Mood board: ‘Familiar clothing archetypes, mixed with statement pieces and a highly personal individuality,’ was how stylist and artistic director Karl Templer described his sophomore collection for the brand. For autumn, this meant a selection of sleek bourgeois silhouettes with a subtle twist: shirt dresses in mismatch polo dots, pussy bow blouses in leather, boucle suiting reimagined in the silhouette of a strapless dress and pleated skirts with chunkier than conservative chain belts.
Best in show: Double layer tuxedo trousers with two waistbelts and chain belt detail were dazzling in their deconstruction, and offer something avant-garde yet elegant for evening dressing. There was an artful air to fluid silk dresses with figurative female prints, and an Aran knit cape with gold buttons was a great take on snuggly outerwear.
Finishing touches: The slouchy boot is one of autumn’s more enduring footwear styles (also seen in Milan at Salvatore Ferragamo and Etro). Ports 1961’s had a gaiter-like sensibility and were embellished with bourgeois lengths of chain across their upper.
Ports 1961 A/W 2020
Ports 1961 A/W 2020
Ports 1961 A/W 2020
Ports 1961 A/W 2020
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Dario Vitale makes sexually-charged debut for Versace, inspired by the ‘bold attitude’ of Gianni VersaceSucceeding Donatella Versace, the ex-Miu Miu design director is the first to helm the brand outside of the Versace family. His debut last night in Milan was staged within the opulent rooms of Pinacoteca Ambrosiana
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