The Germans call it ‘gute Form’: clearly defined contours, perfectly executed lines and a lightness of volume. One example of such elegant design and craftmanship is Walter Knoll’s iconic FK chair, created by Danish designers Preben Fabricius and Jørgen Kastholm.
Trained, respectively, as cabinetmaker and blacksmith, but meeting later, while studying interior design in the 1950s, Fabricius and Kastholm were united in their uncompromising philosophy of ‘perfection, aesthetics and minimisation’, devoting themselves to optimising shapes, materials and ergonomics.
Having founded their creative studio in 1961, Fabricius and Kastholm caused a minor sensation at the 1966 Cologne Fair when they exhibited a series of minimalist but comfortable office and home furniture in steel and leather. The pair would go on to create numerous contemporary classics, most notably the FK chair.
Designed in 1967 and described by its manufacturers as ‘compelling conciseness’, the FK chair comprises a bucket seat set on a three-leg aluminium base. Available with both high or low backrests, it is as timeless as it is modern; a bold and formal language of comfort and function, still handcrafted by the Walter Knoll experienced workmen.
Founded in Stuttgart in 1865 by Wilhelm Knoll, a leather craftsman and supplier, Walter Knoll’s expertise in design and ergonomic function has evolved over three centuries. The company has always been at the cutting edge of manufacturing techniques and brave new forms – even introducing the first club armchair to Germany – but the traditions of skilled craftsmanship combined with the finest materials is a constant.
Wallpaper* shot this short film on location in Germany, as tribute to the class, comfort and elegantly designed perfection of a veritable office classic. Gute Form, indeed.
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