places shaping design, from inspiring interiors to exceptional products, in an expert edit by Wallpaper* global design director Hugo Macdonald.
A preoccupation with light defines the jewellery design of architect Ramona Albert, who shifts her focus from the large to the small scale in her eponymous jewellery brand.
‘Being an architect and designer, I am trained to design with constraints,’ Albert says. ‘In fact, for me, constraints are what make the work better and more successful. I am always fascinated by small acts of nature – how a vine twists around your fingers, how the bones in the body move as we move, or how the hand and fingers move as we go about our day.’
She begins her designing process by studying parts of the body and considering how a design will work both in its context and as a functional object in its own right. Inspired by nature, her jewellery looks to chrysalises, butterflies and shells in their juxtaposition of textures and curving, fluid forms.
‘They are all connected by light,’ Albert adds. ‘I have always been fascinated by light as an architectural element and how it interacts with materials and different forms. Throughout my career I have worked with light as an element, and here I am in search of the way light can be captured by a wearable object. Each product plays with light in some way, so that it either reflects the surrounding or uses the surrounding to give the illusion of colour.’
The resulting bracelets and rings form textured shapes that cut ridged silhouettes around the wrist or hypnotic circles around the finger, the end result of a non-linear creative process.
‘There is a lot of progress, then often failure and reworking,’ Albert says. ‘But that is what makes something good and unique in the end. Streamlining the process of manufacturing is something I aspire to; right now, the end result depends on many parties working together seamlessly.’
INFORMATION
Receive our daily digest of inspiration, escapism and design stories from around the world direct to your inbox.
Hannah Silver is a writer and editor with over 20 years of experience in journalism, spanning national newspapers and independent magazines. Currently Art, Culture, Watches & Jewellery Editor of Wallpaper*, she has overseen offbeat art trends and conducted in-depth profiles for print and digital, as well as writing and commissioning extensively across the worlds of culture and luxury since joining in 2019.