Oliver Spencer’s new collection is inspired by The Bloomsbury Set
Titled ‘The Bloomsbury Man’, Oliver Spencer’s A/W 2022 collection sees the designer seduced by the bohemian spirit of the Bloomsbury Set, melding their eclectic aesthetic with his contemporary vision for tailoring
The Bloomsbury Set, a collection of writers, artists and intellectuals who occupied the London neighbourhood in the early decades of the 20th century, has provided ample inspiration for fashion designers across generations. From Kim Jones at Fendi to Rei Kawakubo at Comme des Garçons – and, as of this season, British designer Oliver Spencer – the movement’s liberated, bohemian spirit and aesthetic preoccupations have proved timeless touch points.
Released for A/W 2022, Spencer’s latest collection is titled ‘The Bloomsbury Man’, which the designer says combines a vision of the archetypal ‘1920s artist and thinker’ – Duncan Grant or EM Forster, perhaps, both members of the set – with his own contemporary, relaxed vision of tailoring.
The Bloomsbury Man: Oliver Spencer A/W 2022
Arriving in an earthy colour palette evocative of a British autumn, alongside classic blues, greys and mustards, Spencer focuses this season on an eclectic array of textures to add richness to the collection – among them terry cord, needlecord, jumbo wale corduroy, brushed organic cotton and ecological wools.
Spencer says the various pieces are designed to be mixed and matched with abandon, in a manner evocative of the Bloomsbury Set’s eclectic interiors – notably, Charleston House in Sussex – where a miscellany of fabrics, wallpapers and prints were used in singular spaces. ‘The collection complements the wearer’s creativity and experimentation,’ says Spencer.
Ready for the incoming autumn and winter months, and times spent indoors, silhouettes are loose and relaxed – unstructured wool tailoring and Donegal knits with a flecked appearance – though cut with an intrinsic elegance which allows the pieces to be worn whatever the demands of the occasion.
New introductions for the season include the Mansfield jacket – a blazer with peaked lapels and a tab closure, finished with horizontal stitch detailing for surface interest – while the cult Solms jacket is reimagined in jumbo cord, ready to be worn with matching trousers or eclectically mixed with the other pieces in the collection (or, indeed, your own wardrobe).
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Jack Moss is the Fashion Features Editor at Wallpaper*, joining the team in 2022. Having previously been the digital features editor at AnOther and digital editor at 10 and 10 Men magazines, he has also contributed to titles including i-D, Dazed, 10 Magazine, Mr Porter’s The Journal and more, while also featuring in Dazed: 32 Years Confused: The Covers, published by Rizzoli. He is particularly interested in the moments when fashion intersects with other creative disciplines – notably art and design – as well as championing a new generation of international talent and reporting from international fashion weeks. Across his career, he has interviewed the fashion industry’s leading figures, including Rick Owens, Pieter Mulier, Jonathan Anderson, Grace Wales Bonner, Christian Lacroix, Kate Moss and Manolo Blahnik.
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